Sam Leith

Sam Leith

Sam Leith is literary editor of The Spectator.

Monday

Sam Leith

Why is Keir Starmer pretending he ‘likes and respects’ Donald Trump?

From our UK edition

Anyone who relishes the humiliation of Sir Keir Starmer – and I know that in this respect, if only this one, many Spectator readers will make common cause with the supporters of Jeremy Corbyn – was presented with a delicacy this weekend. Here was a humiliation so exquisite, so public and so unrecoverable-from, that you could use it instead of Vermouth to flavour a martini. The British Prime Minister told the New York Times, with every semblance of earnestness, that he 'likes and respects' Donald Trump – and saw that interview blazoned internationally. 'On a person-to-person basis, I think we have a good relationship,' Starmer said 'On a person-to-person basis, I think we have a good relationship,' he told the paper. 'I like and respect him.

Wednesday

Sam Leith

Who is Government? edited by Michael Lewis

From our UK edition

40 min listen

My guest in this week's Book Club podcast is the novelist and journalist John Lanchester, one of the contributors to Michael Lewis’s very timely new anthology of reportage on the United States federal government, Who Is Government?: The Untold Story of Public Service. Can the public learn to love a bureaucrat? John tells me why he thinks the workings of government are misunderstood and under appreciated, why we should marvel at the making of the consumer price index, and why he thinks Elon Musk has ‘the wrong handle of the shopping bag’.

Monday

Sam Leith

Is ‘good enough’ all we want from TV?

From our UK edition

For those people with a therapeutic bent of mind, the phrase 'good enough' has an almost magical power. It says: don’t beat yourself up because your child isn’t a straight-A student, your marriage isn’t the best thing since Ted Turner and Jane Fonda, and your sobriety is patchy. Sure, you hit your kid – but you didn’t stab them. Sure, you hate your husband – but you haven’t plotted with a stranger to have him killed. Sure, you're depressed – but you got up this morning and went to work like any other normie. All these instances of your fallibility are opportunities for growth. As they say in twelve-step programmes, it’s 'progress not perfection'. 'Good enough', though, as a mantra, isn’t what we look for in the arts.

Wednesday

Sam Leith

Anthony Cheetham: A Publisher’s Memoir

From our UK edition

26 min listen

My guest in this week's Book Club podcast is the publisher Anthony Cheetham, one of the biggest figures in British publishing through the second half of the twentieth century and into this one. In his new book A Life in Fifty Books: A Publisher's Memoir, he looks back on his career. He tells me why he had a soft spot for Robert Maxwell; how he launched Ken Follett's career on the top deck of a bus; how losing a press-up competition changed the landscape of publishing (and upset his then wife); how publishing has changed – and how it hasn't; and why Confessions of a Window-Cleaner has a special place in his heart.

Monday

Sam Leith

The moral shortcomings of Palestine Action

From our UK edition

Pro-Palestinian activists under the banner of Palestine Action have been waging what it’s not too much of an exaggeration to call a war against companies and institutions in this country that are seen to support Israel’s offensive in Gaza. In one attack last summer at a Bristol facility owned by the British subsidiary of the Israeli defence company Elbit, a van was used to smash through fencing before activists laid about the building with sledgehammers, and two police officers and a security guard were injured in the ruckus. In dozens of ‘actions’, these activists have caused millions of pounds worth of damage to companies that supply equipment not just or even mainly to Israel, but to the British armed forces.

Thursday

Sam Leith

Why Ukraine’s minerals matter, the NHS’s sterilisation problem & remembering the worst poet in history

From our UK edition

42 min listen

This week: the carve-up of Ukraine’s natural resources From the success of Keir Starmer’s visit to Washington to the squabbling we saw in the Oval Office and the breakdown of security guarantees for Ukraine – we have seen the good, the bad and the ugly of geopolitics in the last week, say Niall Ferguson and Nicholas Kulish in this week’s cover piece. They argue that what Donald Trump is really concerned with when it comes to Ukraine is rare earth minerals – which Ukraine has in abundance under its soil. The conventional wisdom is that the US is desperately short of these crucial minerals and, as Niall and Nicholas point out, the dealmaking president is driven by a nagging sense of inferiority in comparison to rare earth minerals powerhouse China.

