Unfinished business | 21 January 2012
The phrase ‘community drummers’ strikes fear into me. When I read it in the programme notes for Survivor, Antony Gormley’s collaboration with Hofesh Shechter, premièred at the Barbican, I paused a beat. The elder cerebral artist paired with the young passionate choreographer: so what exactly is this? In the ladies afterwards I heard the disparaging
