Sam Leith

Sam Leith

Sam Leith is literary editor of The Spectator.

Books Podcast: how has Royal reporting changed since Diana?

In this week’s books podcast I’m joined from Los Angeles by Andrew Morton — the Royal writer who scooped the world with the inside story of Princess Diana’s marriage. To coincide with the publication of a revised and expanded edition of Diana, Her True Story — including new material recovered from the tapes they smuggled

Sam Leith

Life at the Globe | 7 February 2019

    IN ASSOCIATION WITH THE PRINCIPAL PARTNERS OF SHAKESPEARE’S GLOBE’S 2019 SUMMER SEASON Though the new production of Richard II we’ve been discussing here is taking place at the Globe, it’s perhaps worth remembering that the original didn’t. The play precedes the building of the first theatre by half a decade or so. It

Books Podcast: is it time to stop working?

In this week’s books podcast I’m joined by Josh Cohen, author of the Not Working: Why We Have To Stop (reviewed here by Houman Barekat). Josh is a literary critic and a working psychoanalyst, and his book is a thoughtful and subtle discussion of the way in which work dominates not only our lives and identities

Life at the Globe | 24 January 2019

    IN ASSOCIATION WITH THE PRINCIPAL PARTNERS OF SHAKESPEARE’S GLOBE’S 2019 SUMMER SEASON I quoted last week that rather Brexit-flavoured passage from John of Gaunt’s deathbed speech in Richard II — noting how it chimed with the times. I didn’t mention that the Globe’s forthcoming production, opening at the Sam Wanamaker Playhouse on 22

Books Podcast: what modern Bibles get wrong

In this week’s books podcast, my guest is Robert Alter – who has just published the fruits of decades of labour in the form of his complete new translation of the Hebrew Bible into English. Acclaimed for his Bible translations by Seamus Heaney, John Updike and Peter Ackroyd, Prof Alter tells me how Biblical Hebrew

Sam Leith

Life at the Globe | 17 January 2019

    IN ASSOCIATION WITH THE PRINCIPAL PARTNERS OF SHAKESPEARE’S GLOBE’S 2019 SUMMER SEASON One of the things about Shakespeare that always makes you marvel is how insistently he speaks to the present moment — any present moment you choose. Academic literary critics wince when you start bandying around phrases like ‘eternal truths’, so let’s

Life at the Globe

  IN ASSOCIATION WITH THE PRINCIPAL PARTNERS OF SHAKESPEARE’S GLOBE The Globe was the occasion of drama before the first line was even spoken from its stage. In the snowy winter of 1598, three days after Christmas, Shakespeare and his colleague Burbage resolved a falling-out with the landlord of their then Shoreditch theatre in the

Books Podcast: Jonathan Ames – from memoirs to graphic novels

In this week’s book’s podcast my guest is Jonathan Ames, a writer who has produced everything from memoir (Adventures of a Mildly Perverted Young Writer) to TV writing (Bored To Death), graphic novels (The Alcoholic), pitch-black noir (You Were Never Really Here), Wodehouse hommage (Wake Up, Sir!) and now, in The Extra Man, a comic

Books Podcast: conversing with Chris Kraus, author of I Love Dick

In this week’s books podcast I’m talking to Chris Kraus — author of the semi-autobiographical cult novel I Love Dick and the new essay collection Social Practices — about her strange and interesting life in the New York and LA art worlds, about taking Baudrillard to a “happening” in the desert, about ambition and fame,

A death-haunted world

‘A is for Amy who fell down the stairs/ B is for Basil, assaulted by bears…’ The Gashlycrumb Tinies, an alphabet in dactylic couplets of the surreal fates visited on a succession of blameless tots, is probably Edward Gorey’s best-known work — and that work forms a pretty coherent whole. Dozens and dozens of tiny

Diary – 29 November 2018

I got the sack the other day from the London Evening Standard, where I’ve been a weekly columnist for about a decade. ‘Belt-tightening’, I was told: Osbornean austerity claims another victim. As Fleet Street sinks giggling into the sea, a mini-tradition is emerging for long-serving hacks to grumble in the Spectator diary about losing regular

Sam Leith

On the side of Goliath

According to which bit of hype you read, there’s a copy of one of Lee Child’s Jack Reacher thrillers sold somewhere in the world every four seconds, or every seven, or every nine. It’s a cute statistic and (as Child wryly notes), there’s an element of Barnum & Bailey hucksterism to it. But suffice to