Sam Leith

Sam Leith

Sam Leith is literary editor of The Spectator.

Britain’s shameful response to the Ukraine crisis

From our UK edition

Perhaps you’re of the opinion that Ukrainian refugees aren’t our problem, that the world has always been full of foreigners doing ghastly things to each-other, and we can’t be expected to change the settled migration policy of our country just because of a war. Perhaps you wonder why, if we've been talking about using gunboats to repel boatloads of Libyans or Syrians and were forced to be 'realistic' about the number of people we could accept from Afghanistan, we’re now getting sentimental about Ukrainians.

Tom Burgis: Kleptopia

From our UK edition

53 min listen

In this week's Book Club podcast, I'm talking to the investigative reporter Tom Burgis – just days after the High Court threw out an attempt from a London-based company run by eastern European oligarchs to suppress his book Kleptopia: How Dirty Money Is Conquering the World. Tom tells me how massacres in Kazakhstan connect to the City of London, how western legal frameworks struggle to cope with international crime, how international kidnapping can be perfectly legal, why Tony Blair helped launder the reputation of a blood-soaked dictator – and how the conflict in Ukraine is the new front line of an ongoing world war between kleptocracy and democracy.

Remember the Russians who will really suffer from sanctions

From our UK edition

When I was in Russia in the very early 1990s, there was a generic figure who seemed to stand at the entrance to every metro station: an ancient babushka in a headscarf and tatty coat, face creased with age and weather, holding out a flimsy plastic bag rolled into a little triangle, begging for kopeks. The collapse of communism had its winners and its losers – and these old women were the losers. The 'social umbrella' of the necrotic Soviet system may have provided its pensioners with a miserable existence, as a local explained it to me, but it had provided; and these women, having discovered that freedom is all very well but you can’t buy food with it, could be forgiven for pining for Uncle Joe and his grey-hatted successors.

Christopher de Bellaigue: The Lion House

From our UK edition

39 min listen

In this week’s Book Club podcast, I’m joined by the historian Christopher de Bellaigue to talk about The Lion House, his scintillating and idiosyncratic new book about the great Sultan Suleyman the Magnificent. It’s all here: massacres, sieges, over-mighty viziers, Venetian perfidy, and… true love?

Has Putin resurrected the West?

From our UK edition

I think Putin will have been surprised. I mean: I was surprised. Weren’t you? Not, necessarily, that Ukraine should have been resisting as valiantly as it is; nor even that Russia’s supposedly unstoppable war machine should have found itself out of petrol on a chilly highway from which the road signs have been removed. But surprised by the sheer force and volume and unanimity of the international cry of: no, this will not stand. That is one thing, even amid the unspeakable human cost of the war in Ukraine, to feel encouraged by. If this invasion does, as many have said, mark the beginning of a new order in European security and great power politics, isn’t it a sign that it could be a stronger, better, less complacent one?

The centenary of literary Modernism

From our UK edition

43 min listen

In this week's Book Club podcast, we're going back 100 years to 1922 – the year which is usually seen as heralding the birth of literary Modernism. My guests are Richard Davenport-Hines, author of A Night At The Majestic: Proust and the Great Modernist Dinner Party, and the scholar and critic Merve Emre, who has worked extensively on Joyce and Woolf. I asked them how much Modernism really did represent a break with the past, and how much it looked like a coherent movement at the time. Along the way we learn what Proust and Joyce found to discuss when they met, why Virginia Woolf was so rude about Ulysses, and what the mainstream story of Modernism left out...

What if we aren’t ready to live with Covid?

From our UK edition

Quite the constitutional twist, yesterday. Just as what Walter Bagehot called the efficient side of our ruling set-up was merrily announcing a final bonfire of the Covid regulations, the dignified side (aka her Majesty the Queen) was letting it be known that she has contracted Covid. Not what you’d call perfect timing. Taking the wide view, she’s just one elderly lady. Policy shouldn't hinge on the susceptibility of any single elderly lady to a disease, be she never so dignified. Still, if her Maj is carted off to hospital it’ll be bad PR for Number 10s ballsy new Living With Covid policy. She's a visible reminder that, yes, it’s still out there, burning through the population like a peat fire.

