Sam Leith

Sam Leith

Sam Leith is literary editor of The Spectator.

It wasn’t just Trump who dodged a bullet. It was all of us

From our UK edition

Hard not to think that that’s the election in the bag for The Donald. Surviving an assassination attempt was always going to be a bounce in the polls, no question. Trump not only survived one but – improbably enough, given he’s a 78-year-old man and he was surrounded by a passel of burly, supposedly highly trained security guys whose only job was to put him on the deck and sit on his head till the fun was good and over – fought his way to his feet and had the presence of mind to raise a fist of defiance and shout ‘fight, fight, fight,’ to his supporters. I don’t think it’s an exaggeration to say it might well have been the end of America as we know it Fair play to the man.

Completely batty: Vampire Therapist reviewed

From our UK edition

Grade: B+ Looter-shooters, match-three games, dragons and spaceships... Sometimes you despair of video games doing the same thing again and again – and then a lone developer gets a severe bump on the head and produces something completely batty.  Vampire Therapist is a comedic adventure-story therapy-simulation starring a vampire, except he’s also a cowboy, and he’s training to be a cognitive behavioural therapist in the backroom of a German nightclub under the tutelage of a 3,000-year-old bisexual vampire who was romantic with Marcus Aurelius back in the day.  Our hero was a bad vamp in the Wild West for many years, you see, but he fell in with the Transcendentalists and learned to ‘walk a better path’. Now he hopes to persuade others to do the same.

Michael Nott: Thom Gunn’s Cool Queer Life

From our UK edition

29 min listen

My guest on this week's Book Club podcast is Michael Nott, author of the new biography Thom Gunn: A Cool Queer Life. He tells me about the poet's early trauma, his transatlantic identity, his unconventional family and his compartmentalised life, part teaching and writing, part sex, drugs and rock and roll.

Let’s give Keir a chance

From our UK edition

I don’t know about you, but I had an odd sort of election. The bits that I thought were going to thrill and excite me did not; and the bits that I thought couldn’t thrill and excite anybody made me feel quite emotional. That is, I gave up on the live coverage at about half two in the morning. Not even the prospect of watching Liz Truss get her cards seemed as appealing as a few hours’ kip. The 1997-style jubilation I might have expected to feel, as a representative of those keen to give Labour a shot at governing, just wasn’t there.  But the following day, as announcements of ministerial and cabinet posts trickled out, I felt genuinely buoyed up. You may – we may – dislike the ideological slant of some of these appointments.

Keir Starmer channeled Obama in his first Downing Street speech

From our UK edition

In his first speech from the Downing Street lectern, Sir Keir Starmer was setting out to reaffirm those qualities that won him the election. That was a relatively low bar to clear – he just had to give the impression that he was neither a crook nor a maniac – and he cleared it with ease. Here was a solid, sensible, ostentatiously humble speech delivered with persuasive but unshowy emotion.  Starmer was punctilious about showing grace in victory. Just a few days ago, he was deriding Rishi Sunak as a selfish chancer who had enriched himself 'betting against Britain' in his financial career; today, he was keen to 'pay tribute' to the outgoing PM’s 'dedication and hard work', and to the 'extra effort' that will have gone into earning a place as the first British-Asian PM.

Kathleen Jamie: Cairn

From our UK edition

24 min listen

In her new book Cairn, the Scots poet Kathleen Jamie sets a capstone of sorts on her trilogy of short prose collections Findings, Surfacing and Sightlines. She joins me on this week’s Book Club podcast to talk about why she hesitates to call herself a nature writer, how prose found her late in life, and why whale-watching isn’t what it used to be. Produced by Patrick Gibbons.

Why is Putin really trying to interfere in the UK election?

From our UK edition

Who says Britain is no longer a Great Power? To those of a declinist cast of mind, it must stand as a rebuke that, even with everything else on his plate, Vladimir Putin still regards our elections as worth interfering in. And, what’s more, those elections are so important that the Aussies are taking enough of an interest in them to consider that Russian interference newsworthy.   Russia may be trying to influence our elections, which as I say is flattering and all, but they aren’t trying very hard At the same time as it’s heartening that the Australian Broadcasting Corporation considers this a big deal it’s also, I suppose, a little dismaying that our own Broadcasting Corporation didn’t seem to notice. But there we are.

Åsne Seierstad

From our UK edition

48 min listen

My guest for this week's Book Club is the journalist and author Åsne Seierstad. She tells me about her new book The Afghans: Three Lives Through War, Love and Revolt; how and why she constructed a novelistic narrative about real-life people and events, and what her encounters with human rights activist Jamila, Taliban commander Bashir and thwarted student Ariana can tell us about the past, present and future of that troubled country. Produced by Patrick Gibbons.

Michael Gove is right to compare the betting scandal to partygate 

From our UK edition

Poor old Rishi Sunak. You would have to have the proverbial heart of stone not to feel, at least, a bat-squeak of pity for the man at this stage. First there was that poignant press conference in the rain, then the D-day kerfuffle, the flock of sheep in Devon who snubbed him when he tried to feed them, the series of ill-advised visits to chocolate teapot factories and pubs called things like ‘The Last Chance Saloon’, and now this...

Mark Bostridge: In Pursuit of Love

From our UK edition

41 min listen

My guest on this week’s Book Club podcast is Mark Bostridge. In his new book In Pursuit of Love: The Search for Victor Hugo’s Daughter, Mark describes his quest to uncover the traces of Adele Hugo and the doomed love affair which cost her her sanity. He tells me how Adele’s story chimed in poignant ways with his own life and what it taught him about the unstable emotional contract between biographer and subject.

