Tanya Gold

Cliveden is a good review for a divided country and I have waited, not too long, for it to feel resonant for Spectator readers; it aches with class-consciousness. It has food pens dependent on your status — whether you are eating in the National Trust grounds, or the swanky (I love this word; it’s so bitter) hotel inside the ‘manor’. And even if you are staying in the swanky manor, famous as the venue where John Profumo exploited the not-recovering child-abuse victim Christine Keeler — don’t call me a sighing Guardianista, I have done my research and she once aborted a child with a pen — in a swimming pool, you have signage to soothe your comparative class wretchedness, for you do not have a country house of your own.

Cafe Monico, as if named by an illiterate playboy, is on Shaftesbury Avenue between The Curious Incident of the Dog in the Night-time and Les Mis, so if you want to be in an Asperger’s syndrome/-singing French revolutionary restaurant sandwich it is the café for you, and only for you. It is from Soho House, whose quest to make the whole of Britain a crèche-restaurant with table-tennis tables and photo booths for moronic remembrance goes on. There are more Soho House franchises now than Ivy franchises; even Chiswick has one. It is confusing, but if it upsets the media executive class, who must find new ponds to preen and fight in, I do not mind. Except that Cafe Monico does not work.

I have been waiting, like a heroine in fiction, for the specialist lasagne restaurant. London has long been heading this way for the benefit of the consumer-simpleton who can only process one piece of information at a time. It is clearly a response to the glut of choice in late capitalism, and so close to Karl Marx’s home in Dean Street that I can almost feel his cackling shadow. Less choice for your aching head, child, but isn’t it really more choice? The choice not to choose? That phenomenon brought us the pop-up Cadbury’s Creme Egg restaurant, which only served food made with Cadbury’s Creme Eggs. Because people are mad, and getting madder, it had queues around the block.

The Keeper’s House sits in the basement of Burlington House, a restaurant in disguise. It is quite different from the grand cafés of St James’s and Mayfair, which are raging exhibitionists with banquettes splayed like limbs. It is secretive and it knows, consciously or not, the tricks of children’s literature: the looking-glass, the wardrobe and the door. It is an 18th-century basement transformed, by magical whimsy, into a restaurant. To visit the loo is a quest for which you need a Gandalf, a hobbit and a lamp. Burlington House looks like an English mansion that stared at Palladio, had a panic attack and exploded.

I should have known the London prep school scene was a racket from the way parents talk about it. They sound mad. ‘You’re too late!’ I was told by one mother, when my Little Face (not his real name) was nine months old, as if we had, by a whisker, missed the lifeboats at the Titanic. ‘What schools are you considering?’ asked a stranger in the playground. I muttered some names and she, a drab suburban Maleficent, cursed me. ‘You’ll be lucky,’ she smiled, as I dreamed of laying a peculiarly north London curse of my own: ‘May your child fail its A-levels.’ Even so, I put Little Face on waiting lists for prep schools, and write cheques. I do not have a complex defence for this. It is, for a leftist, hypocrisy.

It is summer and the listless metropolitan thinks of grass. It cannot afford to stay at Durslade Farmhouse, Somerset, a branch of the Hauser & Wirth art gallery that serves food and plays cow noises in a former barn as authentic country folk rip their eyeballs out. Locals talk about Durslade Farm as a child that died. I think it is a Holocaust memorial for cows, but oblivious. Babington House is the country branch, and it is open to members, their friends, and hotel guests. There is a a spa called the Cowshed that sells ‘Lazy Cow’ and ‘Moody Cow’ beauty products (misogyny masquerading as irony), a restaurant and a church, which looks uneasy in the grounds, probably because it has to tolerate celebrity weddings.

Batman owned the Criterion in The Dark Knight, but could he do anything about British Telecom? Savini at Criterion, an Italian restaurant, waited four months for an internet connection and telephone line as they prepared to launch this year; when it arrived they gave BT what must be the worst review in the history of telecommunications: ‘This wouldn’t happen in Italy.’ It ruined the launch, they said. They couldn’t invite actors, except by pigeon post. And because actors are, in restaurant marketing terms, signposts — and they do look like signposts, specifically Monagasque signposts — no one knew Savini was there. It has no constituency. It is George Galloway, who has inexplicably blocked me on -Twitter. But I am too gloomy.

Islington is a bellwether, and also a joke: the most unequal borough in London, where social housing leans against £4 million terraces (for now, loyal Conservative voters, only for now), and also the holy font of Blairism as it appears in ‘It’s Grim Up North London’. Here, it is said, they sang the Blairite version of the Red Flag: ‘The People’s flag is deepest pink/ It’s not as red as people think/ So raise the scarlet banner high/ The college song, the old school tie.

