The most recent test of competitors’ skill, wit and ingenuity called for acrostics in the style of a well-known poet, where the first letters of each line spell out the poet’s name. This turned out to be a challenge of unprecedented popularity. Entries came pouring in from regulars and newcomers alike. The poets chosen ranged
In Competition No. 2888 you were invited to submit a poem in the style of a well-known poet, the first letters of each line spelling out the poet’s name. I liked Jerome Betts’s follow-up to Oliver Goldsmith’s ‘The Deserted Village’ and Bill Greenwell’s Spenserian stanza in the manner of Wendy Cope — a parody within
Nietzsche famously said that in Heaven ‘all the interesting people are missing’. To judge by the entries for the latest competition — which asked you to describe your idea of heaven or hell in verse — most of you agree that paradise might not be all it’s cracked up to be. It was a large
In Competition No. 2887 you were invited to describe your idea of heaven or hell in verse. Nietzsche famously said that in Heaven ‘all the interesting people are missing’ and most of you seemed to agree that paradise might not be all it’s cracked up to be. There’s just space to commiserate with Peter Goulding
It was Samuel Pepys’s birthday this week and for the latest competition you were invited to imagine him let loose on the streets of 21st-century London and to provide a diary entry chronicling his impressions. Pepys’s candid and minutely observed diary entries hum with a seemingly inexhaustible lust for life and your attempts to capture
In Competition No. 2886 you were invited to submit a Pepys’-eye view of modern life. Pepys’s candid and minutely observed diary entries hum with a seemingly inexhaustible lust for life and your attempts to capture this spirit were impressive. His perpetual randiness, in particular, loomed large in the entry (as one of Pepys’s biographers Richard
The challenge to put a fresh spin on Shakespeare’s Sonnet 18 was the most popular competition for ages. The brief was to replace ‘summer’s day’ with a trisyllable of your choice. A competitor emailed to ask if I’d meant a single trisyllabic word or a three-syllable phrase. I meant the former but perhaps that wasn’t
In Competition No. 2885 you were invited to write a sonnet beginning ‘Shall I compare thee to a [trisyllable of your choice]’. A competitor emailed to ask if I’d meant a single trisyllabic word or a three-syllable phrase. I meant the former but perhaps that wasn’t clear so I allowed both. Objects of comparison ranged
The beard has come a long way since the dark days of Mr Twit, Jimmy Hill and The Joy of Sex. As Ekow Eshun points out in his insightful essay ‘Welcome to Beardlandia’, the bewhiskered chin will one day come to stand as ‘the definitive visual shorthand for the early 21st century, as the moustache
In Competition No. 2884 you were invited to submit a poem in praise or dispraise of beards. The beard has been rehabilitated since the dark days of Mr Twit, Jimmy Hill and The Joy of Sex. It will, as Ekow Eshun points out in his insightful essay ‘Welcome to Beardland-ia’, one day stand as ‘the
The Japanese novelist-turned-agony uncle Haruki Murakami is currently dishing out advice to fans on topics that range from cats and hate speech to parenting and infidelity. The call to cast a well-known writer, living or dead, in a similar role was an opportunity to check out the counselling skills of other literary greats — and
In Competition No. 2883 you were invited to cast a well-known writer, living or dead, in the role of agony aunt or uncle and provide a problem of your invention and their solution. Mark Shelton’s Ted Hughes begins his reply to the question ‘how can I be more confident with girls?’ thus: ‘Stoat does not
The most recent challenge asked for blues songs from well-known politicians contemplating the forthcoming general election. In a small but accomplished entry the Lib Dem leader dominated the stage. John O’Byrne’s Nick Clegg drew inspiration from B.B. King’s ‘Worry, worry’ — ‘Apologies, apologies, apologies/ Apologies are all I can do’ — and the ghosts of
In Competition No. 2882 you were invited to submit a blues song written by a well-known politician contemplating the impending general election. The ghosts of Robert Johnson, B.B. King and Big Bill Broonzy stalked the entry, which was smallish but accomplished. Basil Ransome-Davies’s submission was a clever twist on Kris Kristofferson’s ‘Sunday -Mornin’ Comin’ Down’
In Competition No. 2881 you were invited to take your lead from Carol Ann Duffy and provide an amusing poem about a piece of government legislation. The first line of Duffy’s poem ‘22 Reasons for the Bedroom Tax’, ‘Because the badgers are moving the goalposts’, is, of course, a reference to environment secretary Owen Paterson’s
In Competition No. 2881 you were invited to do as Carol Ann Duffy has done and provide an amusing poem about a piece of government legislation. The first line of her poem ‘22 Reasons for the Bedroom Tax’, ‘Because the badgers are moving the goalposts’, is, of course, a reference to environment secretary Owen Paterson’s
The recent call for publicity blurbs that sell the bible to a modern audience attracted a host of new competitors as well as the old-timers. Kieran Corcoran’s entry presented Jesus as a social media sensation — ‘He used to have 12 followers but now he has TWO BILLION!’. Derek Morgan’s pitched the Good Book as
In Competition No. 2880 you were invited to provide a publicity blurb for the Bible to sell it to a modern audience. Kieran Corcoran presents Jesus as a social media sensation — ‘He used to have 12 followers but now he has TWO -BILLION!’ — and Derek Morgan pitches the Good Book as the go-to
The latest competition invited you to take a leaf out of Hilary Mantel’s book and provide a scene that shows a well-known villain from history or literature in an uncharacteristically kindly light. Mantel has said that she was driven by a ‘powerful curiosity’ rather than by any desire to rehabilitate Cromwell. ‘I do not run
In Competition No. 2879 you were invited to follow in the footsteps of Hilary Mantel and provide a scene that shows a well-known villain from history or literature in an uncharacteristically kindly light. Mantel has said that she was driven by a ‘powerful curiosity’ rather than by any desire to rehabilitate Cromwell. ‘I do not