Sam Leith

Sam Leith

Sam Leith is literary editor of The Spectator.

Monday

Sam Leith

Who cares if there’s a blunder in Ian McEwan’s latest book?

From our UK edition

Ian McEwan’s new novel What We Can Know isn’t even out yet, and already someone has spotted a goof. In response to an early review in a Sunday paper – which reports that McEwan’s novel is set in a world where a Russian hydrogen bomb has missed its target in the United States, exploded in the Atlantic and “flooded three continents” – the science fiction writer Charles Stross pointed out drily on social media that “if you can flood three continents with a single H-bomb in the Atlantic, that bomb is rather more powerful than all the nuclear weapons we, as a species, ever manufactured, multiplied by some factor with too many zeroes appended”.

Wednesday

Sam Leith

Lea Ypi: Indignity

From our UK edition

48 min listen

My guest in this week's Book Club podcast is the Albanian-born political philosopher Lea Ypi, whose new book Indignity: A Life Reimagined reconstructs the story of her grandmother's early life amid the turbulence of the early and mid twentieth century. She talks to me about using the techniques of fiction to supply the gaps in the archive, about Albania's troubling position as a tiny power among great ones, why the fight between Kant and Nietzsche remains a live one — and how online trolls sparked her quest for a restorative account of her beloved grandmother's life.

Monday

Sam Leith

Why shouldn’t adults play with toys like Lego?

From our UK edition

“When I was a child, I spake as a child, I understood as a child, I thought as a child: but when I became a man, I put away childish things.” That perennial funeral favourite, 1 Corinthians 13, has a lot to answer for. Generations of so-called grown-ups have, whether through the fear of God or the fear of embarrassment, done all they can to distance themselves from anything that they fear the neighbours or the man upstairs will think is childish. If you don’t like painting Warhammer figurines or building Lego or collecting Funko models, nobody’s making you Now, only two thousand years later, the tide seems to be turning. No less grown-up an outlet that the Financial Times reports that a great boom is underway in the so-called “kidult market”.

Wednesday

Sam Leith

Brideshead Revisited, 80 years on: from the archives

From our UK edition

43 min listen

This week's Book Club podcast marks the 80th anniversary this year of the publication of Brideshead Revisited. This conversation is from the archives, originally recorded in 2020 to mark its 75th anniversary. To discuss Evelyn Waugh's great novel, Sam Leith is joined by literary critic and author Philip Hensher, and by the novelist's grandson (and general editor of Oxford University Press's complete Evelyn Waugh) Alexander Waugh. What made the novel so pivotal in Waugh's career, what did it mean to the author and how did he revise it? And why have generations of readers, effectively, misread it?

Monday

Sam Leith

Angela Rayner’s not-so-scandalous ‘third home’

From our UK edition

Angela Rayner, it’s reported, has bought a ‘third home’. The three-bedroom seaside flat on the south coast that she has just acquired for a sum slightly more than £700,000 adds, the Mail on Sunday reports excitedly, to her ‘burgeoning property empire’. Pre-burgeoning, be it noted, her property empire consisted of a single house in her constituency of Ashton-under-Lyne. The Candy Brothers, even post-burgeoning, she is not. Papers get to call it a ‘third home’ because she has the use of a ministerial apartment – ‘grace and favour’, obviously, to make it sound extra posh – in Westminster, but she’s not exactly going to be flipping the place in Admiralty House for a profit when she leaves office.

Wednesday

Sam Leith

Max Hastings Live: D-Day, Trial by Battle

From our UK edition

32 min listen

Sam Leith's guest for this week's Book Club podcast is Max Hastings. Max joined Sam earlier this year for a live recording to discuss his new book Sword: D-Day, trial by battle, which tells the story of the individual stories who risked their lives as part of Operation Overlord. The discussion was arranged to mark the 80th anniversary of D-Day. On the podcast Max tells Sam about why he was drawn to chronicle war, why it is important to remember all victims and not just the ‘traditional heroes’, and whether there was an alternative to D-Day at the time. Plus, how serious a moment does he think we face today, compared with 1945?