Wheeler’s is such a dreadful restaurant that I wonder if Marco Pierre White even knows his name is on it. I suppose, for legal reasons, we must assume he does, and was not held hostage in a cellar while they built and fretted and hung inflated photographs of their prisoner all over it, like the bedroom of a starlet in full madness.

Pharmacy 2 is the reanimated child of Damien Hirst; it lives inside the Newport Street Gallery in a forsaken patch of Lambeth by the railway arches. This makes it look, inevitably, like the set of The Bill, but with a painting of Damien Hirst on a nearby wall, which would surely confuse the Bill. Pharmacy 1 was, for five years until 2003, in Notting Hill. So we are already doing better. It is said that the Royal Pharmaceutical Society of Great Britain complained about Pharmacy 1, and worried it would confuse people looking for a real pharmacy, but I do not know if this was true. If it was, they were too stupid to live, even if they did eventually find a pharmacy. The gallery looks like the interior of a shell. I ask a man behind a desk: is the gallery open?

Sartoria is a pale grey restaurant on Savile Row. As evidence that this is London’s destination street — if menswear is your compulsion — Bill Nighy walked past me as I searched for Sartoria; I had walked, obliquely, into his film and I was not dressed for it. But when am I ever? I wore Gap to the Valentino couture show in Paris, out of sheer spite. Sartoria — a preening name which I dislike — wafts on reams of praise. Male critics love it; and it is a masculine restaurant. It is long and wide, with dark woods, expensive lamps and what here are called ‘neutral colours’.

Le Caprice is a monochrome patch of the 1980s behind the Ritz Hotel, in the part of St James’s that looks like Monaco. (There is a car park.) It was, along with Langham’s and the Ivy, the most fashionable restaurant of the Thatcher years, beloved of media slags and wankers; also of Princess Diana (the night after she died, her table was kept empty, which is a unique elegy), Princess Margaret, Mick Jagger and Jeffrey Archer, who ate his first meal here after he left prison, because he too is unique.

The last time I reviewed a restaurant in Selfridges, a PR man rang up to ask what he could do to change my opinion of Selfridges. Don’t worry, I told him, Spectator readers don’t go to Selfridges to sit in a fake Cornish fishing village, because they are too busy eating the remnants of the Labour party. And they don’t care about shopping. You don’t dress a Spectator reader. You upholster it. I felt guilty about mocking the stupid fake Cornish fishing village so I avoided the next themed restaurant in Selfridges, which was a fake forest on the roof (‘inspired by an autumnal forest’… because who can be bothered to go to a real forest if they even still exist?). But I had to review the revamped salt beef bar in the food hall.

The Feng Shang Princess is a floating Chinese restaurant on the Regent’s Canal in north London, which flows from Little Venice to the Guardian to Limehouse, and in which they quite often find corpses in shopping trolleys and vice versa. I do not know if the restaurant moves, and could theoretically travel to Paddington. I hope it does. The Regent’s Canal is an ugly stretch of water, which reeks of sexual violence and cheap alcohol and cyclists, and it is desolate; place it near London Zoo and you have a peculiar cognitive dissonance that could only happen in London: a tapir near a canal featuring a floating Chinese restaurant. It is apparently Paul McCartney’s favourite Chinese restaurant, which I found insane until I thought about it.

We’re closing 2015 by republishing our ten most-read articles of the year. No9 is Tanya Gold’s piece from January, when The Theory of Everything was released. Stephen Hawking is a misogynist; and also, quite possibly, a narcissist. You wouldn’t know it from watching The Theory Of Everything, the new biopic from Working Title, in which you are invited only to weep when he discovers he has motor neurone disease at 21, and then marvel at his achievements in physics. It goes wild on the obvious cognitive dissonance of Hawking’s life and work — trapped in his body, yet transported in his mind to the stars.

Center Parcs Longleat is a holiday village in a forest in Wiltshire, on Lord Bath’s estate, so you can never be entirely sure that you will not see a man dressed as a wizard having sex up against a tree. I thought it would be a fake forest, like the pines you see wilting from the M25, but it is a proper forest, with shrubs, deer, puddles and lakes. But for the looming presence of Center Parcs, which operates five ‘villages’ in England as emergency respite care for people with young children, it would be paradise. The centrepiece — the altar — is the ‘subtropical swimming paradise’ which floats, like a large watery spider, in the centre of the parc. (I do not know why it is spelled like that.