The recent invitation to write a poem that begins with the first line or two lines of a well-known poem but then takes off in a new and unexpected direction produced another mammoth postbag. Both Sid Field and W.J. Webster remembered Adlestrop as a rather unusual character from school, and George Simmers used the opening
In Competition No. 2919 you were invited to write a poem that begins with the first line or two lines of a well-known poem but then takes off in a new and unexpected direction. It was an exceptionally crowded field this week and the winners below fought off strong competition to take £20 each. Basil
The call for poems composed entirely of three-letter words certainly ruffled some feathers. ‘This is the most difficult comp you have set and has driven me mad!’ said Adrian Fry. It was a nasty assignment, I admit, but it could have been so much worse. Take John Fuller’s wonderful poem ‘The Kiss’: not only is
In Competition No. 2918 you were invited to submit a poem composed entirely of three-letter words. ‘This is the most difficult comp you have set and has driven me mad!’ said Adrian Fry. It was a nasty assignment, I admit, but it could have been so much worse. Take John Fuller’s wonderful poem ‘The Kiss’:
The invitation to step into the shoes of Andrew Marvell’s coy mistress attracted a jumbo entry. Clearly lots of you think it’s high time she had her say. But you weren’t the first to pipe up on her behalf. Marvell’s seductive overtures failed to persuade the Australian (male) poet A.D. Hope. Here’s an extract from
In Competition No. 2917 you were invited to submit a reply from Andrew Marvell’s coy mistress. Marvell’s mix of cajoling wit and harsher truths failed to persuade the Australian (male) poet A.D. Hope. Here’s an extract from his blistering reply, ‘His Coy Mistress to Mr Marvell’, published in 1978: Had you addressed me in such
The latest challenge was all about writers selling their souls to the corporate giants. Competitors were asked to recast a well-known scene from literature to reflect the fact that its author has signed a sponsorship deal with a well-known brand. Frank McDonald fancied that Coleridge had taken Highland Spring’s shilling: Water, water everywhere And still
In Competition No. 2916 you were invited to recast a well-known scene from literature to reflect the fact that its author has signed a sponsorship deal with a well-known brand. The Mad Hatter’s Tea Party provided the perfect platform for Mr Kipling; Sydney Carton’s execution was the ideal shop window for Sabatier and Brooks of
The call for limericks featuring a well-known artist and a destination of your choice was prompted by one that Robert Conquest wrote about Paul Gauguin: When Gauguin was visiting Fiji He said things are different here, e.g. While Tahitian skin Calls for tan spread on thin You must slosh it on here with a squeegee.
In Competition No. 2915 you were invited to submit limericks featuring a well-known artist and a destination of your choice. This challenge was spawned by a limerick Robert Conquest wrote about Paul Gauguin: When Gauguin was visiting Fiji He said things are different here, e.g. While Tahitian skin Calls for tan spread on thin You
The late Sir Keith Joseph once gave a speech in which he said that the government was trying to ‘Bennboozle’ the country. You were asked to submit coinages inspired by today’s politicians, supplying full dictionary definitions and illustrative examples of their use. As is often the case with this sort of competition, many of you
In Competition No. 2914 — which was inspired by a speech given by the late Sir Keith Joseph in which he said that the government was trying to ‘Bennboozle’ the country — you were asked to submit coinages inspired by today’s politicians, supplying full dictionary definitions and illustrative examples of their use. As is often
The recent invitation to submit an extract from the school report of a well-known author, living or dead went down well, attracting a large and spirited entry. Teachers often get it wrong, of course. Eight-year-old Charlotte Brontë was described by hers in less than glowing terms: she ‘writes indifferently’ and ‘knows nothing of grammar, geography,
In Competition No. 2913 you were invited to submit an extract from the school report of a well-known author, living or dead. Teachers often get it wrong, of course. Eight-year-old Charlotte Brontë was described by hers in less than glowing terms: she ‘writes indifferently’ and ‘knows nothing of grammar, geography, history or accomplishments’. In 1943 Beryl
The request for tributes in verse to a once-popular foodstuff that has fallen out of favour generated a large and lively postbag. Bill Greenwell’s entry (Spangles!) brought to mind childhood pleasures, as did Sid Field’s (Creamola) and Jayne Osborn’s (Angel Delight). But I still shudder at the memory of spam fritters, and Alan Millard’s valiant
In Competition No. 2912 you were invited to submit a tribute in verse to a once-popular foodstuff that has fallen out of favour. Bill Greenwell’s entry (Spangles!) brought to mind childhood pleasures, as did Sid Field’s (Creamola) and Jayne Osborn’s (Angel Delight). But I still shudder at the memory of spam fritters, and Alan Millard’s
The latest challenge, to submit a thriller in three text messages, seemed straightforward enough but it turned out to be a tough assignment that stretched veterans and newcomers alike. As in all forms of micro-fiction — the mini-masterpiece attributed to Hemingway, ‘For sale: baby shoes, never worn’, springs to mind — it’s all about the
In Competition No. 2911 you were invited to submit a thriller in three text messages. This one seemed straightforward enough but it turned out to be a tough assignment that stretched veterans and newcomers alike. As in all forms of micro-fiction — the mini-masterpiece attributed to Hemingway, ‘For sale: baby shoes, never worn’, springs to
My request for poems by a pet who is cheesed off with its owner generated an entertaining parade of bullied, misunderstood and condescended-to creatures. The contempt in Basil Ransome-Davies’s closing couplet, written from the perspective of a bolshie moggy, speaks for the majority: He wants affection, he can kiss a duck. It’s what my mother
In Competition No. 2910 you were invited to submit a poem by a pet who is cheesed off with its owner. The contempt in Basil Ransome-Davies’s closing couplet, written from the perspective of a bolshie moggy, was echoed throughout the entry by a hacked-off parade of bullied, misunderstood and condescended-to pets: He wants affection, he