Peter Craven

Sydney was at the edge of winter, with that crisp thin sunlight that can make the harbour city idyllic, when my friend Colin Oehring and I were there for the first Bill Henson opening since the one Kevin Rudd found ‘disgusting’ and which was closed down by the police despite getting a G rating from

It’s not hard to see why Robyn Nevin should have made such a beeline for Joan Didion’s The Year of Magical Thinking, or why the Melbourne Theatre Company should be hosting this production. This one-hander about the evolution of grief had been done with remarkable success in New York by Vanessa Redgrave, and it was