Sam Leith

The anti-genius of William McGonagall, history’s worst poet

From our UK edition

‘Not marble nor the gilded monuments of princes,’ wrote Shakespeare, ‘shall outlive this powerful rhyme.’ To be a great poet, as the Stratford man knew, is to be immortal. But there’s another way to achieve immortality through verse – and that is the route taken by William McGonagall, the ‘worst poet in history’, who was born 200 years ago this month. His star, I’m pleased to say, shows no sign of fading. He has, as is only proper, an adjective. You can be Keatsian, Eliotian, Homeric. Or, like most of us when we sit down to write a poem, you can be McGonagallesque. His name is so much a byword for doggerel that a version of him – William Rees-McGonagall – is a Private Eye running joke to this day. It’s not nothing to be the worst poet in history.

Wednesday

Sam Leith

Michael Wolff: How Trump Recaptured America

From our UK edition

33 min listen

In this week's Book Club podcast, I'm joined by Donald Trump's outstanding Boswell, the magazine writer Michael Wolff. Michael’s new book, All or Nothing: How Trump Recaptured America, takes Donald Trump and his colourful cast of hangers-on from the aftermath of the 6 January riots to his triumphal return to the White House. Michael tells me why he thinks people in Trumpworld are still talking to him, how the Donald has changed over the decade he has been reporting on him, why he’s confident American democracy will survive a second Trump presidency – and how world leaders, such as Keir Starmer, are best advised to handle this volatile and unpredictable character.

Monday

Sam Leith

The ‘goodies and baddies’ era of world politics is over

From our UK edition

It’s hard to overstate just how shocking, how grotesque and shaming, was President Trump’s outburst against Ukraine’s President Zelensky in the Oval Office. Pop went the last soap-bubble of hope any of us had that US diplomatic policy for the next four years would cleave to anything other than the mad king’s personal whims and grievances. “Goodies and baddies” is exactly how liberal democracies do see the world The personal stuff – the petulance and bullying – is priced in with Donald Trump. But the wider drift of what’s happening is, in a way, more alarming.

Wednesday

Sam Leith

Selena Wisnom: Mesopotamia and the Making of History

From our UK edition

45 min listen

My guest on this week's Book Club podcast is the Assyriologist Selena Wisnom, author of The Library of Ancient Wisdom: Mesopotamia and the Making of History. Selena tells me about the vast and strange world of cuneiform culture, as evidenced by the life and reign of the scholar-king Ashurbanipal and the library – pre-dating that of Alexandria – that he left to the world. She describes the cruelty and brilliance of the Ancient Near East, the uses of lamentation, the capricious Babylonian gods, the ways in which we can recognise ourselves in our ancestors there – plus, what The Exorcist got wrong about Sumerian demons.

Monday

Sam Leith

AI needs to be regulated

From our UK edition

On Tuesday, the government’s consultation on AI and copyright comes to an end. There doesn’t seem to be much hope that Sir Keir and his tech-dazzled colleagues will pay much attention to it, though: long before it came to an end they made clear that their preferred plan was to change copyright law so that big tech will be able to train their models for private profit on the copyright work of artists, writers and musicians without permission or compensation. Sir Kazuo Ishiguro and Jeanette Winterson are the latest to raise their voices in opposition – joining a united chorus of the Society of Authors, which also opposes this reverse Robin Hood notion.

Thursday

Sam Leith

The new Civ is gorgeous and richly rewarding

From our UK edition

Grade: A- It has been nearly ten years since addicts of the empire-building simulator Civilization – or Civ, as players call it – have had a fresh fix. Was it the original Civ that cost you a first in your finals? It’s back, and this time round it aims to cost you a promotion at work. You’ve both grown up. Prepare to lose very many hours to its attractive blend of diplomacy, resource management, city-building and strategic ultraviolence.  Your path through history comes in three linked chunks: you’ll play through the ancient world, then carry forward some of your progress into the age of exploration, and then do the same again in modernity. What’s more, your leaders no longer have to be historically or geographically appropriate.

Wednesday

Sam Leith

James Bradley: The World in the Ocean

From our UK edition

49 min listen

My guest in this week’s Book Club podcast is the novelist and critic James Bradley whose new book is Deep Water: The World in the Ocean. He tells me how we need to rethink our relationship with the sea and the life it contains, why fish are much more intelligent than we are used to imagining, and why – amid planetary doom – there’s still room for hope.

