Philip Womack is a writer, an ex-private tutor and a parent.
A favourite game of mine is to imagine Virgil and Homer today, plying their trade among the supermarkets and office blocks. What would they sing? Can modern life aspire to the epic, and can such a form still be understandable, even useful? C.S. Lewis, though he did translate the Aeneid beautifully, didn’t quite manage a
Tessa Hadley’s previous book, The London Train, was one of the best novels of last year, though overlooked by prize committees. It concerned the gently disentangling lives of a pair of middle-class couples, and found its strengths in numinous revelations of the everyday. These short stories (all previously printed in magazines such as Granta and
I really wanted to like this book. After the dire Eragon, which has now been made into a worse film, and this year’s The Meaning of Night, with its coy Victorianisms and pointless footnotes, I was longing for a ‘fantasy’ that would enchant and amuse in delicious detail. And somewhere, in the 750-odd pages of
I had a succession of brilliantly eccentric Classics teachers. Father Hunnwycke, a kindly and acerbic priest, showed his hatred of school inspections by holding up a German book called Group Sex in Ancient Rome every time the inspector’s dreary head was bowed. Another, a small, military Scottish man, would, after berating my misuse of the
Susanna Clarke taps enchantingly into a vein of folkloric gold. She presents our world as existing in tandem with ‘Faerie’, but without butterfly-winged Victoriana. Instead she creates a sense of danger, as if the Faeries in question are the displaced gods of Robert Graves’ The White Goddess, still retaining elements of frightful power over mankind.
This is a loosely connected series of tales which make up an intriguing, sometimes frustrating and occasionally both compelling and hilarious collection of ‘snatches’ from a bizarre alternative world history, which proclaims that there is no such thing as fiction, and that we are always one step away from destruction. Trotsky’s ghost, a cannibalistic contessa