Sam Leith is literary editor of The Spectator.
Sam Leith explores H. G. Wells’s addiction to free love, as revealed in David Lodge’s latest biographical novel In the history of seduction, there can have been few scenes quite like this one: ‘Am I dreaming?’, she said when she opened her eyes. ‘No,’ he said, and kissed her again. ‘But what about Jane?’ she
Why, the energetic historian Niall Ferguson asks in his new book, did a minority of people stuck out on the extreme western end of the Eurasian landmass come to dominate the world in cultural, political and economic terms for more than half a millennium? This, he says, ‘seems to me the most interesting question a
Here, as promised, is Sam Leith’s magazine review of Niall Ferguson’s new book Civilisation: the West and the Rest. Why, the energetic historian Niall Ferguson asks in his new book, did a minority of people stuck out on the extreme western end of the Eurasian landmass come to dominate the world in cultural, political and
Golly gee. Academic literary critics are going to hate Faulks on Fiction like sin. Here is Sebastian three-for-two Faulks, if you please, clumping onto their turf with a book of reflections on a couple of dozen great novels. And he declares in his introduction, with some pride, that he intends to take ‘an unfashionable approach’
Sam Leith marvels at Victorian Britain’s appetite for crime, where a public hanging was considered a family day out and murder became a lurid industry in itself On my satellite TV box, murder is being committed 24 hours a day, seven days a week. I could probably live out the rest of my life watching
I don’t remember who it was who said ‘memory is genius’, but they were on to something. I’m not sure, either, whether they meant genius in the original sense of ‘animating spirit’ — i.e. memory as constitutive of personality — or in the modern one of ‘brilliance’. But both seem to apply equally well to
If you think the Special Relationship has been looking strained in recent years, consider its condition during the American Civil War(1861-65). In 1863, an anonymous letter was delivered to Charles Francis Adams at the US legation in London: Dam the Federals. Dam the Confederates.Dam you both. Kill you damned selves for the next 10 years
Lordy. It’s another book by Professor John Sutherland, and a fat one at that. What David Crystal is to linguistics and James Patterson to thrillers, John Sutherland is to literary criticism. I’ve more than once been critical about Sutherland in print, having detected — but who am I to talk? — a certain slapdashery in
Some of us are still startled that Wallace Stevens was 44 when he published Harmonium. So what to make of the fact that Roald Dahl was past the midpoint of his forties when he wrote his first children’s book in 1961, James and the Giant Peach? At the time, he was known as a dark
The phrasing of the subtitle is exact: a memoir in blindness, not of blind- ness. Like a portrait in oils — blindness being not just the subject, but the stuff of which this painfully stumbling, uncertainly reaching book is made. And not of, because it’s not something looked back on, like the memoir of a
The call consisted of three short blows of breath. A minute later, the phone rang again. Once more: three short blows of breath. Mr Cowell, under diplomatic cover, was the MI6 handler for Colonel Oleg Penkovsky, the West’s single most important asset in the Kremlin — and the calls he took were the prearranged code
In the autumn of 1826, Prince Hermann Ludwig Heinrich von Pückler-Muskau came ashore in London after a long and gruelling voyage from Rotterdam. In the autumn of 1826, Prince Hermann Ludwig Heinrich von Pückler-Muskau came ashore in London after a long and gruelling voyage from Rotterdam. A whiskery Prussian princeling with a heavily indebted estate
‘Two things fill the mind with ever new and increasing admiration and awe, the oftener and more steadily we reflect on them: the starry heavens above and the moral law within.’ Oren Harman uses this quote from Immanuel Kant to open one of the chapters of The Price of Altruism, and it’s an observation that
Voltaire’s was a long and amazing life. Voltaire’s was a long and amazing life. He was tragedian, satirist, mathematician, courtier, exile, jailbird, swindler, gardener, plutocrat, watchmaking entrepreneur, penal reform campaigner, celebrity, provocateur, useless loan-shark, serial feuder, coward, astronaut, niece-shagger, spy . . . Except ‘astronaut’, obviously. I made that up to check you were still
Not long ago I had an email from a friend, wondering if I’d yet read the new Ian McEwan. Not long ago I had an email from a friend, wondering if I’d yet read the new Ian McEwan. ‘Talk about a bolt from the blue,’ she said. ‘McEwan does slapstick. I never saw that coming.’
For someone who barely left the house, Emily Dickinson didn’t half cause a lot of trouble. For someone who barely left the house, Emily Dickinson didn’t half cause a lot of trouble. Lives Like Loaded Guns — which combines biographical material, critical readings, and an assessment of the history of her reputation — tells a
Towards the end of 1979, Antonia Fraser gave an interview to the Washington Post in connection with her book Charles II (renamed ‘Royal Charles’ so as not to confuse a sequel-bombarded American public). She records her final exchange with the interviewer in the tersely effective style of the diaries from which this book is adapted:
I knew that I was onto a good thing with this book before the page numbers were even out of roman numerals. Describing the wealth of new material that has come to light in the three decades or so since the last biography of Thomas De Quincey, Robert Morrison men- tions the areas in which
In 1968, when he was still a student at Oxford, Gyles Brandreth was interviewed in the Sun. The headline was a quote from him: ‘I’d like to be a sort of Danny Kaye and then Home Secretary.’ It’s about bang on. He achieved the first, rather than the second, and the fact that it never
In 1837 The Quarterly Review’s anonymous critic — actually, one Abraham Hayward — turned his attention to Charles Dickens, then in the first flaring of his popularity as the author of Sketches by Boz, The Pickwick Papers and Oliver Twist. In 1837 The Quarterly Review’s anonymous critic — actually, one Abraham Hayward — turned his