Anniversaries. Back in mid-December 1998, 26 years ago to the month, we wrapped my first (and probably only) feature film as a director, The Trench. I always think about the film on 11 November, because during the shoot we observed a uniquely different minute’s silence in the labyrinth of trenches we had constructed on a
Today Meredith Swann is driving in her new car under the M40 flyover checking on her GPS system to see if she’s following the flowing arrows correctly. She has switched off the woman’s voice — ‘Turn left in 200 yards’ — because it reminds her uncannily of her mother, all calm, quiet advice with a
Dordogne, France Down here in southwest France, the ripple effect of the war in Ukraine has become oddly visible. Normally the fields around our house are planted with sunflowers and maize – but not this year. Wheat and barley stretch to the horizon. As you drive around, the roadside fields all bear witness to the
Last year I wrote a piece about James Bond for the ‘Freelance’ column of the Times Literary Supplement. All true Bond lovers — of the novels, I mean — know that he lived in a ‘comfortable flat in a plane-tree’d square off the King’s Road’, as Ian Fleming described it in Moonraker. Further internal evidence
What must it be like for an artist to achieve success only at the end of a long, relatively ignored career? The word ‘bittersweet’ seems particularly apt. Yet, late recognition is better, I suppose, than dying in oblivion like Vincent van Gogh, Franz Kafka or John Kennedy Toole. One of my favourite photographers, Jacques Henri
I am heading off to rural south-west France for Christmas. This is the 25th Christmas running that I’ll have spent in France. One of the attractions is that Christmas is a one-day holiday there. Everyone is back at work on Boxing Day. You have a large meal with your family and that’s it. I have
Just back from a few days in Rome — the perfect small metropolis for ‘street-haunting’, as Cyril Connolly described his love of strolling through cities. I first went to Rome in 1976, aiming to interview — for my university magazine — three of the writers who lived there or thereabouts at the time. I duly
‘S is for Spoof.’ There it is on page 86, a full-page reproduction of a Nat Tate drawing, sold at Sotheby’s in 2011 for £6,500. A sum which, it is added, with all due respect to [William] Boyd’s ability as an artist, probably proves the point about promotion being more important than talent. It’s always
Vienna. I’m here on the first leg of a short three-city tour for my new novel — Eine Grosse Zeit in German. The weather is sensational, warm and sunny, and even though we’re still firmly in March and there isn’t a leaf on a tree, Vienna’s cafés have their tables out on the sidewalk wherever
The Dreams of Bethany Mellmoth, by William Boyd Illustrated by Carolyn Gowdy Bethany Mellmoth is in a quandary — and she doesn’t like quandaries. It’s December 20th. Five days until Christmas. The fact that this is a Christmas quandary makes it no more bearable. In truth she thinks that this fact makes it more unbearable.
London is the first city of humiliation: London does it better than anywhere else. I should know, its latest victim. First my divorce — you would think, what with war in Korea and the death of King George — that the Times would have more newsworthy events to report than my decree absolute from my
It’s perhaps worth reminding ourselves at the outset, as we reach the third volume of John Richardson’s stupendous biography of Picasso, exactly where we are. Picasso died in April 1973, aged 91, and it comes as something of a shock to realise that at the end of this volume, in 1932, he’s a middle-aged man
On 2 July 1816 the French frigate Medusa, en route for Senegal, ran aground on the dreaded Arguin sandbank off the west coast of Africa. Incompetent seamanship had landed the vessel there and attempts to refloat the Medusa over the next couple of days proved to be in vain. The decision was therefore taken to
‘Mostly we authors repeat ourselves,’ Scott Fitzgerald observed late in his life. ‘We learn our trade, well or less well, and we tell our two or three stories … as long as people will listen.’ There’s a lot of truth in this remark (though some authors have more than two or three stories to tell),