The terrible consequences of the Hay Festival grandstanding

From our UK edition

Just three weeks ago, I wrote about Hay Festival sacking their main sponsor Baillie Gifford after pressure from the campaign group Fossil Free Books, which claimed the investment fund was profiting from the destruction of the planet and 'genocide' in Gaza. Whatever their merits of these charges (not much, as it happens), I argued, the sacking of a literary festival’s sponsor would do great harm to the festival and make no impact whatsoever on the fossil fuel industry or the lives of people in Gaza. Worse, I worried, would be if the campaigners scented blood and others followed suit. This could be a disaster for the arts in this country. In the three weeks since I last wrote about this, the dominoes have gone down faster than I had dared to imagine.

I’ve finally shaken my Candy Crush addiction

From our UK edition

Most of us, once we pass the age when we wash our own underpants, don’t play games on a PC or a console. We think ‘Twitch’ is what you get when your spouse stacks the dishwasher and ‘Discord’ is what comes next. But you bet we play Candy Crush on the commute. Mobile gaming is still gaming, and it’s a big deal. Problem is, most of it’s crap. This is true even when the games are OK. Take the new Strange Horticulture, which ports a well received PC/console original to mobile. It’s a cartoon-gothic puzzle game (you identify plants apothecary-style; there’s a murder plot; vibes abound) which is dragged from a solid B+ to a glum C by the fiddly interface on an iPhone. Peer angrily at the tiny script; stab clumsily at the screen with your Homer Simpson thumbs; give up.

Marlon James: A Brief History of Seven Killings

From our UK edition

40 min listen

My guest in this week’s Book Club podcast is Marlon James, who ten years ago published his Booker Prize winning novel A Brief History of Seven Killings. He tells me how that remarkable book came about, how he feared it would be 'my Satanic Verses', what genre means to him, the importance of myth, and what he learned from the X-Men.

Richard Flanagan: Question 7

From our UK edition

40 min listen

In this week's Book Club podcast, my guest is the Booker Prize winning novelist Richard Flanagan, talking about his extraordinary new book Question 7. It weaves together memoir, reportage and the imaginative work of fiction. Flanagan collides his relationship with his war-traumatised father and his own near-death experience with the lives of H G Wells and Leo Szilard, the Tasmanian genocide and the bombing of Hiroshima. He talks to me about the work fiction can do, the intimate association of memory with shame, and the liberations and agonies of thinking of non-linear time.

Keir Starmer is treating the House of Lords with contempt

From our UK edition

We have different approaches to tidying up, my wife and I. It bothers her very much that the house we share with three chaotic children is so untidy. Over the years unsightly, useless, out-of-date items accumulate in every room: incomplete jigsaws, dried-out paints, barely-played boardgames, broken furniture, too-small and obscurely stained clothes, collections of shells and pebbles, or that vibration-sensitive fluffy penguin which flaps its stubby wings and blares out a tinny version of 'Rock Around the Clock' when a spider stamps its foot anywhere within a kilometre of it.   My fantasy, when the clutter gets intolerable, is to have a clear-out in which everything that doesn’t spark joy goes into black bin bags and thence to the dump. She cannot quite bear to do that.

The legacy of Franz Kafka

From our UK edition

51 min listen

June 3rd marks the centenary of Franz Kafka's death. To talk about this great writer's peculiar style and lasting legacy, I'm joined by two of the world's foremost Kafka scholars. Mark Harman has just translated, edited and annotated a new edition of Kafka's Selected Stories, while Ross Benjamin is the translator of the first unexpurgated edition of Kafka's Diaries. They tell me what they understand by 'Kafkaesque', the unique difficulties he presents in editing and translation, and the unstable relationship between his published works, his notebooks and his troubled life.

The grandstanding against the Hay Festival is short-sighted 

From our UK edition

When the country’s largest literary festival parts ways with its main sponsor, it is not usually a cause for rejoicing among writers, performers, and the sorts of people who like to go to literary festivals. It is usually a disaster for the festival. Yet when on Friday the Hay Festival sacked (yes, it was that way round) the investment fund Baillie Gifford as its main sponsor, it was felt that a mighty blow had been struck against injustice.

Sunak’s election speech was embarrassingly bad

From our UK edition

Let’s be fair. It wasn’t Rishi Sunak’s fault it was raining. But it was, a bit, his fault that as someone who has ‘never been prouder to be British’, and so is presumably familiar with the way weather works in this country, he didn’t take one look at the lead-grey sky and make a contingency plan. That contingency plan could have been waiting 24 hours. It could have been delivering his speech indoors. It could have been – I don’t know – getting someone to stand a few feet away with a brolly, just in case.

Conn Iggulden: Nero

From our UK edition

43 min listen

My guest on this week's Book Club podcast is Conn Iggulden, probably the best selling author of historical fiction of our day. This week Conn publishes Nero, the first in a new trilogy about the notorious Roman emperor. He tells me about how he learned to write historical fiction, his years-long path to overnight success, and the advantages (and disadvantages) of having an audience comprised of men who can't seem to stop thinking about the Roman Empire.

In defence of Jonathan Yeo

From our UK edition

If the basic job of a work of art is to be interesting, as I think it is, then Jonathan Yeo’s new portrait of the King accomplished that admirably. No sooner had an image of this big canvas been released to the public than it sparked a million memes. What did it mean, people wondered, that His Majesty’s face emerged from a great abstract field of rose and crimson? Was it a nod to the blood-soaked legacy of empire? A secret signal of some sort of satanic conspiracy theory? A portentous meditation on the blood royal? An anxious reflection on the King’s recent illness? Was it a nod to the blood-soaked legacy of empire? It has been, to say the least, controversial. Monarchists and republicans alike have taken a close and lively interest in it.