Anna Keay: The Restless Republic

From our UK edition

38 min listen

My guest in this week's Book Club podcast is the historian Anna Keay. In her new book The Restless Republic: Britain Without A Crown she describes the short but traumatic period between the execution of Charles I and the restoration of the monarchy. She tells me about the religious turmoil, the explosion of the newspaper industry, the sympathetic side of Oliver Cromwell... and parallels with our own age of constitutional upheaval and viral propaganda.

The Centenary of Kerouac

From our UK edition

42 min listen

This year marks the centenary of the birth of Jack Kerouac. As Penguin publishes a lavish new edition of On The Road to mark the occasion, I'm joined by two Kerouac scholars. Holly George-Warren is working on the definitive biography of Kerouac (her previous work includes Lives of Gene Autry and Janis Joplin), and Simon Warner co-edited Kerouac on Record: A Literary Soundtrack and runs Rock and the Beat Generation. They tell me how On The Road came to be written, how it stands up now, and what made 'the Beats' beat.

Politics isn’t a branch of the entertainment industry

From our UK edition

Rudy Giuliani has had quite the trajectory in public life. Those of us who remember the days after 9/11 will still have a picture of a man who emerged from that disaster as a credit to his city and a credit to his office. If you only picked up the Rudy Show midway through season three, however, you’d have met the wild-eyed oddbod with hair dye running down his temples, spouting conspiracy theories outside a porn shop in a down-at-heel strip mall and — who even knew this was possible? - being suspended as a lawyer in Washington for dishonesty. His story arc was a mash-up of Breaking Bad and My Cousin Vinnie. The latest plot twist came last week when he was unmasked as a departing contestant at the taping of a forthcoming episode of The Masked Singer.

Eugenics will never work – thankfully

From our UK edition

In his most recent book, How to Argue With a Racist, the geneticist Adam Rutherford set out a lucid account of how the basis for many widely held and apparently commonsensical ideas about race are pseudoscientific; and he lightly sketched, along the way, the historical context in which they arose and the ideological prejudices that nourished them. We might have some half-baked ideas about how evolution works — and have unthinkingly accepted racial categories invented by 18th-century imperialists — but, he assured us in perhaps the standout line of the book, the underlying genetics is ‘wickedly complicated’. Control is a companion piece to that one.

Philip Oltermann: The Stasi Poetry Circle

From our UK edition

39 min listen

My guest in this week's Book Club podcast is Philip Oltermann, whose new book The Stasi Poetry Circle: The Creative Writing Class that Tried to Win the Cold War, unearths one of the most unexpected corners of East German history. At the height of the Cold War, members of the GDR's notorious secret police got together regularly to workshop their poems. Was this a surveillance exercise, a training module for propagandists – or something stranger than either? And were their poems any good? Philip tells me about why poetry was such a big deal in the Eastern Bloc, how – had Petrarch but known – the sonnet was the perfect model for dialectical materialism, and where those poets are now...

You can’t really ‘cancel’ anything

From our UK edition

'When parents give Maus…to their little kids, I think it's child abuse. I wanna protect my kids!' Who do you imagine this quote is from? Some plaid-clad member of the moral majority at a town hall meeting in Tennessee – where the local board of education in McMinn County recently caused an outcry by removing Art Spiegelman's graphic novel about the Holocaust from the eighth-grade curriculum? Nope. It's a quote from, well, Art Spiegelman – in a 1997 comic he drew depicting a conversation he had with Maurice Sendak. This week he took a rather different view. Interviewed by CNN, he said that in contemplating the school board ruling he had 'moved past total bafflement to trying to be tolerant of people who may possibly not be Nazis… maybe?

