Luke McShane is chess columnist for The Spectator.
I sat on the plane to the Isle of Man, leafing through a copy of Nigel Short’s new book, Winning. Since I was about to play a chess tournament, you would imagine that Short’s analysis of eight memorable tournament victories contained insights for my own campaign. Strange to say, that thought hardly crossed my mind.
Black to play. J. Polgar — Gaprindashvili, Novi Sad Olympiad 1990. Gaprindashvili’s next move prompted immediate resignation. What did she play? Email answers to chess@spectator.co.uk by 27 September. There is a prize of £20 for the first correct answer out of a hat. Please include a postal address and allow six weeks for prize delivery.
Last year’s Netflix mini-series The Queen’s Gambit hit all the right notes. For the neophytes, it was quirky and intriguing. For those already smitten with the game, it was a rare joy to see that chess-wise, they mostly got the details right. Mostly. One awkward exception was the portrayal of Nona Gaprindashvili, the contemporary women’s
White to play. Gaprindashvili–Servaty, Dortmund 1974. The dark squares around Black’s king are critically weak, and White found an accurate way to conclude the attack. What was her winning move? Answers should be emailed to chess@spectator.co.uk by Monday 20 September. There is a prize of £20 for the first correct answer out of a hat.
I suspect many players perceive the chess board in rich contrast, like a heat map. Glowing bright red are those pieces which are attacked but not defended. A gentler shade applies to pieces which are vulnerable to attack in future, or squares that are ripe for occupation. In the diagram below, the intrusion 10 Nd5-e7+
White to play. Harvey–Roberson, Northumbria Masters 2021. Black’s last move, 37…Kf7-e7 looked plausible, but walked into a clever tactic. What was White’s next move? Answers should be emailed to chess@spectator.co.uk by Monday 13 September. There is a prize of £20 for the first correct answer out of a hat. Please include a postal address and
At the beginning of August, seeing his outstanding performance at the Fide World Cup in Sochi, I wrote that Ravi Haria ‘must now sense that the grandmaster title is well within reach’. But who could expect that he would achieve two more grandmaster ‘norms’ before the month was out? Haria, 22, now has all three
White to play. Swiercz–Xiong, Sinquefield Cup 2021. 1 Kxb2 allows a perpetual check. But forcing an exchange of queens would allow the f6-pawn to decide the game in White’s favour. Which move did Swiercz play to bring that about? Email answers to chess@spectator.co.uk by Monday 6 September. There is a prize of £20 for the
A popular conceit among chess authors, particularly dead ones, is to describe a fine game as the execution of a multi-stage plan. In fact, a close inspection often reveals that the plan could only have been mapped out in hindsight, and the loser’s fate was entirely avoidable. Grand plans are overrated, but modest plans are
There be dragons! What we now call the Sveshnikov variation of the Sicilian defence was, in the 1970s, largely uncharted territory, and viewed with deep suspicion. Its modern name immortalises the Russian grandmaster whose pioneering analytical efforts, and practical success, put the variation on the map. Evgeny Ellinovich Sveshnikov died on 18 August at the
Black to play. Geller–Sveshnikov, USSR Ch 1978. Geller’s last move, 34 Rb1-e1 looked clever, since Black cannot safely capture the queen. But Sveshnikov’s next move exposed a critical flaw in Geller’s idea. What did he play? Answers should be emailed to chess@spectator.co.uk by Monday 30 July. There is a prize of £20 for the first
White to play and draw. The conclusion of an endgame study composed by J. Hašek (1951). Black is preparing a queen infiltration via a6. But with the right move, White can ensure that is not fatal. What should White play? Answers should be emailed to chess@spectator.co.uk by Monday 23 August. There is a prize of
‘Exchange chess’ (also known as bughouse) is the chess equivalent of a three-legged race. It is played in teams of two, on adjacent boards with opposite colours, and it works best when nobody takes it seriously. The only essential rule is that when you capture an opponent’s piece, you hand it to your partner, who
White to play. Abdusattorov–Durarbayli, Sochi 2021. The endgame looks tricky, but White found a way to force a quick mate. What did he play? Email answers to chess@spectator.co.uk by Monday 16 August. There is a prize of £20 for the first correct answer out of a hat. Please include a postal address and allow six
Two years ago, the brilliant young Polish player Jan-Krzysztof Duda made a baffling decision. In the second game of his knockout match with Wesley So at the Moscow Grand Prix, Duda needed just a draw to advance to the next round, having won the first game with remarkable ease. Perhaps he was mindful that when
As I write this, the Fide World Cup is underway in Sochi, the Black Sea resort in Russia which hosted the 2014 Winter Olympics. It’s a thrilling event for spectators, who get to watch high-stakes chess in all its forms — fast, slow, wonderful and blunderful. The main knockout event began with a field of
White to play. Adhiban–Delgado Ramirez, Sochi 2021. White has more than one good move, but Adhiban found a spectacular way to force mate in four. What did he play?Answers should be emailed to chess@spectator.co.uk by Monday 9 August. There is a prize of £20 for the first correct answer out of a hat. Please include
White to play. Greco–NN, 1620. The centre is a dangerous place for the king. Which move does White play to force mate in two moves? Answers should be emailed to chess@spectator.co.uk by Tuesday 3 August. There is a prize of £20 for the first correct answer out of a hat. Please include a postal address.
In the body of chess rules, castling is a clumsy protuberance. Once per game, you get to move king and rook at the same time, with a bewildering list of exceptions. (One dreads having to broach these gotchas with a novice opponent who has castled improperly.) Despite its convoluted logic, castling is nothing more than
In a game between top players, the opening moves signify not only the battleground they have embraced, but also the terrain they have avoided. In his prime, Garry Kasparov’s opponents would often duck the most critical choices, fearing the champion’s formidable advantage in home analysis of complex positions. But those who yielded an inch at
