Marcus Berkmann

Marcus Berkmann’s Berkmann’s Pop Miscellany is out in June.

Why you should never trust songwriting credits

Songwriting credits are, as we know, not always to be trusted. Since the dawn of music publishing, there has always been a manager or an agent or a well-connected representative of organised crime willing to take a small cut of a song’s royalties, in return for services rendered or threats not carried out. Who actually

Is there anything a gospel choir can’t cheer up?

‘I’m starting to think that all of the world’s major problems can be solved with either oyster sauce or backing vocals.’ That was Brian Eno writing in his diary one evening, after a long day’s thinking and maybe a glass or two of something agreeable. I am not entirely convinced by the bivalve mollusc argument,

The secret to a long and happy pop career? Don’t die

As everybody in the world except me seems to have seen Kate Bush’s live shows — against all apparent arithmetical sense — these have been gloomy weeks in the primary Berkmann residence. Even the mother of my children managed to acquire a last-minute freebie, even though she only really likes the first two or three

A toast to beer, from Plato to Frank Zappa

‘He was a wise man who invented beer,’ said Plato, although I imagine he had changed his mind by the following morning. Beer: A Global History (Reaktion, £9.99, Spectator Bookshop, £9.49) is the latest addition to ‘The Edible Series’, following Cake, Caviar, Offal, Wine, Soup and, rather shockingly, Hot Dog into the catalogue. As reading

Why is ‘loo’ slang? Because Simon Heffer says so!

Did Simon Heffer’s new book come out on St George’s Day? If not, it probably should have done. If we ever needed someone to defend what’s left of our national culture from the massed armies of lefties, foreigners, proles, riff-raff, illiterates, young people, thin people and David Cameron, he would be our man. For three

One man’s guilty pleasure is another’s palpable greatness

The film critic Anne Billson wrote a typically pugnacious piece recently about the phrase ‘guilty pleasures’, which has spread like Japanese knotweed beyond its origins in pop music and taken root throughout popular culture. In film a guilty pleasure would be something like Four Weddings and a Funeral, which we’re not ‘supposed’ to like because