Marcus Berkmann’s Berkmann’s Pop Miscellany is out in June.
A screenwriter’s lot is not a happy one. You write all those scripts, most of which never get close to being made; you must deal with dim, philistine producers and deranged, egomaniacal directors who don’t necessarily know what they want but know that what you have written is not what they want; you must watch
An old biographer friend of mine, having churned out several lives of the great over the years, eventually told me over a boozy and depressing lunch that he had had enough, and that he wouldn’t be writing another one ‘for as long as I live’. As it happens he didn’t live that long, but you
I’m confused. Did five-sixths of the world’s population really watch Live8? If so, what did the other sixth think they were doing? Did they ask permission? I and my friends were playing cricket on the day, and during the tea interval, while stuffing cheese and pickle sandwiches into our faces, we naturally and automatically tuned
Like every red-blooded male, I do like a gadget, and the latest pointless item of electrical flummery to adorn our absurdly small flat is a digital radio. What a wonderful machine it is. The excellence of the sound quality, the ease of use, and the fact that Radio Two is no longer blotted out by
‘Art for art’s sake,’ sang 10cc in 1976, ‘Money for God’s sake.’ And promptly split in half shortly afterwards. It’s a conundrum every new young band has to grapple with sooner or later. You want creative freedom, of course you do. You want trillions of dollars, of course you do. You want to have your
Tired. I am exhausted. For one reason and another the workload has been intense recently, and the pressures have been unyielding. After a while you wander through the days in a numbed haze, faintly aware of passing deadlines, and thinking only of pillows. The occasional hangovers hit as hard as Mike Tyson circa 1988. Look
‘Why do you buy so many CDs?’ asked my girlfriend. It was not an unreasonable question, although obviously I wasn’t going to admit that. There are all sorts of reasons why you might buy too many CDs. You are bored of the ones you have. There are things you want. You are terrified you might
Having once reviewed TV for a living, I obviously never watch the damn thing at all these days if I can help it. But like many males of my age and temperament, I was engrossed late last year by a series called Grumpy Old Men, in which celebrities railed in a futile but well-paid manner
For all of us who are paid to make jokes about pop music, Sting is a bit of a godsend. Earnest to the point of pomposity, visibly self-satisfied and even more serious about his music than George Michael, the former teacher and long-term sex symbol has come to represent a certain sort of middle-aged rock
What’s It All About? joins Bob Geldof’s Is That It? and Auberon Waugh’s Will This Do? on a shelf of wryly self-questioning autobiographies, although, unlike the other two, it doesn’t make even a ghost of an attempt at answering the question. For this is Cilla Black, beloved popular entertainer, mighty-lunged singer of the 1960s and
A lesson is learnt. Good music, as we hear it, tends to be ours and ours alone. But bad music is everyone’s: we all suffer together. Last month I related the harrowing tale of a recent family holiday in St Ives, where my girlfriend and I, while not buying beach balls in a tourist-tat emporium,
When you are a bestselling novelist you get to do things your way. So this isn’t 32 Songs, which would at least be a power of two, or even 30 Songs, but the defiantly prime 31 Songs, because that, says Nick Hornby, is how long the book needs to be. But then the millions of