‘The law,’ according to W.S. Gilbert’s Lord Chancellor, ‘is the true embodiment of everything that’s excellent’ and, by common consent, Michael Beloff QC has been one of the prime exemplars of that excellence over the past 50 years. While he may not enjoy the profile of contemporaries such as Helena Kennedy, Michael Mansfield and Geoffrey
Charles Causley was a poet’s poet. Both Ted Hughes and Philip Larkin considered him the finest candidate for the laureateship, which Hughes later won. Now Patrick Gale has made him a novelist’s poet in this richly engaging fictionalised account of his early life. Mother’s Boy is bookended by two world wars: the first, in which
For Jean-Paul Dubois, as for Emily Dickinson, ‘March is the month of expectation’. A prolific writer, he limits his literary endeavours to that one month each year. Whatever his reasoning, it has produced results. His 2004 novel A French Life won the prestigious Prix Femina and, in 2019, Not Everybody Lives the Same Way was
James Ivory and Ismail Merchant formed the most successful cinematic partnership since Michael Powell and Eric Pressburger. Between the founding of Merchant Ivory in 1961 and Merchant’s death 44 years later, the company produced 42 films, more than half of which were directed by Ivory himself. Although its range was wider than is often allowed,
Eileen Atkins belongs to a singular generation of British actresses, among them Judi Dench, Maggie Smith, Sian Phillips and Vanessa Redgrave, who not only continue to perform on stage and screen in their late eighties but all of whom, apart from Smith, have written their memoirs. Atkins already has a proven literary track record. Having
In a letter to Stephen Spender, W.H. Auden, who had married Thomas Mann’s daughter Erika sight unseen in order to provide her with a British passport, wrote: ‘Who’s the most boring German writer? My father-in-law.’ This is clearly not a sentiment shared by Colm Tóibín, who has brought out a fictionalised biography of the Nobel
It is a truism that a book needs readers in order to have a meaningful existence. Hugo Hamilton’s The Pages both develops and inverts that relationship. It not only tells a story to its readers; it tells the story of its readers. To paraphrase its own words, it accumulates their inner lives. It becomes the
In December 1979, the 28-year-old Hugo Vickers, dining with a friend, declared: ‘I see little point to life these days.’ The following day, an editor at Weidenfeld & Nicolson rang to tell him that Cecil Beaton, seriously debilitated by a stroke, was looking for a biographer. Vickers visited Beaton three days before his death in
The gnostic Gospel of Mary has long been the subject of controversy, even as to which of the several Marys who feature in Jesus’s life was its author. It is generally assumed to have been Mary Magdalene, not least because it depicts her regular adversary, St Peter, refusing to credit a woman’s testimony. In Names
