Sam Leith is literary editor of The Spectator.
Nicola Barker has just won the Goldsmiths Prize for experimental fiction with her new novel H(a)ppy. She earned it. If anyone is writing fiction that deserves to be called experimental at the moment (the rubric for the prize is ‘fiction at its most novel’), it’s Nicola Barker. Everything she does, as far as I can
In this week’s Books Podcast I’m talking to Melvyn Bragg about his fascinating book on William Tyndale — which makes a case for the greatness of this dissenting British preacher who lived his life in exile and met his end on a bonfire, but whose translation of the Bible into English laid the foundations for
In this week’s Books Podcast I’m talking to Anthony Powell’s biographer Hilary Spurling about why A Dance to the Music of Time, far from being a museum piece, is a subtly avant-garde work. We talk about the rise and fall of literary reputations, why Powell wasn’t a snob, his rivalry with Evelyn Waugh, and — unexpectedly
In this week’s Books podcast I talk to Philip Pullman about his captivating new novel La Belle Sauvage — in which he returns to the world of His Dark Materials — and Daemon Voices, his new collection of essays on storytelling. He talks here about his magpie habits, why he thinks realism is better than
In this week’s Books Podcast I’m talking to the Times columnist and former speechwriter for Tony Blair, Philip Collins, about one of my favourite subjects: rhetoric. His new book When They Go Low, We Go High is a fascinating look at political oratory from Pericles to (Michelle) Obama, and a vigorous argument for politics itself
In this week’s Books Podcast I talk to the incomparable Claire Tomalin — veteran literary editor, biographer of Mary Wollstonecraft, Pepys, Hardy and Dickens among others — about her new memoir A Life of My Own. Here’s a book that contains extraordinary hardship — domestic violence; the loss of loved ones — narrated with cool fortitude
In this week’s Books podcast I’m joined by Alan Hollinghurst, the Man Booker prizewinning author of The Line of Beauty and The Stranger’s Child. His remarkable new novel, The Sparsholt Affair, tells a story of three generations of a family from the Second World War to the present day. We talk about agonising over prose,
The Sunday Times’s literary editor Andrew Holgate recently tweeted the news that Robert Harris’s latest thriller had entered the bestseller list at No. 2: ‘Pipped to the post by Ken Follett.’ Harris retweeted it: ‘Well done Ken. You bastard.’ Pipped to the post only by Follett. That’s the level Harris is at now. Even before it
In this week’s Books podcast, my guest is the journalist and historian Simon Heffer, author of the magisterial new The Age of Decadence: Britain 1880-1914. The second part in his trilogy of books about the Victorian and Edwardian ages, it works to explode the myth that the pre-war years were an endless Merchant Ivory Summer’s afternoon. Join
In this week’s Books Podcast I talk to the Pulitzer Prize winning historian (and former Spectator deputy editor) Anne Applebaum about her devastating new book Red Famine. The early 1930s in Ukraine saw a famine that killed around five million people. But fierce arguments continue to this day whether the “Holodomor” was a natural disaster, or
In this week’s Books podcast, my guest is the comedian and writer Robert Webb — whose moving and funny new book How Not To Be A Boy turns the material of a memoir into a heartfelt polemic about what he calls “The Trick”: the gender expectations that he identifies as causing many of the agonies of his
Trying to reconcile a belief in the literal truth of the Bible with the facts of the world as we observe it has never been the easiest of things. But heaven knows, people did try. Well enough known, I suppose, is the work of the 17th-century Archbishop of Armagh, James Ussher, who totted up all
The Man Booker shortlist is out. My colleague Philip Hensher isn’t convinced. He today tweeted ‘Booker shortlist – McGregor, Z Smith, Whitehead, Roy, Barry, Shamsie. Oh wait – those were the ones they left off. Baffling.’ But you can make your own mind up. Or, be guided by our critics. Here (with the exception, alas,
The Baillie Gifford longlist – consisting of contenders for the country’s most prestigious nonfiction prize – is out today. A very good list it is, too. For readers’ ease, I’m affixing some links here to the Spectator’s reviews of the longlisted titles. We missed Souad Mekhennet (sorry); and a couple of them – Applebaum, Schama
A N Wilson’s new biography of Darwin was acclaimed in these pages by Robert Douglas-Fairhurst for having a ‘scientist’s forensic skill and a novelist’s imaginative touch’; but, he warned, it was likely to ‘put the felis catus among the columbidae’ with its portrait of the great man as a publicity-hungry plagiarist who got the science wrong. It certainly has done
This week, in the books podcast, I talk to Harriett Gilbert – who has a good claim to be the voice of books on radio. With the 15th anniversary of the BBC World Service’s World Book Club (nine Nobel and 17 Booker winners have been guests to date), which she’s presented from its first episode
In this week’s Books podcast I speak to Clive James. Since he was diagnosed with leukaemia, Clive has been as it were on borrowed time. But what use he has made of that time: the last couple of years have seen a great late outpouring of poetry, most recently the wittily and wanly titled collection
‘I have a slight bone to pick with you,’ I tell Ian Livingstone as he makes me a cup of coffee in his airy open-plan kitchen. ‘This is a bone I have been waiting to pick for, oh, 35 years. That bloody maze!’ Livingstone chuckles. ‘That was Steve’s. He’s the sadist.’ That maze, in a
For this week’s podcast, in celebration of Robert Lowell’s centenary year, I’m joined by the critic and writer Jonathan Raban — who not only knew this titan among American poets of the last century, but lived in his basement, and found himself contributing to literary history when Lowell took to consulting him, on the hoof,
We live in an age when sequels to, and re-imaginings of, the classics, seem to be a larger part of the literary landscape than ever before. We’re seeing a steady stream of new Ian Fleming, new Agatha Christie, new Robert Ludlum, new Jane Austen, even new PG Wodehouse. What’s the attraction of these books? And
