Doxology covers five decades and a spacious 400 pages, with all the subplots and digressions you would expect of a baggy monster realist novel. It moves from the subculture of straight edge punk to the backrooms of political powerbroking, and surveys ground from East Harlem to rural Ethiopia. There are at least half a dozen
The accepted story of mid-20th century culture in Britain belongs to the boys: the British Invasion, Beyond the Fringe and the Angry Young Men, with women relegated to bit parts. Celia Brayfield’s book is a corrective to that. She gathers seven young female writers who made their debuts in the late 1950s and early 1960s,
Before she was the subject of true-crime mythologising, Catherine Eddowes made her living from it, selling ballads based on real-life murders to avid Victorian audiences. The historian Hallie Rubenhold suggests that Eddowes may have written them too; unusually for a working-class woman, she was literate. Still, the possible example of her work that Rubenhold reproduces
The problem with writing about writers — and a particular blight on the current vogue for autofiction — is that writers do not necessarily live very interesting lives. Wrangling with editors, hatereading your rivals, making coffee and (occasionally) typing are all consuming occupations, but not the stuff of prepossessing narrative. That, at least, wasn’t an
The suffragettes are largely remembered not as firestarters and bombers but as pale martyrs to patriarchy. The hunger artists refusing the rubber tube; Emily Wilding Davison dying under the King’s horse. We forget their destructive acts aimed at men and property; we remember the more sex-appropriate self-destruction. Fern Riddell’s flawed book is intended as a
There are plenty of things you could say about Labour’s All-Women Shortlists (AWS). Tony Blair called them ‘not ideal at all’ in 1995. In 1996, Peter Jepson and Roger Dyas-Elliott – two men who’d been rejected as Labour candidates – called them sex discrimination. An industrial tribunal agreed with them, and Labour was forced to
In May 1956, three months after meeting Ted Hughes, one before they will marry, Sylvia Plath writes to her mother Aurelia about the talented man she has fallen in love with: ‘He will start some portraits of me! A combination of both witch and ghost, perhaps.’ Because of Hughes’s editing and writing of her work,
Beyond the patricide and even the incest, the horror of the Oedipus myth lies in its insistence that our fates are not ours to change. And yet the story itself is far from unalterable, having been handed down in multiple variants — something that Natalie Haynes knows very well as a classics scholar. Now Haynes
This slight book comes with heavy baggage. In 2009, Rampling handed back a hefty advance for her contribution to a conventional authorised biography, and then used the Human Rights Act to prevent Barbara Victor from publishing anything based on their collaboration, on the grounds that it would violate her right to privacy. The Mail typically
Others goes straight to the head. Things start like this: with an article on a website called ‘Women and Film’, by someone called Meadow Mori. Meadow reveals that when she was fresh from her LA high school, she had an affair with a mountain-sized filmmaker, who ‘sounds like the voice of America’, and whose career
There were no women athletes in the first modern Olympic games. The next time around, in the 1900 Paris games, out of 997 athletes there were 22 women, who competed in just five acceptably ladylike sports: tennis, sailing, croquet, equestrianism and golf. Over a century later, the introduction of women’s boxing meant that the 2012
In 2004, after a 25-year estrangement, Susan Faludi’s father reappeared in her life via email. ‘I have had enough of impersonating a macho aggressive man I have never been inside,’ it read, and was signed, ‘Love from your parent, Stefánie.’ The 77-year-old had embarked on a new life as a woman, both a dramatic abruption
For one week in July 2010, the aspiring spree killer Raoul Moat was the only news. ‘Aspiring’ because he didn’t actually achieve his violent ambitions: by the time he died, he’d only managed to shoot three people (four if you include himself) and murder one (two if you count PC David Rathband, who was blinded
A dead parent, the interrogation of a literary inheritance, and over everything, a bird: Max Porter is apparently unafraid to step into massive shoes. Not just the colossal ones belonging to Ted Hughes, whose ‘Crow’ poems are the jumping-off point for this free-verse novella about a bereaved Hughes scholar visited by Hughes’s corvine manifestation, but
