Sam Leith

Sam Leith

Sam Leith is literary editor of The Spectator.

How narcos transformed Colombia

From our UK edition

41 min listen

In this week's Book Club podcast, I talk to the reporter Toby Muse about the vast, blood-soaked and nihilistic shadow economy that links a banker's 'cheeky little line of coke' to the poorest peasants in Colombia. Toby's new book Kilo: Life and Death inside the Cocaine Cartels traces cocaine's journey from that unremarkable-looking shrub to its entry into a multi-billion-dollar criminal enterprise, interviews farmers, prostitutes, pious assassins and cartel capos - and along the way describes how it has transformed Colombia's whole politics and way of life.

Coronavirus has made amateur mathematicians of us all

From our UK edition

‘What is the point of learning maths? When do you ever actually need it? How does it ever affect your life?’ That’s the frequent complaint of my school-age children, labouring over their times tables and number bonds. It was my complaint as I struggled to tell median from mean, or sine from cosine. Well. Now we have a nation and a world bewitched and terrified in equal measure by a ground-level demonstration of what an exponential function does. Our entire society is being shaped for a generation by that elegant, predictable, horrifyingly steepening curve. One shred of comfort in this catastrophe is the thought that no journalist will ever again write ‘increasing exponentially’ as a fancy-sounding way of saying ‘increasing a lot’.

Craig Brown on the kaleidoscopic Beatles

From our UK edition

35 min listen

My guest in this week's podcast is the multi-talented satirist Craig Brown, whose new book One Two Three Four: The Beatles In Time is, I feel confident in guessing, the most entertaining book about the Fab Four ever written. Craig joins me to talk about how he goes about his jackdaw work picking out the most curious and striking details from the mass of information in his research, what attracts him to his subjects, and why Paul McCartney has always been his favourite Beatle. Plus: a flabbergasting cameo for our own Stephen Bayley.

A history of poetry with Professor John Carey

From our UK edition

35 min listen

This week's Book Club podcast features one of the great wise men of the literary world: Professor John Carey - emeritus Merton Professor of English at Oxford, author of authoritative books on Milton, Donne and Dickens as well as the subject-transforming broadside The Intellectuals and the Masses. (He's also lead book reviewer for a publication we shall call only the S****y T***s, but we pass over that.) In his new book, A Little History of Poetry, he sweeps us with his usual elan from the Epic of Gilgamesh to the backyard of Les Murray. I asked him (among other things) what constitutes poetry, why 'Goosey Goosey Gander' has it all, what he discovered in his researches, and why the so-called New Criticism got old.

The warm, generous side of Andy Warhol

From our UK edition

33 min listen

On this week’s Book Club podcast, I’m joined by Blake Gopnik — the author of a monumental new biography of Andy Warhol. Blake tells me how everything — fame, money, and other human beings — were 'art supplies' to Warhol, but that underneath a succession of contrived personae Warhol could be warm, generous and even romantic; that the affectlessness of his art was not the expression of an affectless man; and that if he’d lived on, Gopnik thinks, he could have produced something equal to the late work of Titian.

The Twilight Zone inspired confessions of a poet

From our UK edition

27 min listen

My guest on this week’s Book Club is the poet Don Paterson — whose new book Zonal finds him accessing a new, confessional mode, a longer line and a childhood interest in the spooky TV show The Twilight Zone. Don talks about the relationship between poetry and jazz, the split between 'page poetry' and spoken-word material, the shortcomings of Rupi Kaur, whether poems should include 'spoiler alerts', and lifts the lid on his vicious feud with the man he calls 'Alan Jacket'.

There’s no sign of apocalypse in East Finchley – yet

From our UK edition

I was mansplaining to my wife earlier this week about why we ought to be very, very concerned by the coronavirus. It wasn’t the prospect of one person in 50 dying, I said — or not just that. It was more, I said sagely, the knock-on effects. You know, if everyone self-isolates, you’re only about two missed Ocado deliveries away from starvation, looting, cannibalism etc. ‘You’re always catastrophising,’ said my wife. ‘You were like this about Trump. And Brexit. I think it’s because you spend too much time reading the news.’ ‘But Trump is very bad,’ I said, because he is. ‘He could start a war.’ ‘He hasn’t started a war.

Hadley Freeman: tracing my family’s escape from Europe

From our UK edition

34 min listen

In this week’s Book Club, my guest is the writer Hadley Freeman, whose new book House of Glass tells the story of 20th century jewry through the hidden history of her own family. The four Glahs siblings — one of them the writer’s grandmother — grew up in a Polish shtetl just a few miles from what was to become Auschwitz. They fled the postwar pogroms to Paris; and then had to contend with the rise of a new and still more dangerous anti-Semitism under the Vichy regime. Hadley traced their story through two wars and across continents, and tells me how the story reflects both on Jewish history and on urgent concerns of the present day.

Christina Lamb: how rape is used as a weapon of war

From our UK edition

38 min listen

In this week’s Book Club podcast, my guest is the veteran foreign correspondent Christina Lamb. Christina’s new book, Our Bodies Their Battlefield: What War Does To Women is a deeply reported survey of rape as a weapon of war, described in our pages by Antony Beevor as the most powerful and disturbing book he has ever read.

Why 42 is the answer to Life, the Universe and Everything

From our UK edition

30 min listen

Don’t Panic! Next month marks the 42nd anniversary of the first radio broadcast of The Hitchhiker’s Guide to the Galaxy. Joining me on this week’s podcast to discuss the genesis, genius and legacy of the show and the books it spawned are the literary scholar and science fiction writer Adam Roberts, and John Lloyd, the founder of QI and a close collaborator and lifelong friend of Douglas Adams. Do we let slip the answer to Life, the Universe and Everything? Nearly.