Pre-crime has arrived in China

From our UK edition

The idea of ‘pre-crime’ was popularised by Philip K. Dick’s story ‘The Minority Report’ and the 2002 Steven Spielberg film based on it. Here was a vision of a shudderingly paranoiac technological dystopia in which you could be arrested for something you haven’t even done yet. Not so science-fictional as all that. ‘Pre-criminal’ is the phrase — apparently one in official currency — that’s used of the protagonist of the story with which Darren Byler begins his chilling short book. Vera Zhou was a student of Byler’s at the University of Washington.

Christopher Prendergast: Living and Dying With Marcel Proust

From our UK edition

34 min listen

In this week's Book Club podcast, I'm joined by Christopher Prendergast, Professor Emeritus of Modern French Literature at Cambridge and the author of the new book Living and Dying With Marcel Proust. In the centenary year of Proust's death (and the English publication of Swann's Way) he tells me (among other things) how the structure of A La Recherche is more straightforward than many think, why that madeleine was nearly a slice of toast, and about the great unsayable at the heart of Proust's great story.

Downflood: the Good Ship Boris is sinking

From our UK edition

In Sebastian Junger’s book The Perfect Storm, there’s a near-matchless description of how big boats go to the bottom. 'The crisis curve starts out gradually and quickly becomes exponential,' Junger writes of a boat wallowing and taking on water in a big sea: The more trouble she’s in, the more trouble she’s likely to get in, and the less capable she is of getting out of it, which is an acceleration of catastrophe that is almost impossible to reverse... If there’s enough damage, flooding may overwhelm the pumps and short out the engine or gag its air intakes. With the engine gone, the boat has no steerageway at all and turns broadside to the seas.

The collapse: how Red Wall MPs turned on Boris

From our UK edition

39 min listen

In this week’s episode: Will the Red Wall crush Boris Johnson? In this week’s Spectator, our political editor James Forsyth and our deputy political editor Katy Balls report on the plot to oust the Prime Minister by Red Wall MPs, and No.10’s battle to save Boris. They join the podcast to give their up to date diagnosis. (00:43)Also this week: How to save the BBC?This week Nadine Dorries announced that she is planning a licence fee freeze. In the Spectator this week Paul Wood, a veteran journalist of the BBC writes about his love-hate relationship with the broadcaster. He joins the podcast now along with Domonic Minghella, writer, producer and former showrunner of the BBC’s Robin Hood. (14:45) And finally: Is it moral to do good with bad money?

James Birch: Bacon in Moscow

From our UK edition

26 min listen

In this week's Book Club podcast, my guest is the gallerist James Birch - whose new book Bacon In Moscow describes how he achieved the seemingly impossible: taking an exhibition of Francis Bacon's work to Moscow in the late 1980s. James tells me how he negotiated between the volatile artist and the implacable Soviet bureaucracy with the help of a suave but menacing KGB middleman; and how, along the way, he nearly acquired an original Francis Bacon painting and nearly acquired a Russian wife.

What Meccano taught me

From our UK edition

Elsewhere in England this weekend, grimly sweating middle-aged men were planning Operation Save Big Dog, Operation Red Meat and Operation Decommission Shopping Trolley. In our house, though, the only game in town for grimly sweating middle-aged men was Operation Racing Car. My son Jonah had received his Covid-postponed eighth birthday present from his cousins and it was – retro! – a Meccano set.  'Dad, can you help me build it?' he asked, heteropatriarchonormatively. And of course I gladly forwent my planned afternoon doomscrolling Twitter to see how many new Downing Street parties would be unearthed.

Stuart Jeffries: Everything, All The Time, Everywhere

From our UK edition

41 min listen

This week's Book Club podcast addresses one of the most misunderstood and vilified concepts in the culture wars: postmodernism. How did this arcane theoretical position escape from academia to become a social media talking point? What the hell is it anyway? What does Jeff Koons have to do with Foucault? Is postmodernism out to destroy capitalism, or is it capitalism incarnate? And what comes after postmodernism? Stuart Jeffries - author of Everything, All The Time, Everywhere: How We Became Postmodern - puts it all in quotes for us.