Wednesday

Sam Leith

Joanna Pocock: Greyhound

From our UK edition

36 min listen

Sam Leith's guest for this week's Book Club podcast is Joanna Pocock, whose new book Greyhound  describes two trips she took across America by Greyhound bus in 2006 and 2023. They talk about the literature of the road, that distinctively American and usually distinctively male genre, and the meaning of travel – and Joanna tells Sam how the America you see from a Greyhound differs from the one you see on television; and how dramatically it has changed even over the last couple of decades.

Wednesday

Sam Leith

Nicola Barker: TonyInterruptor

From our UK edition

27 min listen

Sam Leith's guest on this week's Book Club podcast is Nicola Barker, talking about her new book TonyInterruptor -- about how a man who interrupts a free jazz concert becomes a viral sensation on social media. Nicola tells Sam why some of her books are bouts of the flu and some are sneezes, how hard she works on her apparently spontaneous prose, why she remains devoted to reality television — and about the time she went to visit Martin Amis with a ghetto blaster.

Thursday

Sam Leith

Pacy, fast-moving and graphically lavish: Tony Hawk’s Pro Skater 3 + 4 reviewed

From our UK edition

Grade: B+ Tony Hawk is an old guy these days. The most famous sk8r boi ever to have lived is now 57. A sk8r geezer, if you will; and the video games celebrating his glory days are of an age too. Gamer-geezers who remember losing hours to the original Tony Hawk’s Pro Skater games will welcome this pacy, fast-moving, graphically lavish remake. The Sex Pistols and Run-DMC and suchlike blare in your ears as you guide your skater around any number of wildernesses of kneecap-imperilling concrete. (Gen-Z players will probably be mystified by the floating VHS tapes that you need to pick up as you skate.) You can do ollies and kickflips and medusas and acid drops, grinds and spine transfers and skitches, and manuals and reverts and wallplants.

Wednesday

Sam Leith

Gary Shteyngart: Vera, or Faith

From our UK edition

35 min listen

Sam Leith is joined for this week's Book Club podcast by Gary Shteyngart — whose new novel Vera, or Faith is set in a near-future America whose politics seems to be less science-fictional by the day. It tells the unexpectedly tender story of a bright but lonely ten-year-old girl contending with her parents' failing marriage and navigating the beginnings of a friendship. Gary tells Sam how parenthood changed him as a writer, how his feelings about his Russian heritage have shifted uncomfortably in light both of the Ukraine invasion and the US's fresh hostility to migrants, and why Writers' Tears is his students' drink of choice.

Monday

Sam Leith

Why Middlemarch is ‘the perfect beach read’

From our UK edition

At the time of writing, I am not more than a few hours away from leaving this dismal hell-hole and hightailing it for the South of France in a battered Skoda Octavia. And there, I shall settle down for a fortnight, surrounded by all the paraphernalia of 1970s camping – the blue gas-bottles; the nylon sleeping bags; the fold-out chairs where the cup-holder in the arm is torn so your Orangina plummets to the floor when you absent-mindedly deposit it there. Bliss.   For most people of working age, the summer holiday is the one time when you can read continuously for a week or two – so what you take matters a good deal And what will I do there, apart from squatting on my haunches to cook awful one-pot beany casseroles and eating croissants? Why, read, of course.

Thursday

Sam Leith

Soul suckers of private equity, Douglas Murray on Epstein & are literary sequels ‘lazy’?

From our UK edition

44 min listen

First up: how private equity is ruining Britain Gus Carter writes in the magazine this week about how foreign private equity (PE) is hollowing out Britain – PE now owns everything from a Pret a Manger to a Dorset village, and even the number of children’s homes owned by PE has doubled in the last five years. This ‘gives capitalism a bad name’, he writes. Perhaps the most symbolic example is in the water industry, with water firms now squeezed for money and saddled with debt. British water firms now have a debt-to-equity ratio of 70%, compared to just 4% in 1991. Britain’s desperation for foreign money has, quite literally, left Britain ‘in the shit’.

Wednesday

Sam Leith

Frances Wilson: Electric Spark – The Enigma of Muriel Spark

From our UK edition

My guest in this week's Book Club podcast is the biographer Frances Wilson, whose new book Electric Spark: The Enigma of Muriel Spark was recently lauded in these pages as "mesmerising" and "a revolutionary book". She tells me how she immersed herself in the spooky life and peerless art of the great novelist, and why a conventional biographical treatment would never have been adequate to a subject for whom fiction and reality twined in unexpected and disconcerting ways. Become a Spectator subscriber today to access this podcast without adverts. Go to spectator.co.uk/adfree to find out more. For more Spectator podcasts, go to spectator.co.uk/podcasts Contact us: podcast@spectator.co.