The internet is taking the joy out of quotations

From our UK edition

‘Quotation (n.) — The act of repeating erroneously the words of another.’ Ambrose Bierce said that, or at least wrote it in the Devil’s Dictionary. That was in 1906, and those are words for the ages. In his Rhetoric, centuries before the birth of Christ, Aristotle identified one of the most common and effective ways of making an argument seem stronger. In his section on ‘proofs’ he talked about what he called ‘ancient witnesses’. By this he meant not only the testimony of witnesses such as you might call in court — but the witness borne by proverbs and quotations. Any speaker or writer can get an extra fillip of authority by quoting a revered forbear. Don’t just take my word for it, we say: Shakespeare or Montaigne put it best.

The real Calamity Jane was distressingly unlike her legend

From our UK edition

‘This is the West, Sir,’ says a reporter in The Man Who Shot Liberty Valance. ‘When the legend becomes fact, print the legend.’ This is very much the advice that has applied to Calamity Jane over the years. She was the lover of ‘Wild Bill’ Hickok, avenged herself on his killer and bore his secret love-child. She rode as a female army scout and served with Custer. She saved a runaway stagecoach from a Cheyenne war party and rode it safely into Deadwood. She earned her nickname after hauling one General Egan to safety after he was unhorsed in an ambush. She was a crack shot, a nurse to the wounded, a bullwhacker and an elite Pony Express courier. Not one of these things is true.

The Book Club podcast: did Churchill’s cook help him win the war?

From our UK edition

32 min listen

This week’s Book Club stars the food historian and broadcaster Annie Gray, whose new book Victory In The Kitchen excavates the life and world of Georgina Landemare – Winston Churchill’s cook. From the shifting roles of household servants, and the insane food of the Edwardian rich – everything jellied and moulded and forced through sieves – to the inventive ways that haute cuisine responded to rationing, Georgina’s is a story that gives a fascinating new insight into 20th century culture and society. Annie makes the case that without Georgina’s cooking, Churchill might never have achieved the political success he did.

Oh Nancy, Nancy!

When I was four, I fell in love for the first time. The object of my affections was Jemima the rag-doll from preschool. That was a trial run. I was seven or eight when I got my first serious crush. She was an older woman: red-haired, wholesome, adventurous and intelligent. She was 16. She was always 16. Her name was Nancy. My love for her — like the young Julian Barnes’s love for an older woman — did a great deal to shape my life.The Nancy Drew mysteries (I didn’t know, then, that ‘mystery’ is what Americans call a detective story) were the first series of books to which I became completely addicted.

nancy drew

Why I’m mourning Lee Child’s retirement

From our UK edition

There is mourning in my household, as in many households, this morning at the news that Lee Child - the bestselling thriller writer, from whom we have been able to expect a new Jack Reacher novel every autumn - is laying down his pen. You can well see why he might. He has all the money he will ever need and nothing to prove to anyone. Why not quit while he’s ahead? Reacher would. But what a loss to the rest of us.

The Book Club podcast: what do T.S. Eliot’s letters reveal?

From our UK edition

In this week’s Book Club podcast, we’re talking about the life and loves of the greatest poet of the twentieth century. Professor John Haffenden joins me to discuss the impact of the opening of an archive of more than 1,000 of Eliot’s letters to Emily Hale — his Harvard sweetheart and the woman who for fifteen years he believed to have been the love of his life. Was he really in love with her or, as he later claimed, simply imagining it? What does he mean when he says that marriage to Emily would have killed him as a poet? And what light does it shed on his poetry? John — who as the editor of T. S.

‘I was a tortured, obviously brilliant child’: James Ellroy interviewed

From our UK edition

James Ellroy is occasionally quoted as saying he’s the greatest American crime novelist ever. The man sometimes called the ‘demon dog of American letters’ has no hesitation in affirming it when he arrives in The Spectator’s London offices to record a podcast. ‘Oh yes, I think that’s been proven,’ he says matter-of-factly. Has he always thought that? ‘When I finished the LA Quartet. I knew there was nobody like me and there wasn’t.’ Ellroy’s new book, This Storm, is the second novel in a projected set of prequels to his LA Quartet (The Black Dahlia, The Big Nowhere, LA Confidential and White Jazz) set between LA and the Baja peninsula in Mexico in the aftermath of Pearl Harbor.

The Book Club: James Ellroy on God, drugs and his mother’s murder

From our UK edition

In this week’s Book Club podcast, I talk to the 'demon dog' of American letters, James Ellroy — whose latest book is This Storm. In a wide-ranging and somewhat NSFW conversation, we talk about misquoting Auden, why Ellroy hates Orson Welles, how he maps out the byzantine plots of his novels, why as a recovering addict he fills his books with pill-poppers and juice heads, why he thinks he's the best crime writer living — and what his dad’s '20-inch wang' had to do with Rita Hayworth.

Who are today’s fictional heroes?

From our UK edition

What’s a hero? There are probably at least two answers to that. One is that heroism is a moral quality: to do with courage above all but, in its wider connotations, to do with altruism or protectiveness and self-sacrifice. The answer that probably precedes that one, though, is a more technical, narratological one: the hero is the star of a story. In storytelling terms it’s a matter of narrative focus, and the reader’s implied identification with one character above the others — or, perhaps, admiration rather than identification. Heroes are bigger, braver, more purposeful, more important than the ordinary run of humanity. It happens that on the whole the aforementioned moral qualities have come to be attached to heroes.