Sam Leith

My guest on this week’s Book Club podcast is the historian Alice Loxton, whose new book Eighteen: A History of Britain in 18 Young Lives is just out in paperback. In it, she tells the story of the early lives of individuals as disparate as the Venerable Bede and Vivienne Westwood. On the podcast, Alice tells me about Geoffrey Chaucer’s racy past, what Bede was like before he was venerable, and why her editor wouldn’t let her take her characters to Pizza Express. She also reassures me that – in a post-Rest is History world, where history is more exciting and accessible than ever – there is still a place for the fusty old historians.

Sam Leith's guest on this week’s Book Club podcast is Robert Macfarlane. In his new book Is A River Alive? he travels from the cloud forests of Ecuador to the pollution-choked rivers of Chennai and the threatened waterways of eastern Canada. He tells Sam what he learned along the journey – and why we need to reconceptualise our relationship with the natural world.

My guest in this week’s Book Club podcast is Geoff Dyer, who’s talking about his memoir Homework, in which he describes growing up as an only child in suburban Cheltenham, and how the eleven-plus and the postwar settlement irrevocably changed his life – propelling him away from the timid and unfulfilled world of his working-class parents. Geoff, in this new book, bids fair to be the Proust of Airfix models and prog rock.

My guest on this week’s Book Club podcast is the writer, activist and Spectator contributor Julie Bindel. In her new book Lesbians: Where Are We Now?, Julie asks why lesbian liberation seems – as she sees it – to have taken one step forward and two steps back. She traces the history of lesbian activism, explains why we’re wrong to assume that lesbians and gay men are natural allies, confronts the ‘progressive’ misogyny she identifies in a younger generation – and tells me whether she thinks the Supreme Court’s recent decision marks an end to the trans wars.

My guest in this week’s Book Club podcast is Daniel Swift. Daniel’s new book, The Dream Factory: London’s First Playhouse and the Making of William Shakespeare, tells the fascinating story of a theatrical innovation that transformed Elizabethan drama – and set the stage, as it were, for the rise of our greatest playwright.

My guest on this week’s podcast is the historian Anne Sebba. In her new book The Women’s Orchestra of Auschwitz: A Story of Survival, Anne tells the story of how a ragtag group of women musicians formed in the shadow of Auschwitz’s crematoria. She tells me about the moral trade-offs, the friendships and enmities that formed, and what it meant to try to create music in a situation of unrelenting horror.

My guest on this week’s Book Club podcast is Lamorna Ash, author of Don’t Forget We’re Here Forever: A New Generation’s Search for Religion. She describes to me how a magazine piece about some young friends who made a dramatic conversion to Christianity turned into an investigation into the rise in faith among a generation that many assumed would be the most secular yet — and into a personal journey towards religious belief.

Sam Leith’s guest on this week’s Book Club podcast is the lawyer and writer Philippe Sands, whose new book 38 Londres Street describes the legal and diplomatic tussle over the potential extradition of the former Chilean dictator General Pinochet. Philippe tells Sam why the case was such an important one in legal history, and presents new evidence suggesting that the General’s release to Chile on health grounds may have been part of a behind-the-scenes stitch-up between the UK and Chilean governments. He sets out some of that evidence and pushes back on our reviewer Jonathan Sumption’s scepticism about the case. Here’s an old case, but not yet a cold case. Produced by Oscar Edmondson and Patrick Gibbons.

My guest on this week's Book Club podcast is Fara Dabhoiwala, whose new book What Is Free Speech? The History of a Dangerous Idea looks not just at the origins of free speech as an idea, but also its uses and misuses. Fara tells me the bizarre story of how he found himself ‘cancelled’, gives us the scoop on who actually invented free speech and explains how to think more deeply about free speech as a global as well as a local question – by tracing how we got into our current predicaments.