The Spectator’s 2022 Books of the Year
William Boyd Writing effective comedy is very difficult. True comic genius, the ability to create a unique tone of voice — deadpan, perfectly timed, self-deprecating, abjuring all whimsy (the British disease) and grandstanding — is extremely rare. One thinks of S.J. Perelman, Peter de Vries, the Grossmiths and P.G. Wodehouse amongst very few others. One name that can be added to this tiny and exclusive club is Theo Fennell who has published, this year, his memoir I Fear For This Boy: Some Chapters of Accidents (Bloomsbury, $35). It relates incidents in Fennell’s life where everything that could go wronnd Catholic Churches as he veered between them.