The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
A paradox of art history: to understand the artists of the past, it helps to study how, and where, they conceived of the future. If today we foresee the future in the East, previous generations looked westward. In the last century, Europeans, having inherited a seemingly aged and decrepit civilisation, determined that the future of
Grade: A The original Monument Valley was a handheld puzzle game of beautiful design and high originality. Why it was called that I have no idea: the title suggests a desert landscape of red dust and sand-scoured buttes, but the playspace was a series of architectural arabesques hanging in space, around which the player navigated
Many indie types from the 1980s and 1990s were secretly metal fans. But it’s not something they ever really wanted to admit to in public. They’d talk a good game about the Stooges and the Velvet Underground but back home – as was the case with Leeds’s goth overlord Andrew Eldritch, of the Sisters of
The Brutalist, which is a fictional account of a Jewish-Hungarian architect in postwar America, has attracted a great deal of Oscar buzz and has been described as ‘monumental’ and ‘a masterpiece’ and ‘an inversion of the American dream’ and ‘up there with Citizen Kane’. It’s three and a half hours (including a 15-minute intermission) and
The West End’s new political show, Kyoto, can’t be classed as a drama. A drama involves a main character engaged in a transformative personal journey. This is a secretarial round-up of various environmental summits, or ‘Cop’ meetings, held during the late 1980s and 1990s. If you remove the private jets, a Cop summit is a
Needless to say, there have been any number of thrillers that rely on what Alfred Hitchcock called a MacGuffin: something, however random, that the goodies have to find before the baddies do. Less common are those where the MacGuffin is the mathematical formula for prime numbers – which is where Apple TV+’s latest show comes
When a phrase really takes off in the political sphere, you will recognise it by the frequency with which it crops up on the Today programme. Many years ago, I noticed that politicians had begun using the line ‘it’s not rocket science!’ when attacking the alleged inability of their opponents to get even the basics
Since its première in Paris in 1841, Giselle has weathered a bumpy ride. For St Petersburg in 1884, Petipa gave Coralli and Perrot’s original choreography the once-over and Fokine grafted on further innovations when Diaghilev brought the ballet to London in 1911. Despite casts led by Pavlova, Karsavina and Nijinsky, it bombed here with critics
Once upon a time on Broadway, Igor Stravinsky composed a ballet for Billy Rose’s revue Seven Lively Arts. After the first night, Rose felt that Stravinsky’s efforts might benefit from the attention of Robert Russell Bennett – the king of Broadway orchestrators, who’d collaborated with Cole Porter and the Gershwins. ‘YOUR MUSIC GREAT SUCCESS,’ he
Strategically located in the narrows of the Mediterranean between Sicily and Tripoli, with a fine natural harbour, Malta has attracted the attention of successive conquerors for two millennia: Phoenician, Carthaginian, Roman, Byzantine, Arab, Norman, Aragonese, French and finally British. In 1565, the island was occupied by a power that was already beginning to look anachronistic:
In his closing pages, Chris Evans delivers his verdict on his subject: That’s what Gary Lineker is: human. As his story shows, it’s possible to accomplish seemingly impossible things while staying grounded and true to your roots. I hate to be cruel about a diligently researched book by a freelance journalist. But unthinking writing cannot
What does it take to bury an outdated argument? The thought occurred while reading Motherland, one of a series of recent books seemingly haunted by the ghost of Hugh Trevor-Roper. Back in 1964, Trevor-Roper, an expert on the English Civil War and the Third Reich, made the mistake of opining on African history. There was
It is rare to read a book about Cicero that likens its hero to a demagogue. Rome’s prosecutor of conspiracy and corruption in the last years of the Republic is seen more commonly as a toga-draped crusader for virtue. Was he also a ranter steeped in violence, crude character-assassination, tendentious storytelling and racial stereotypes? Yes,
‘Immersive’ exhibitions get a bad rap. And it’s not hard to see why. But if, like me, you find yourself hard-pressed to concentrate on Important Art when troubled by the cares and complexities of life, then digitally amplified sensation and spectacle might be a decent alternative if your museal itch needs scratching in stressful times. There