Monday

Sam Leith

Superman has always been ‘woke’

From our UK edition

The moment I heard that there’d been a backlash against James Gunn’s reboot of the Superman franchise on the grounds that he'd ruined this great American icon by turning the Man of Steel 'woke', I thought, sign me up! Until then, I hadn’t been planning to go. Even as a longtime enthusiast for all things men-in-tights, I have always found the big blue schoolboy a bit of a bore. But now I was intrigued. Were they going to make the Man of Steel gender fluid? Have him bop some thinly disguised avatar of Donald Trump on the nose like Captain America socking Hitler?   Friends, I was bitterly disappointed. Of wokeness, in this messy and basically terrible new movie, there was very little sign.

Wednesday

Sam Leith

Irvine Welsh: Men In Love – Trainspotting Sequel

From our UK edition

34 min listen

My guest this week is Irvine Welsh – who, three decades after his era-defining hit Trainspotting, returns with a direct sequel, Men In Love. Irvine tells me what Sick Boy, Renton, Spud and Begbie mean to him, why his new book hopes to encourage a new generation to discover Romantic verse and shagging, and why MDMA deserves more credit for the Good Friday Agreement than Tony Blair.

Monday

Sam Leith

Banning disposable vapes was a waste of time

From our UK edition

When we’re debating the introduction of a new law – ban this, ban that, crack down on the other – most of the energy in the public conversation goes into the question of whether this, that, or the other is something that deserves to be cracked down on. It seems to be after the event, usually, and with the sound and fury at last subsided, that we discover whether the law in question will achieve its stated purpose.  A corker of a recent example, I think, was the Blair government’s foxhunting ban. It sucked in hundreds of hours of parliamentary time. It generated thousands of headlines. It brought hundreds of thousands of people out on the streets.

Wednesday

Sam Leith

M. John Harrison: The Course of the Heart

From our UK edition

34 min listen

My guest this week is the writer M. John Harrison, who joins me to talk about the rerelease of his 1992 novel The Course of the Heart – a deeply strange and riddling story of grief, friendship, memory and occult magic. We talk about why this book is so personal to him, what he learned from Charles Williams and Arthur Machen, turning his back on science fiction/fantasy and returning to it – as well as how probably the most acclaimed of all his novels, Light, came about after Iain Banks told him he wasn't having enough fun.

Monday

Sam Leith

There’s one thing readers enjoy more than a story like The Salt Path

From our UK edition

Only last week, I was having lunch when The Salt Path came up in conversation. 'That’s the one about the woman with the terminally ill husband who went off round Cornwall, wasn’t it?' said one friend. I responded, perhaps a little heartlessly: 'Yeah, and then the husband weirdly failed to die and she got a couple of sequels out of it.' There’s nothing we Brits love more than a story about an underdog battling adversity and the inextinguishable resilience of the human spirit The twinge of self-reproach I felt then has evaporated.

Thursday

Sam Leith

Truly awful: Roblox’s Grow a Garden reviewed

From our UK edition

Grade: D– There’s some scholarly research to be done, I fancy, on the strange psychological appeal of boringness in videogames. These gaudy things could be non-stop excitement, and yet many of the most successful are mega boring. ‘Grinding’ – repetitive tasks undertaken for incremental rewards – is a matter of pride and pleasure for serious gamers; and some games – I’m looking at you, interior-decorating Sims – really do offer a digital equivalent to watching paint dry.   Remember FarmVille, for instance? Here was a truly mind-numbing Facebook game where you managed a virtual plot of land and grew corn and tomatoes and whatnot, traded them for imaginary currency, bought seed to grow more crops, and so ad infinitum.

Wednesday

Sam Leith

Karin Slaughter: We Are All Guilty Here

From our UK edition

36 min listen

Sam Leith's guest in this week’s Book Club podcast is one of the most popular living thriller writers. Karin Slaughter has made her native Georgia her fictional territory, and she joins Sam as she launches a new series set in a whole new county, with the book We Are All Guilty Here. They talk 'planning versus pantsing', what it means to write violence against women as a woman and how becoming the showrunner for television compares to the sovereignty of the novelist.