Down a lane in Keighley, in the old West Riding of Yorkshire, they brew the greatest ale in the world. Timothy Taylor, the brewery is called, or Timmy Taylor’s, should you feel sufficiently familiar. And if you are not familiar with the ales brewed by these modest Yorkies, you’re clearly not an ale-drinker. And if
It has been a strange week in Munich; a week of deceptively cool mornings, afternoons hot enough to fry eggs and thunderstorms at twilight that have turned streets into streams. A week of reflection, too, capped last Sunday by a service of remembrance in the cathedral, attended by Chancellor Merkel, to honour the nine young
‘The shortest way out of Manchester,’ it used to be said, ‘is notoriously a bottle of Gordon’s gin.’ But that was a long time ago, when ‘Cottonopolis’ was the pivot of the Industrial Revolution, the British empire was expanding and life was cheaper. They tend not to drink gin any more in the bars on
It is 40 years since the band in which Paul Cook banged the drums, the Sex Pistols, detonated a bomb called punk in post-war Britain. The shards are still visible. ‘We didn’t have a manifesto, but we wanted to shake things up,’ he says. ‘We didn’t know how much we would shake things up. Music,
England’s cricketers won a remarkable Test match inside three days in the bearpit of Johannesburg, a victory that put them 2-0 up in the four-match series, with only the final Test to play. It is a remarkable achievement by Alastair Cook’s team because, before a ball had been bowled, most judges expected South Africa, the
‘Blessed Cecilia, appear in visions to all musicians, appear and inspire…’ Auden wrote his words for the young Benjamin Britten, who was born on St Cecilia’s Day, and who set them to music, but his poem would also be a tribute to the composer that Britten admired above all others except Mozart. Franz Schubert was
This time last year, England’s cricketers were 2-0 up against Australia, two thirds of the way towards their third consecutive series victory in sport’s longest-established international contest. Not quite top of the world, they were nevertheless a good team in the prime of life. The winter before, they had beaten India on their dusty pitches,
Prague, ‘Golden Prague’, is rich in music, architecture, glassware, pilsner and natural beauty. It is one of those places where laughter — innocent laughter, not laughter in the dark — seems a natural response. It is a playful city, and the people are playful, gentle, ironic. Above all, it is a writer’s city. The Czechs,
It lies rigged and fully masted in the harbour, the Ship of Fools, and soon it will be crewed by some of our favourite smarties. Is that Shami Chakrabarti charging down the gangway? It surely is. Those sharp elbows can be identified at a hundred paces. And is she being followed by Hanif Kureishi and
‘If you want to send a message,’ said Sam Goldwyn, one of the men who invented Hollywood, ‘try Western Union.’ It is such a well-known remark one might have thought every film-maker of the past 50 years would have acted upon it. Not Ken Loach. After half a century of fighting the good fight on
Glyndebourne, the great Sussex opera house, celebrates its 80th anniversary this summer. Hurrah! There is a new music director, too, 31-year-old Robin Ticciati. Hurrah! And he opens the season next week with a new production of Der Rosenkavalier directed by Richard Jones. Hurrah! Summer has begun. There are few finer plots of land to be
For Henry James it was ‘the repository of consolations’. Wordsworth, an earlier visitor, called it ‘the eldest child of liberty’. Ruskin, a self-professed ‘foster child of Venice’, dedicated his life to study of its buildings. Wagner and Browning died there, and Stravinsky left instructions to be buried there, in the island cemetery of San Michele,
It has been a bracing start to the year at English National Opera. David Alden’s production of Peter Grimes, praised to the skies for the musical performance under Edward Gardner, returned to the Coliseum. Next up is Rigoletto (reviewed on page 50), directed by Alden’s twin, Christopher. Then comes Rodelinda, in another new production (or
‘Prizes are for boys,’ said Charles Ives, the American composer, upon receiving the Pulitzer in 1947, ‘and I’ve grown up now.’ He was using humour to make a serious point, but it would be lost on many people today. Never has there been a lusher time for self-congratulation; when all, as in Alice in Wonderland,
Fellini’s credo ‘the visionary is the only true realist’ could also be applied to the life of Claudio Abbado, who died earlier this week in Bologna at the age of 80. It would be wrong to think of Abbado as a dreamer, for conducting at the angelic heights to which he ascended is a matter
There is no finer city in which to hear music than Vienna. Or, to put it more felicitously, there is no finer city in which to listen to music for, as music-lovers know, there is a world of difference between hearing and listening. In the Imperial City, where most of the great composers in the
The most celebrated Christmas carol, ‘Silent Night’, belongs to Austria. Father Joseph Mohr, the priest at Oberndorf, a small village near Salzburg, wrote it in 1818. Set to music by Franz Xaver Gruber, it was sung on Christmas Eve at the church of St Nicholas: Stille Nacht, heilige Nacht. It is the most celebrated carol
You can’t go home again, as the Americans say. It’s worth running that adage, taken from Thomas Wolfe’s unfinished novel of 1938, past those zealots who snapped up 20,000 tickets for Monty Python’s reunion at the O2 Arena in 43 seconds when they went on sale this week. Four more dates were immediately inked in,
‘You were at the Fish, I hear,’ a Berlin friend told me. ‘I didn’t know you were an old hippie.’ Reputations can cling to places as they do to people. Zwiebelfisch, the Berlin inn he was referring to, has not been a haunt of hippies — radicals, more like, ‘the class of ’68’ — for
‘Have a look at this,’ says Daniel Harding, goggle-eyed, between mouthfuls of salmon. The pictures on his smartphone show Claudio Abbado, one of his mentors, conducting the Berlin Philharmonic in Schumann’s Scenes from Faust, a work that gets closer to Harding’s musical personality than any other, which he has just recorded with the Bavarian Radio
