Mark Cocker

Gods and monsters

From our UK edition

Although Nepal’s earthquake last April visited our television screens with images of seismic devastation, the disaster has probably had little impact upon the prevailing western impression of this country. For many the mountain state remains steadfastly exotic and remote. This is not just a consequence of those sublimely unattainable Himalayan peaks. For generations Nepal was

Tracking the super cats

From our UK edition

Of all charismatic animals, tigers are surely the most filmed, televised, documented, noisily cherished and, paradoxically, the most persecuted on Earth. It is also probably the one wild mammal more people wish to see than any other. In Asia, images of striped cats are indivisible from the modern tourist industries of several countries, especially India

Green is the colour of happiness

From our UK edition

According to this wonderfully thought-provoking book, human attachment to plants was much more evident in the 19th century than it is now. In those days people showed genuine wonder at their ‘strange existences and unquantifiable powers’, especially the British, who fashioned the most ambitious glass building of the age —the Crystal Palace in Hyde Park

The soul takes flight

From our UK edition

Last month, at Edinburgh School of Art, I was interested to come across a student who’d chosen Marlowe’s Dr Faustus as her end-of-year degree project. In the wonderful stage costume she’d designed for its central figure were three gloriously embroidered butterflies fluttering around his hat. Bats, yes, moths, maybe, but what exactly was the significance

To Hell in a handcart — again

From our UK edition

Despite the offer of joy proposed in the subtitle, this is a deeply troubling book by one of Britain’s foremost journalists on the politics of nature. Michael McCarthy was the Independent’s environmental editor for 15 years, and his new work is really a summation of a career spent pondering the impacts of humankind on the

Why the cheating cuckoo may finally be getting its comeuppance

From our UK edition

In recent years there has been a fashion for so-called ‘new nature writing’, where the works are invariably heavy with emotion, while the descriptions of place and wildlife often serve as a hazy green backcloth against which the author depicts the main subject —their own personalities. It comes as something of a shock, therefore, to