Sathnam Sanghera, in his family memoir The Boy with the Topknot, heaped much largely affectionate contempt and ridicule on his home town (now a city) Wolverhampton, with its shabby factories and shimmering new gurdwaras — ‘Wolverhampton, the arse of the Black Country, in itself the bumcrack of the West Midlands, in itself the backside of
The subtitle of Deirdre David’s life of Olivia Manning, ‘A Woman at War’, has a resonant double meaning. She was, as we are repeatedly informed, a unique example of a woman novelist who wrote as well about war and battles as a man. But she was also at war with herself, with her colleagues, and,
It is disconcerting to discover that a novelist a generation older than oneself has been trying to write ‘a sort of Margaret Drabble effort’, even if the book ‘hadn’t turned out like that at all’. This is how Barbara Pym described her then unpublished campus novel An Academic Question in 1971 to her friend and
Javier Marias’s elegant new volume is a collection of ghost stories, but its alluring dust jacket, illustrating the first tale, shows us a sunny midsummer image of a woman in a bikini admiring herself on a beach. Javier Marias’s elegant new volume is a collection of ghost stories, but its alluring dust jacket, illustrating the
The Potteries are one of the strangest regions in the British Isles, and Matthew Rice’s The Lost City of Stoke-on-Trent celebrates their extraordinary oddity. The Potteries are one of the strangest regions in the British Isles, and Matthew Rice’s The Lost City of Stoke-on-Trent celebrates their extraordinary oddity. Much of his text reads more like