Monday

Sam Leith

Ofsted’s chief is wrong about WFH parents

From our UK edition

The Chief Inspector of the schools’ watchdog Ofsted, Sir Martyn Oliver, has said he thinks the change in working habits that came about after the Covid pandemic is substantially to blame for the skyrocketing rates of children being absent from school. In 2018-19, persistent absence of pupils from state secondaries ran at about 13 per cent. The most recent figures put it at one child in four. It’s not just a culture of skiving off we’re looking at here Sir Martyn told the Sunday Times that, as he sees it: Suddenly people were used to working from home and, in many cases, I don’t think there was that same desire to have their child in school whilst they were at home. They had been used to it for the best part of a year and a half, on and off, during lockdown.

Wednesday

Sam Leith

Colin Greenwood: How to Disappear – A Portrait of Radiohead

From our UK edition

33 min listen

Sam's guest on today’s Book Club podcast is the musician, writer and photographer Colin Greenwood, who joins me to discuss his new book of photographs and memoir How To Disappear: A Portrait of Radiohead. Colin tells me about the band’s Mr Benn journey, photographing what you want to see… and what it takes to make Radiohead open a gig with 'Creep'. Produced by Patrick Gibbons and Oscar Edmondson.

Wednesday

Sam Leith

Philip Marsden: Under A Metal Sky

From our UK edition

34 min listen

My guest in this week's Book Club podcast is Philip Marsden, whose new book Under A Metal Sky: A Journey Through Minerals, Greed and Wonder looks in thrilling and surprising detail at the wonders that are to be found beneath our feet. On the podcast he takes me through the meanings that rocks and metals have had through human history, from the bronze age, via the alchemist's quest for the philosopher's stone, to the present day.

Monday

Sam Leith

The AI industry has been given a taste of its own medicine

From our UK edition

Life comes at you fast, eh? Only a few weeks ago I was grumbling in this very slot about the way in which the big AI companies were stealing copyright material in unimaginable quantities and using it to train their models without so much as consulting the owners of the work, still less compensating them. The reaction of the tech bros to people calling them out about it has been a colossal shrug of contempt. Fussing about intellectual property is for the little people, they seemed to say. We can make a lot of money stealing your work, and our machines don’t work at all without stealing your work, so tough. And anyway, what are those little people going to do about it? Then, along came DeepSeek.

Wednesday

Sam Leith

Lissa Evans: The Surreal Joys of Producing Father Ted

From our UK edition

30 min listen

My guest on this week's Book Club podcast is the novelist Lissa Evans, talking about her previous life as the producer of the sitcom Father Ted – as described in her new book Picnic on Craggy Island: The Surreal Joys of Producing Father Ted. She tells me about the collaborative genius of Graham Linehan and Arthur Mathews, the unusual experience of having to cut laughter out of episodes because there was simply too much of it, and sending a sheep to make-up.

Monday

Sam Leith

Scrapping Oxford’s ‘traditional’ exams won’t make things fairer

From our UK edition

Are exams... racist? Are exams snobs? If a report in yesterday’s Sunday Telegraph is to be credited, academics at Oxford and Cambridge are taking this question seriously. In the hopes of closing the 'achievement gap' between white middle-class students (who scoop more of the firsts and 2.1s) and students from disadvantaged backgrounds or other ethnicities, Russell Group universities are said to be considering replacing traditional exams with more 'inclusive assessments' such as open-book papers or even 'take-home exams'.  Call me a reactionary, but this sounds quite nuts. We can acknowledge that an achievement gap exists. We can certainly credit, too, that it might be in the interests of everybody to seek to understand and remedy it.

Thursday

Sam Leith

Visual ingenuity and wit: Monument Valley 3 reviewed

From our UK edition

Grade: A The original Monument Valley was a handheld puzzle game of beautiful design and high originality. Why it was called that I have no idea: the title suggests a desert landscape of red dust and sand-scoured buttes, but the playspace was a series of architectural arabesques hanging in space, around which the player navigated a mournful little stick princess. It made wonderfully clever use of isometric perspective: knobs and handles allowed you to rotate the playspace and slide structures together or apart. As you fiddled with the architecture, Escher-like perspectival tricks would open fresh paths or surfaces for Ida to walk on. The atmosphere was absorbing and the puzzles were great.