London, June 1877. Beneath a cloudy sky, the celebrated art critic John Ruskin strode along Bond Street towards the newly opened Grosvenor Gallery. Inside, he viewed a smash-hit show of beautiful and progressive art. At least that was the popular opinion. With a few exceptions, Ruskin dismissed the works on display as eccentric, impertinent and
Whenever a new study of the Nazi regime appears, it is taken as a given that after Adolf Hitler seized power and became dictator of Germany in 1933 an egalitarian society emerged, very different to previous decadent, backward-looking generations. In this modern era, it is assumed, the concerns of the Kaiser and the German elite
My cat can smell depression. Another family cat could smell my stepfather’s dementia. They both became more affectionate and tactile: the dementia-smelling cat would gently paw my stepfather, when he hadn’t even liked her when he had been well. My cat comes in close when my mood is darker. Perhaps both cats were using other
Winston Churchill hoped and expected his autobiography, My Early Life, to be read as much as literature as history, and also as an adventure story. He dedicated it ‘To a New Generation’, and it was especially intended to inspire people in their early twenties. ‘Twenty to 25, those are the years,’ he wrote. ‘Don’t be
Maeve Brennan (1917-93) was a supremely gifted Irish/American writer, whose work is periodically rediscovered, only to vanish again. It’s as if her literary reputation (she has been compared with Joyce, Flaubert and Chekhov among others) won’t stay fixed and is as homeless as she herself became. Arriving home to Dublin, Anastasia expects a warm welcome
When José Saramago denounced the Bible as a ‘catalogue of cruelties’ at the launch of his novel Cain in 2009, the response from the Catholic church in Portugal was fast and frosty. The country’s conference of bishops labelled his comments ‘offensive’, adding: ‘Insults do no one any good, particularly from a Nobel prizewinner.’ Saramago might
When passions are aroused, all of us are liable to overstate our case. Dan Hicks, a curator at Oxford’s extraordinary Aladdin’s Cave of anthropology, the Pitt-Rivers Museum, is perhaps a case in point. A Swedish academic, Staffan Lunden, has convincingly argued that Hicks is guilty of ‘distortion’ when writing about the British raid on Benin
It’s a right mess, the classical piano trio; the unintended consequence of one of musical history’s more frustrating twists. When the trio first evolved, in the age of Haydn, the piano (or at any rate, its frail domestic forebear) was the junior partner, and the two string instruments, violin and cello, were added to make
It doesn’t have anything new to say, which is right. If you could figure Dylan out, it would all be over A Complete Unknown is the Bob Dylan biopic from James Mangold, who also made Walk The Line about Johnny Cash. It stars Timothée Chalamet, who is astonishing, and does his own singing. He may
The Tempest is Shakespeare’s farewell, his final masterpiece or, if you’re being cynical, the play that made him jack it all in. Some actors admit that it can be hard to stage and dull to perform. What is it exactly? A children’s fairy tale and a soppy romance with snatches of drunken farce and political
Relive with me and enjoy again the downfall of Armand Douglas Hammer. If you remember, Hammer’s Hollywood career had been going as smoothly as anything: there was his 2010 breakthrough playing the Winklevoss twins in The Social Network, his turn as Leonardo DiCaprio’s no. 2 in Clint Eastwood’s J. Edgar, the 2018 Golden Globe for
When Cicely Mary Barker’s Flower Fairies of the Spring was published in 1923, a post-first world war mass wishful belief in fairies was at its height in Britain. Just over two years previously, Sir Arthur Conan Doyle, writing in the 1920 Christmas issue of the Strand Magazine, had stated that the ‘Cottingley Fairies’ (tiny winged
For artists lacking any obvious feel for the style, ‘going country’, similar to mainstream white artists dabbling in reggae in the 1970s following the breakthrough of Bob Marley, tends to elicit the sour whiff of a morning after the last chance saloon. Particularly at a time when a slick multi-hyphenate brand of country music is
American Primeval should really be called Two Incredibly Annoying Women In The Wild West. Yes, the first title is more clickbaity, whetting the prurient viewer’s appetite for the savage, primitive violence that splatters over every other scene. But the second is more accurate. Not since Lily Dale in Trollope’s Chronicles of Barsetshire have I rooted
James Birch is a somewhat mysterious art dealer and curator, whose first great triumph was mounting a Francis Bacon exhibition in Moscow in 1988. He wrote a gripping book about that adventure, Bacon in Moscow, and has now written an even more gripping follow-up, about taking Gilbert and George to Moscow, Beijing and Shanghai. Mounting