Cracking Stuff
This morning’s Guardian hailed the fresh brilliance of the new Unilever Turbine Hall project at Tate Modern by Doris Salcedo. It shows: “a laudable unwillingness to compromise, wanting to make a work about absolute indifference, and to address desolation and destitution…Shibboleth begins with a hairline crack in the concrete floor by the entrance. As insignificant