Tanya Gold is The Spectator's restaurant critic.
The veneer of civilisation is easily cracked, as anyone who has followed Donald Trump’s Twitter feed will know. This Friday, the day after Thanksgiving, the point of which is no longer clear, there will be riots in shops across the globe, as people fight over discounted products they do not need or even want. The
Forty-five Jermyn St lives in the left-hand buttock of Fortnum & Mason (F&M), a shop whose acronym is slightly too close to FGM (female genital mutilation) for this column to be able to relax there for long periods, even though its Diamond Jubilee Tea Salon is excellent. Its name is part of a vogue for
Penny is an all-day café in the former Pit Bar in the basement of the Old Vic, a famous and charismatic theatre on the road to south London. I love the Old Vic on its pavement peninsula on The Cut by Waterloo. Sirens screech past; after a particularly calamitous accident, you can hear them from
Pedro’s Tex-Mex Cantina is a fantastical shack near a ring road in Norwich. It was recently asked to stop handing out sombreros at the University of East Anglia Freshers’ Fair, because anti-racist activists (henceforth known as ‘morons’) at the UEA Freshers’ Fair reckon the sombrero is racist, and gave the staff of Pedro’s Tex-Mex Cantina
Smith & Wollensky is a restaurant from The Shining: a terrifying American steak joint by the Thames, four months old, with a £10 million refurbishment and no passing trade; it sits opposite the Georgian houses in John Adam Street, like a cow biting into a wedding cake, wondering what went wrong. It seats possibly 400
I cannot review the Gay Hussar every time the Labour party behaves like a self-harming teenager (‘I don’t want to be elected, anyway!’) so I went to Portland instead. Portland is a spectral restaurant on Great Portland Street; it is a good place to feel numb. The name is neutral, bespeaking nothing beyond a vague
Mum’s, or to use its full title, Mum’s Great Comfort Food, is a restaurant in Edinburgh designed to soothe itinerant performance artists. For, in the fag days of August, as the Fringe dies — it will be reanimated next year by the blood of Citizen Puppet and Nicholas Parsons — assorted actors and comics and
Jamie’s Italian is squeezed into the Devonshire Arms on Denman Street, Soho, borne on the duplicitous winds of TV shows and book deals. It’s an odd fit, like a Flump meeting Dante. The Devonshire was a pub at the end of the world, a Victorian dystopia made of violence and despair. Now Jamie Oliver —
Selfridges is skilled at making things that are not hideous (women) look hideous (women dressed as Bungle from Rainbow or a tree, after shopping at Selfridges). So I was not surprised to discover that it has summoned a ‘pop-up’ restaurant to its roof. It is called Vintage Salt and it is based on a Cornish
The Gatto Nero — or ‘Black Cat’ — is in Burano, a tiny island in the Venetian lagoon. It is close to ‘haunted’ Torcello, with its ancient campanile and its branch of the Cipriani restaurant. (The only equivalent thing I can imagine is a branch of Soho House at Dracula’s castle, or possibly Chernobyl.) I
The Maze Grill is on a sinister street in Chelsea, between a small Tesco — a boutique Tesco? — and a shop selling ugly sculptures of cats. The Chelsea Physic Garden, with its poisoned plants and amazingly posh Sunday walkers, is nearby. I cannot walk in the Physic Garden without hearing the howls of property
The Ivy is a Playmobil-style faux-medieval restaurant in a triangular building opposite The Mousetrap; of the two, The Ivy is more ancient and threatening. It has mullioned windows, a photogenic lamp post and a parking space for paparazzi to shoot people who want to be shot, as in early Martin Amis novels. It has been
The Beaumont Hotel is a bright white cake in the silent part of Mayfair, where the only sound is Patek Philippe watches, tick-tocking. We are in the eye of the storm, where it should be quiet; of the cacophony of Selfridges, just to the north, we hear nothing. It is the first hotel from Chris
Fenchurch is a restaurant that is scared of terrorists. It cowers at the top of 20 Fenchurch Street, a skyscraper which looks like an enormous and unfashionable Nokia 3120 mobile telephone; has it been designed explicitly to telephone for assistance? But who would it telephone? The Shard? I cannot imagine the Shard doing anything for
Ed is a plank. He was always a plank — and now he is in Ibiza being a plank. Plankety–plankety-plank: goodbye to our most recent terrible leader — and who will be the next? I, meanwhile, am in the Gay Hussar, choking on my own grief, hearing ‘Crying in the Rain’, weirdly, in my head,
The Portrait Restaurant lives at the top of the National Portrait Gallery, London. It is fiercely modern, but likeable. You ride an escalator into a void, glimpse the raging faces of the Plantagenets and take a lift upwards, away from dead kings and film characters walking the streets. (Downstairs, by the entrance to the National
The Ivy Chelsea Garden is a restaurant inside an Edwardian house disguised as a Tudor house on the King’s Road; it was formerly the fetid Henry J. Bean’s American Bar and Grill, which was a sort of magnet and sex market, with cheeseburgers, for Chelsea teenagers. It sits in a row of babywear shops and
La Coupole, Montparnasse, is the grandest and most famous of the old pre-war Parisian brasseries; that is, if you have an Esprit Brasserie loyalty card, as I have, you can dine in homage to dead continental intellectuals — plus Ernest Hemingway — whenever you wish, and with 20 per cent off. They sit, dead in
David Cameron is too cowardly, or too cynical, to debate with Ed ‘Two or Possibly Three Kitchens’ Miliband — which depends entirely on the breath of your own cynicism — or is he perhaps just too busy eating? (Here I address Sarah Vine, or Mrs Michael Gove, the Daily Mail columnist who analysed the smaller
The Dorchester Hotel, Park Lane, is a cake floating in space. All grand hotels create a parallel universe in which their guests are returned to some great gilded and unnatural womb with mini-bar and floristry, but the Dorchester feels particularly remote; has it overplayed its myth? Or is it a combination of the traffic (Park
