Tanya Gold

Blacklock is the fourth restaurant of that name – there are others in Soho, Shoreditch and the City of London. It sits in a former royal coach-makers in an alley near the Garrick Club under signage that says ‘Chop’. We descend to a cavern. The walls are exposed brick, the floors are dark wood, and the ceiling hangs over exposed pipework. There is a map of a more ancient and more interesting London on the wall, from the days in which chop houses were as common as raw sewage, or horses. It’s fiercely brown; committed to brown; washed with brown: chairs, tables, light fittings, food. There are tables of men looking expansive like Italian rugby fans. They love Blacklock for its brownness, its simplicity and its blood.

I was going to be jolly this week, for variety and denial, but I changed my mind. Instead, I wonder if, when Vladimir Putin – insert your own nickname, mine is unprintable – talks about the weakness of western civilisation (I paraphrase) and, therefore, our unwillingness to resist tyranny in the shape of a balding paranoiac unwisely given Botox by a beautician who lied to him because everyone lies to him, he means Fallow, which is a new restaurant in St James’s. I wonder if Putin has been to Fallow wearing a prosthetic head and, if so, did he do the soft launch or the hard one? Did he steal more hair? He has stolen so much money from Russia he could afford a room full of prosthetic heads each with their own hair. (You can buy hair on racks at wedding shows.

The Cadogan hotel, Chelsea, is where Oscar Wilde was arrested for sodomy and gross indecency in 1895, in Room 118, which is now memorialised as the site of the arrest. Institutional homophobia is a weird thing to commemorate in fabrics, but everything is a tourist attraction these days. The hotel is a tall red late-Victorian castle incorporating neighbouring houses, one of which belonged to the actress and mistress of Edward VII, Lillie Langtry. It was, then, a hotel for betrayal on the corner of Pont Street. John Betjeman mentions this in his poem ‘The Arrest of Oscar Wilde at the Cadogan Hotel’, and offers disaster PR of a timeless kind: ‘More hock, Robbie — where is the seltzer?/ Dear boy, pull again at the bell!

The Connaught Hotel’s formal dining room was always, to me, a place of childish myth; more comforting for being mythical. I am certain it is the dining room in Judith Krantz’s novel Princess Daisy, to which a Russian prince takes his daughter in the 1970s. In this tableau you find Robert Maxwell, Margaret Thatcher and people willing to pay for newspapers. I had, in a crowded field, my best ever celebrity encounter here, with the Netanyahus, in what used to be the breakfast room overlooking Carlos Place. ‘Shalom,’ I said, thrilling to the Waspy-ness we were subverting with our very presence. (I meant it. I meant it more than they did. I think that is clear.) ‘Shalom,’ Mrs Netanyahu said back. That was it.

Soho is so gilded nowadays that even drug addicts look down on it. The wasteland without must match the wasteland within. That is harmony. Soho is not a wasteland now: it is no longer that interesting. It is, rather, a shopping district with restaurants and hotels: whimsical, trivial, overpriced. People say it is our youth we lament when we moan about Soho, not the filthy streets we lay in and were fond of, but I am not sure if this is true. Every great city needs a district for wanking and sobs. But this is not it, not anymore. The gateway under the grand hotel by Piccadilly is now an Ugg shop and I have not seen an Orthodox Jew leap into a sex shop with a great, subversive skip — he was vaulting through cultures, after all — for years. Those days are over.

Piccadilly is losing its patina of dirt, its cadaverous character. It is overpriced and over-renovated,a meeting place for luxury goods. Perhaps I cannot forgive it for not actually containing Dracula’s ‘malodorous’ house; but who has a resentment against a street except this column and Hillary Clinton, who set a terrorist attack here in her new novel State of Terror (written with Louise Penny), which describes her resentment towards Donald Trump through the prism of genre fiction? Piccadilly does, though, now have three excellent restaurants: HIDE; the Wolseley; and José Pizarro at the Royal Academy of Arts, which opened this summer. I am used to good art and bad food: one can’t have everything.

NoMad is a new hotel in what used to be Bow Street Magistrates’ Court: a preening piece of mid-Victorian classicism opposite the Royal Opera House that is clearly too fine for the half-hearted criminal classes these days. I was judged in this court once for the very boring crime of cannabis possession (I think I did it), as was Giles Coren for something else (he says: ‘I never done nuffink’), General Pinochet, Dr Crippen (VeryMad) and Oscar Wilde. It heard its last case in 2006: the breaching of an Asbo by a man called Jason. Now it sells cocktails. NoMad has a restaurant named, as if in homage to a public relations panic attack, the NoMad Restaurant. (I thought NoMad was named after a refugee but I checked and I was wrong.