Philip Hensher is professor of Creative Writing at Bath Spa University and the author of 11 novels including A Small Revolution in Germany.
The biographers, like eager heirs round a deathbed, were amassing by Robert Louis Stevenson’s side while he was still breathing. The story, they could tell, was going to be just too good. The age loved a youthful demise, and anyone could see that Stevenson was not going to make old bones. They were quite right,
Haruki Murakami must be one of the most successful novelists in the world, from the point of view of readership; he has a very substantial following in this country, but it is still much smaller than the enormous readership he has in much of Europe. He is not one of those writers who appeals most
Very few people have ever dared to publish a book of aphorisms, and certainly hardly anyone in recent memory. The form is so demanding, basically requiring novelty, truth and literary excellence all at the same time, that even to embark on it needs a writer with high and justified confidence in his own abilities. Don
One of the things which drew Nicholas Shakespeare to Tas- mania was that it was one of the few remote places that Bruce Chatwin, whom he’d spent seven years writing a biography about, had never been to. But Shakespeare has written a wonderfully Chatwinesque book about a place, in which individual historical narratives are woven
It’s curious to reflect that in reviewing Olivia Manning’s biography alone and prominently one is paying her more attention than any of her novels had in her lifetime. They were invariably reviewed as one of a group, rather than stand-alone, and for the general reader she fell into the category of novelists whose name is
Perhaps not uniquely, I was discouraged from reading V. S. Pritchett by nothing more than the old Penguin cover of his 1982 Collected Stories. It was simply a photograph of the author, wearing a suit, holding a pipe, with an expression of mild elderly benevolence. To callow youth, that was not what genius was supposed
Among the great works of art written in the prison camps of the second world war are Messiaen’s Quartet for the End of Time, Viktor Ullman’s The Emperor of Atlantis, Ezra Pound’s The Pisan Cantos and P. G. Wodehouse’s Joy in the Morning. Spot the odd one out. Robert McCrum, with some ingenuity, has managed
A curious volume, this, and you would be right in thinking that anyone writing a book review of someone else’s book reviews needs to justify himself. (Indeed, the first essay in this book is a review of Sven Birkerts’s book reviews, at which point we seem an unnecessarily remote distance from literature itself — I
It’s not often that one can recommend a biography of a writer as long as this, particularly since Isherwood was not, in the end, a writer of the first rank. But in this case there is no doubt: this is a book which simply must be read, a triumph which produces from years of dense
I’m not susceptible to ghosts, and never see or sense them; my partner, who is, reports a mildly inquisitive nocturnal presence in our house in Florence, a town where estate agents all acknowledge the likely presence of such infestations, it being so common there. Who our ghost is or was, I don’t know; I am
We had all probably agreed by now that the whole memoir thing was getting out of hand, and a UN-negotiated ceasefire between memoirists and suffering readers was urgently needed. We have had more than enough, surely, of whiny books about alcoholism, rape, criminal pasts, drug addiction, all of which culminate, for some reason, in a
My favourite titbit about the Oscars is that if at any point during the Wagner- ian length of the ceremony you get up to go to the loo, a young person who has been loitering in the aisles will instantly nip in and occupy your seat, giving it up gracefully on your return. The point
David Mitchell has fast established himself as a novelist of considerable authority and power. His first novel, Ghostwritten, was published as recently as 1999, and Cloud Atlas is only his third. Anyone who read his remarkable debut, or its successor, number9dream, will instantly recognise the characteristic moves and bold gestures of this amazing extravaganza. His
Like Francis Wheen’s other books, this one ends in a deliriously funny index, which is worth the cover price on its own. One entry: Blair, Tony; claims descent from Abraham; defends secondary picketing; defends teaching of creationism; displays coathangers; emotional guy; explores Third Way; likes chocolate-cake recipe; sneers at market forces; takes mud-bath in Mexico;
Robert Browning, in life, was always immensely popular in a worldly way; he knew everyone not just in London but in Europe, and was almost universally loved over the dinner table. More than that, his shining, decent, boldly original mind leaps out from any biography, and it is easy to see how enchanting and charming
The spy novel is an essential literary genre of our present imagination. Like other popular forms at different times, it seems to sum up more of our anxieties than it quite admits. The ghost story in Edwardian England was popular because it focussed a strain of passionate morbidity; the detective story is essentially a 1930s
One has to ask the question: is this, intrinsically, an interesting subject? Personally, I would say not. Homosexual-ity, fairly clearly, is a genetic or innate human variation, comparable to left-handedness and probably occurring, like left-handedness, in about 5-10 per cent of humanity. That is, rationally speaking, about the limit of its intellectual interest: and who
This is an exceptional biography, which is just as well, since I don’t think one could bear to have the heartbreaking story it tells recounted carelessly. John Clare is one of the great Romantic poets, but his history and origins have always meant that he was either treated with neglect or used by his admirers
It started with some junk mail. I threw it out: I gave no consideration to the fact that it was addressed to a Miss Phyllis Henshaw. I put it down to some glitch in the address-sharing industry. But then the telephone calls started. The first one was from a business I’d always been rather unhealthily
There are two literary facts in English which it is almost impossible to examine, to see clearly. They are Shakespeare and the King James Bible. In both cases, the impossibility derives from the same point; that critical standards of what great English writing means stem so completely from Shakespeare’s peculiar virtues and from the values