Tanya Gold

Tanya Gold

Tanya Gold is The Spectator's restaurant critic.

I have always liked angry food: Ugly Butterfly reviewed

Ugly Butterfly is a zero-waste restaurant and champagne bar on the King’s Road, Chelsea. The ‘champagne bar’ addition is so awful as to be pantomime villainous — I think of zero-waste diamonds and zero-waste wars — but perhaps they need this kind of duplicity to seduce the punters, who move so slowly towards wisdom? ‘Zero-waste’

Criminally good food: The Yard at Great Scotland Yard reviewed

The Yard is a defiantly themed restaurant in Hyatt’s new Great Scotland Yard Hotel, an Edwardian red-brick block which once housed the Central Detective Unit of the Metropolitan Police and its constituent darkness. You have to work hard to dispel that kind of horror, and Hyatt tries: the hotel is extraordinarily lush and over-styled, even

The food is almost too superb: Wild Honey reviewed

Wild Honey is a ludicrous name for this restaurant: there is nothing wild about it, and I do not think that is even its intention. Rather, it is a cloistered, almost sombre restaurant in the grandest part of the West End, almost opposite the Athenaeum Club, whose goddess, I fancy, is weeping metal tears. I

The Michelin Guide’s tiresome sustainability award

The Michelin Red Guide is a marketing device to sell tyres by selling pastries. The guide was invented in 1900 by Michelin, the French tyre company, which is now the second-largest tyre company in the world. The guide initially covered restaurants in France, then spread to Belgium, the Alps, Germany, north Africa, Britain and, eventually,

Fairy food for fairy wives: Julie’s Restaurant reviewed

Julie’s is a 50-year-old restaurant in Holland Park, London, newly emerged from three years of closure as plushly renovated as its customers. The website calls it ‘a Holland Park favourite, neighbourhood classic and hangout for the Hollywood set, high society and rock stars since 1969’. Whenever I hear the words ‘high society’ I reach for

Sumptuous, remote – and forgettable: Locket’s reviewed

Locket’s is a new café from the owners of Wiltons in Jermyn Street. Wiltons is the restaurant that dukes visit when they have fallen out with White’s. It has a sign featuring a lobster that looks like Benjamin Disraeli wearing a top hat. When a bomb fell nearby in 1942, its anxious owner immediately sold

Back in the Babington Triangle: Roth Bar & Grill reviewed

The Roth Bar & Grill exists on an art-farm called Durslade in Bruton, Somerset, which is also the country outpost of the Hauser & Wirth gallery, which is the silliest art gallery in Britain. It specialises in decapitated gnomes. It is only 13 miles from Babington House, Soho House’s monstrous country house with its playrooms

I’ve had my fill of brasseries: Moncks reviewed

If you review restaurants professionally you would not think Britain wanted to leave the EU. You would think she wanted to live happily in the twinkling golden stars of Europe like Emily Thornberry’s neck fat, eating, semi-eternally, at a European-style brasserie. British restaurants are a silent acknowledgement that native food is not very good unless

The untold story of Judy Garland

Judy Garland is now a myth, a paradigm and a warning: don’t let your daughter on the stage! It’s the cognitive dissonance that is thrilling and awful, like a child that dies: Dorothy kicked off her ruby slippers and turned to Benzedrine. It is a narrative that erases Garland as surely as the drugs ever

Tanya Gold

It’s so easy to go mad in Oxford: Chiang Mai Kitchen reviewed

Oxford is a pile of medieval buildings filled with maniacs, and is therefore one of the most interesting places on earth. It is easy to go mad in Oxford — it’s the damp — or grow other worlds, like John Tolkien, whose Middle Earth, I suspect, was largely an emotional defence against the conversation at

Like Twitter, but with food: Market Hall Victoria reviewed

The Market Hall Victoria is an international food shed opposite the station terminus. I have long hated Victoria, thinking it the most provincial part of central London. It longs for the provinces, it impersonates them, it summons them. It is odd because the station itself is beautiful: a grimy Edwardian fantasy with tall grimy chimneys

Lunchtime on Hydra

The Pirate Bar is an oddity, even for this column: a bar and restaurant themed in homage to a pirate, whom I consider to be generic, and Leonard Cohen. It is in Hydra, a three-hour boat ride from Piraeus, and Cohen’s home in the 1960s with his muse — this means unpaid female servant who