Olivia Glazebrook

Golden oldies | 25 February 2012

A young Indian entrepreneur, Sonny (Dev Patel), has a brilliant idea: to open a hotel that caters for the ‘elderly and beautiful’ British tourist. He plans, in other words, to exploit that pot at the end of the service industry rainbow, the ‘grey pound’. Sonny fakes some photographs depicting what he hopes his hotel will

Winter wonderland | 18 February 2012

Jack and Mabel move to Alaska to try to separate themselves from a tragedy — the loss of their only baby — that has frozen the core of their relationship. They intend to establish a homestead in the wilderness, but it is 1920 and they are middle-aged, friendless and from ‘back east’ — unprepared and

For your eyes only

Puss in Boots was the surprise hit character — the standout sidekick — of the second Shrek movie, and went on to tickle us in Shrek the Third and Shrek Forever After. Sleek, foolish, vain and blessed with the all-butter voice of Antonio Banderas, he was the roving ginger tom whom audiences wished to take

Sunday sustenance

Before we knuckle down to the week’s offerings I’m going to seize the opportunity (this review is a one-off, so no need to panic) to champion a regular programme: Something Understood (Radio 4, Sunday mornings at 06:05 and repeated at 23:30). It’s on every week and, while some are better than others, I’ve never heard

A letter from the Lot

I have become one of those irritating people who bangs on about how wonderful France is I am living in France on the border between two regions (the Midi-Pyrenees and the Limousin) which also marks a border between two départements (the Lot and the Corrèze). The place lies at the centre of a large, empty

Stiff competition

So, a funny thing happened on the way home from the screening: I bumped into Paul Whitehouse, who has a cameo in Burke and Hare, and congratulated him on an extremely convincing tumble he takes down two flights of stairs (it hits just the right note, somewhere between the pantomime and The Exorcist). He told

The Great Escape

Hollywood’s gloss on reality makes Olivia Glazebrook want to weep. Why can’t the Americans learn from the French? When Hollywood wants to captivate an audience of ‘grown-ups’ — those who have become desperate to escape the awful dreariness and suffering of their everyday lives — it shows them an alternative soothing world into which they

Diary – 4 September 2010

I have of late, for the most cheerful of reasons*, been getting up early to work. All well and good — deadlines have been met — but now I can’t break the worm-catching habit. Long before dawn the eyelids flutter open and the brain begins its spinning machine whirl. I force myself to stay in

Rumble in the jumble

Wayne Hemingway — de-signer, trendsetter and fashion watchdog — was interviewed by the Telegraph before his festival ‘Vintage at Goodwood’ took place over the weekend. He made two claims that inspired me, not a natural festival-goer, to dial the booking hotline: ‘There will be attendants for each toilet so that they are as clean on

Suffer the parents

One morning in 1979 a six-year-old American boy, Etan Patz, set off on foot to catch the bus to school — the first time he had been allowed to walk to the bus stop by himself. One morning in 1979 a six-year-old American boy, Etan Patz, set off on foot to catch the bus to

Film

There is one day in the year when it is acceptable for anyone, of any age, to lie on the sofa all day and for much of the night. The blinds remain legitimately lowered; the telly can stay switched on. One hand will grasp the remote control; the other might leaf through a jumbo box

Diary – 5 September 2009

I write from a beach in Ibiza. To my left, three men are sheltering under my sunshade and frowning out to sea. Their arms are folded across their chests and they are discussing London property prices. ‘Fifteen million,’ one is saying, ‘for a flat in Eaton Square. It’s broken some kind of record, apparently.’ The

A lost painting in a crumbling mansion

This is a curious book: not exactly likeable, but certainly intriguing, and definitely accomplished. It is a debut novel, but doesn’t feel like one at all. It is smart, bold and surprising, with nothing of the crowd-pleaser about it; in fact it might irritate, or disgust, just as easily as it amuses. A disgraced professor

A plain book about beauty

When people write about their experiences as drug addicts they often — wittingly or not — write with a degree of competitiveness. There is a tacit understanding that the reader will feel cheated by anything less than a full-blown addiction to class-A drugs. A handful of Solpadeine and two bottles of vodka every day for

Wonders never cease

Janet seems to have her life neatly organised. She’s hardworking, she has a nice boyfriend, she lives in a comfortable house and she drives a dark-green Golf. Recently, however, she has been receiving messages from her mind. Seizures (which also occurred in her childhood) will strike without warning and leave her humming with nervous tension

Behind protective glass

Jane Smiley suffered a period of writer’s block after 9/11. In the middle of writing a novel, Good Faith, she found herself unable to continue. It all suddenly seemed pointless. So, to inspire herself to complete her own, she read a hundred novels — one of which was Boccaccio’s The Decameron. After finishing Good Faith

Screen savers

There is a strange kind of amnesia that overtakes me in certain shops: bookshops, DVD shops, CD shops. I stare hopelessly at the rows of titles, usually becoming desperate to spend a penny within a matter of seconds, before buying something I’ve never heard of, or have read/seen/heard already, and rushing out to find a

Going round the bend in a bunch

If you had a friend who was an actress, and she was on the brink of a nervous collapse, what would you do to cheer her up? Or rather, what wouldn’t you do? I bet you wouldn’t take her to New York to visit a mutual friend, another actress, who was starring on Broadway —

Spanish rites

If you haven’t been abroad so far this summer, go and see Pedro Almodóvar’s Volver — it will have almost as invigorating an effect as a weekend in Spain. To see it is to be immersed in a strange and likeable culture, populated by agreeably batty characters whose tale is completely absorbing. So absorbing, in

Mean streets

It is a curious thing to watch Christian Bale now, having seen him all those years ago in Empire of the Sun play that fierce, hurt boy Jim Graham, whom no amount of deprivation seemed outwardly to wound, but who bled on the inside like the Spartan boy with his fox. The qualities of that