Sam Leith is literary editor of The Spectator.
Why do so many people think poetry is important, and so few of them read it? And why does what might pass unnoticed as a minority activity, like — say — tiddliwinks or sniffing bicycle seats, arouse such strong views in the public at large? The award-winning American writer Ben Lerner has a theory. In
In the year of Roald Dahl’s centenary, the Spectator Books Podcast decided to debate this sacred cow. Lucy Mangan, author of Inside Charlie’s Chocolate Factory, drapes garlands of flowers; while the critic James McConnachie readies the captive bolt gun… Who will you agree with? Find out by listening here: And if you enjoyed this week’s episode
The latest books podcast sees us sitting down with Michael Lewis – the author of Liar’s Poker, The Big Short, Flashboys and Moneyball — to ask how his latest book, The Undoing Project, comes to tell the story of the “intellectual bromance” between Amos Tversky and Daniel Kahneman; a friendship that completely reshaped the disciplines
In this week’s books podcast I talk about Treasure Palaces with its editor Maggie Fergusson. This is a remarkable collection of essays by writers on revisiting museums that have meant something special to them. The book has a stellar cast-list — Alice Oswald, Julian Barnes, Andrew Motion, Margaret Drabble, Roddy Doyle, William Boyd and Ali
In the year of Roald Dahl’s centenary, this week’s Spectator Books Podcast considers a sacred cow. Lucy Mangan, author of Inside Charlie’s Chocolate Factory, drapes garlands of flowers; while the critic James McConnachie readies the captive bolt gun… You can listen here: And if you enjoyed this week’s episode please subscribe on iTunes!
This week in the books podcast, I talk to Alex Bellos, author of the superbly engrossing Can You Solve My Problems?, about mathematical and logical puzzles: what they can teach us, the oddballs who invent them, and the pleasure that they offer. Plus, a first for this podcast, we’ll be setting a brain-teaser at the
Nothing like a spot of murder as the evenings draw in. In this week’s podcast I talk to the crime writers Andrew Taylor and Simon Brett about the enduring appeal of the detective story — and why they are becoming harder and harder to write in the age of DNA profiling and forensic science. We
In this week’s Spectator books podcast, it’s the Biographer’s Tale. I‘m joined by the doyen of romantic biographers Richard Holmes, and our regular reviewer Frances Wilson — author of the hugely acclaimed new Life of Thomas de Quincey, Guilty Thing. Jumping off from Richard’s new book This Long Pursuit: Reflections of a Romantic Biographer, we
Why do so many people think poetry is important, and so few of them read it? And why does what might pass unnoticed as a minority activity, like — say — tiddliwinks or sniffing bicycle seats, arouse such strong views in the public at large? The award-winning American writer Ben Lerner has a theory. In
In this week’s Spectator podcast I talk to Andrew Solomon. Though he’s best known for his work on depression (The Noonday Demon) and identity (Far From the Tree, which I reviewed here), his new book looks not inward but out. Far & Away: How Travel Can Change The World collects essays from three decades of
In this week’s Spectator Books podcast, we’re talking about tomorrow night’s big announcement: the 2016 Man Booker Prize. This year’s prize — like every year’s, it seems — has caused controversy. What is the prize for? Is it good for the literary culture? And how does the shortlist stand up? Paul Beatty (US) – The
In the latest Spectator Books podcast, I talk to Hisham Matar — newly shortlisted for the UK’s most prestigious non-fiction prize, the Baillie Gifford — about his new book The Return: Fathers, Sons and the Land In Between. When Hisham was 19, his Libyan dissident father was abducted from exile by the Gadaffi regime and
We hear a lot about a “crisis of masculinity” these days, but nobody seems to be in agreement about what it consists of. On the one hand, we hear of “rape culture”, absent fathers and everyday sexism; on the other, complaints of the feminisation of society, political correctness and the disappearance of traditional male role-models.
Today we’re proud to launch the Spectator’s Books Podcast, a literary younger sibling of our popular weekly podcast on politics and current affairs. Each week I’ll be hosting a discussion about the most interesting recent books and the literary talking-points of the day. Books contain every subject known to man – and rather than focusing
It is a truth universally acknowledged that whenever ITV or the BBC decides — the latter usually with charter renewal in the near or middle distance — that it needs to make some of that World-Class Drama it’s so proud of, its thoughts turn to regency frocks, scruffy urchins, pea-soupy London, agreeable country houses and
‘Joe lay in bed in his mother’s house. He thought about committing suicide. Such thinking was like a metronome for him. Always present, always ticking.’ Life is always cheap in noir fiction — but it takes it that step further when the protagonist’s homicidal impulses extend to himself. The hero of this fast-moving, agreeably violent
So, the 2016 longlist – aka the Man Booker Dozen – is out. It invites a cavalcade of instant commentary, almost all of which – as I wrote when I was helping judge the prize myself last year – is unavoidably incredibly stupid. Nobody other than the judges will have read all 150-odd of the
William Egginton opens his book with a novelistic reimagining: here’s Miguel de Cervantes, a toothless old geezer of nearly 60, on his way to the printers with his new manuscript. On a hot August day in 1604, a man walked through the dusty streets of Valladolid, Spain, clutching in his right hand a heavy package.
I’d like this to have been one of those Spectator diaries that gives the ordinary reader a glimpse into the sort of party to which they’ll never be invited. Unfortunately, I’m never invited to those parties either; and even had I got the last-minute invitation to scoff Creme Eggs at Henry Kissinger’s Easter shindig, I’d
My last contact with George Weidenfeld was when I asked him to review a book for The Spectator: a life of Stefan Zweig, who has been enjoying a bit of a moment lately. George didn’t fancy it, but I received – very courteous and friendly, as his communications always were – a postcard declining. You could
