Mary Wakefield is commissioning editor of The Spectator.
Should Debbie Purdy’s husband be allowed to kill her? I’m keen to know what you think, because – for me – both instinct and reason say: no. Absolutely not. Debbie, who has a particularly nasty form of MS, is considering going to the Dignitas clinic in Switzerland to be killed, but wants to be sure
Because I spoke to him on the phone, not in person, you’ll have to share my mental picture of William P. Young. There he is in a hotel room in Texas: 53, balding, with bright eyes and a greying goatee. He’s ironing as he talks (he says so), his sleeves rolled up (I reckon), with
When David Miliband’s team get together this afternoon to talk through his performance on the Jeremy Vine show, I hope they realise they’ve got to do something about his voice. There’s the embarrassing ‘mockney’ accent (not shared by brother Ed). And worse — his recent attempt to widen his appeal and stop dropping his t’s:
The one fact that screams out of the proposed murder law shake-up, is that it’s great news for girls. Reform is overdue — there hasn’t been any change in the law for 50 years — but the picture that emerges from all the crunchy details is especially cheering for chicks. That centuries-old defence of ‘provocation’
Gore Vidal tells Mary Wakefield that America has forgotten its constitutional roots, and explains why Bobby Kennedy was ‘the biggest son of a bitch in politics’ To kill time, as I wait for Gore Vidal by the reception desk in Claridge’s, I leaf through the pages of his memoirs, looking at the photographs. One in
This morning as I cycled through Covent Garden, Melanie Phillips nearly killed me. Here’s how: I often jump red lights in London on my bike. I quite see how irritating it is, but it just feels safer to be in front of the buses. This time though, as I was about to sidle through a
Ken or Boris: it’s still anyone’s guess. But whoever wins, (and I do hope Pete and Fraser are right to be optimistic) the question remains: what will they do without each other? One of the funniest elements of this mayoral contest has been that, whilst their supporters are animated by ferocious hatred of the other side,
Mary Wakefield talks to the RSC’s Michael Boyd and learns how he scared the Establishment Halfway through our interview, in the middle of a discussion about the future of the RSC, a tired Michael Boyd rubs his face with his hands, looks up at me through the gaps between his fingers and says, ‘Well, my
Mary Wakefield meets Dom Hugh Gilbert, the Benedictine Abbot of Pluscarden — said to be the Pope’s ‘dark horse’ candidate to succeed Cardinal Cormac Murphy-O’Connor What is holiness? How do you spot it? I’ve come to Worth Abbey in Sussex to meet a monk often described as ‘holy’ — Dom Hugh Gilbert, OSB, Abbot of
So Dave has let cameras into his house, to show that ‘the anxieties of parenting are universal’. And what cosy fun the clip is too, and how lovely Sam looks first thing, (what about a fulltime SamCam?). But though the trials of parenting are universal, the cost of soft furnishings are not. So let’s all
Who else reckons that Mr Darling’s plodding budget could have used a lively soundtrack? Well, here’s my recommendation: Goody Two Shoes by Adam and the Ants. The lyrics pretty much sum up the whole sorry affair! “Put on a little makeup makeup Make sure they get your good side good side If the words unspoken
Mary Wakefield talks to Eileen Atkins about acting as an out-of-body experience. Eileen Atkins opens in The Sea at the Theatre Royal Haymarket on 23 January. The Eileen Atkins experience — the word ‘interview’ doesn’t even begin to describe it — starts for me at about 3.30 on a brilliant, sunny afternoon in December. There
Come on Londoners – it’s judgement day! Now that the new designs for the Fourth Plinth are on display, I think it’s time for us all to have our shout about Thomas Schutte’s Model for a Hotel – that stack of neon plexiglass, to the north-west of Nelson’s column. Well – here’s my shout anyway:
Last Tuesday at nightfall, as the servants of democracy fled SW1, a young Somali woman stood spotlit on a stage in Westminster. Behind her was the illuminated logo for the Centre for Social Cohesion: a white hand reaching down across England to help a brown one up; in front, an audience of some of Britain’s
Act one, scene one The curtain opens on the offices of The Spectator magazine, London SW1, where a woman stands, stage left, staring at a telephone. A clock on the wall says 7.15. Something about the woman’s demeanour suggests it to be p.m. How long can she look at a phone? Just as the audience
Bill Clinton looks down at me with that famous, lazy grin. His perfect American teeth show bright white and his blue eyes lock on to mine. I take a few steps forward (who wouldn’t?) but as I draw closer something odd happens to Bill: his face blurs, its outline distorts, wobbling as if underwater. A
A light rain drifts down over Kintbury village, blurring the surface of the Kennet and Avon canal. It gleams on the railway tracks, pools into fat drops under the roof of the station shelter on the London-bound platform and drips on to Robert Harris’s new suede shoes. Look, I say again, please don’t wait. I’ll
Have you Herd? If you haven’t already done so, buy a copy of Mark Earl’s Herd: How to Change Mass Behaviour By Harnessing Our True Nature It sounds sinister, but there’s not much harnessing in it and lots of exciting ideas about what it is to be human. Mark’s thesis is that we’re basically group
Mary Wakefield talks to Jonathan Kent about his plans to jump-start the West End Something is rotten in the West End. It’s not just the sour smell of lager, or the Saturday night binge drinkers. It’s more that as I walk up St Martin’s Lane, through what should be the beating heart of theatreland, there’s
6.57 a.m. I wake up three minutes before the alarm is due to go off, aware that I have slept badly: dipping in and out of consciousness. All night I’ve been fretting, imagining the various ways in which I might kill myself on the mountain today. I am not a good skier. I often fall
