A chronicle of three young actors desperate to forge careers in the acting profession sounds like a dangerously familiar proposition. We are all now habituated to the weekly Saturday evening drama of wide- eyed dreamers drilled, mauled, culled and reculled in search of a Nancy, Dorothy or Maria. In Lucky Break, however, Esther Freud redraws
Toby Jones, Karl Rove in the film W, explains his character’s relationship with President Bush Condoleezza Rice’s teeth lie discarded beside her bottle of water. Colin Powell’s wig needs adjustment. Across the table, Scott Glenn removes Donald Rumsfeld’s steel-rimmed spectacles and continues his description of the seven months he spent in the Philippines shooting Apocalypse
Toby Jones on how theatre is being used in Malawi to help stop the spread of Aids The interior designer charged with decorating the IT suite probably didn’t have theatre in mind. I am staring at the pastel carpeting, Venetian blinds and the useless plug dangling from the overhead projector: we could be anywhere. The
Some time after 10 p.m. on 28 November 1966 Truman Capote sashayed into the Grand Ballroom of the Plaza Hotel in New York to place himself at the epicentre of New York society. All that autumn New York had speculated about the possible guest list for Capote’s Black and White ball. Capote had nurtured and