Petronella Wyatt

What this government needs is a good dose of the London mob, which at its height in the 18th century would express its displeasure in no uncertain terms. In those days, the political system, as I once observed to Boris when he believed in rights, was one of aristocracy tempered by rioting. The mob, whose members ran from tinkers to duchesses, acted as a curative to despotic politicians, whose carriages would be waylaid and their occupants turned upside down. The word ‘liberty’ was then chalked on their shoes. A bystander in 1770 described an apparently good-humoured riot of ‘half-naked men and women, children, chimney-sweepers, tinkers, Moors and men of letters, fishwives and females in grand array’.

I have been in Istanbul, partly to research a French-born collateral ancestor of mine, Aimée Dubucq, who, according to legend, was captured by Corsairs in 1778 and presented to the Sultan of Turkey as a gift. Known in captivity as Naksh, or ‘The Beautiful One’, she was 19 when she was taken by boat to Seraglio Point, where stands the Topkapi Palace, the most exquisite and imposing royal residence in the world. The chief black eunuch, Son Altesse Noir, inspected every new arrival to the Harem, and he would have escorted Aimée through its kiosks, pavilions and gardens of splashing fountains, past the sound of parakeets squawking and, less happily, the cries of miscreants in the dungeons. Not even Turkish scholars know what really happened in the Harem.

Boris Johnson is nothing like Churchill, a view with which my friend Andrew Roberts concurs. But in the 20-odd years I have known Boris, I have often been struck by his similarity to John Wilkes, 18th-century politician, journalist and catnip to women. A wit and a showman, Wilkes, who denounced European entanglements and championed the rights of the electorate over parliament, was the first politician to achieve celebrity status. One of Boris’s endearing traits is that he has never regarded himself as an enticing proposition in the looks department. Wilkes had a squint, but he said: ‘Give me half an hour to talk away my face and I can seduce any woman ahead of the handsomest man in England.

Boris Johnson is nothing like Churchill, a view with which my friend Andrew Roberts concurs. But in the 20-odd years I have known Boris, I have often been struck by his similarity to John Wilkes, 18th-century politician, journalist and catnip to women. A wit and a showman, Wilkes, who denounced European entanglements and championed the rights of the electorate over parliament, was the first politician to achieve celebrity status. One of Boris’s endearing traits is that he has never regarded himself as an enticing proposition in the looks department. Wilkes had a squint, but he said: ‘Give me half an hour to talk away my face and I can seduce any woman ahead of the handsomest man in England.

I am no admirer of Donald Trump — not because he is a doomsayer and professional patriot but because he is a fake and, worse, he owes me money. A few years back I was telephoned by a friend. ‘I have to give a dinner for Donald Trump,’ he said, dolorously. ‘He entertained me in Palm Beach and now he’s over here.’ The dinner was in a bijou Mayfair restaurant and we were a party of about eight. Let me say one thing for Trump: he isn’t stupid. We had never met, but he spotted me for an Englishwoman right away.

One of Lady Thatcher’s least publicised qualities, which raised her above any  other politician I have known, was the complete absence of schadenfreude or triumphalism. In 1992, I was fortunate enough to be asked by Alistair McAlpine, Lady Thatcher’s former Treasurer and close friend, to spend election night with the recently deposed premier and her family at his London home. Denis and Mark Thatcher were understandably bitter. When Tory wet Chris Patten, whose vitriol towards her had known no bounds, lost his seat, they leapt to their feet and whooped like Watusi chieftains. I shall never forget the majesty on her features as she reprimanded them: ‘Sit down at once! The misfortune of others is never a cause for celebration.

This is not an article about hedonism. Oh, no. The Amalfi coast may be the favoured historical playground of the bad and the beautiful — from Tiberius to Sophia Loren and Gwyneth Paltrow — but my theme is one of culture. What is it about this rocky stretch of southwest Italy that has drawn such disparate artistes as Wagner, D.H. Lawrence, Turner, John Steinbeck and Gore Vidal? Oh, heck, you win. Let’s have some hedonism first. I am sitting, bubbling nicely, in a Jacuzzi that, through the picture window beside it, looks over the town as it runs down to the sea.