In Competition No. 2930 you were invited to submit up to 16 lines of macaronic verse. A dictionary of poetic terms will tell you that macaronic is a verse form popularised by Teofilo Folengo, a Mantuan monk, which uses a mixture of languages, normally with a comic or satirical intent. I prefer E.O. Parrott’s elegant
The latest competition was a technical challenge with a bit of soothsaying thrown in. You were asked for an acrostic poem containing some predictions for the next decade, in which the first letters of the lines read NOSTRADAMUS. Although the forecast was bleak — no surprise there — a welcome smattering of more leftfield prophecies
In Competition No. 2929 you were invited to submit an acrostic poem containing some predictions for the next decade, in which the first letters of the lines read NOSTRADAMUS. Although the forecast was bleak — no surprise there — a welcome smattering of more left-field prophecies made me sit up and take notice: Richard Dawkins
The new year challenge was to compose a thank-you letter for a particularly unenjoyable Christmas visit to relatives that manages to be diplomatic but deters them from ever inviting you again. This one obviously struck a chord. You produced a catalogue of seasonal torture that had me squirming in my judging throne: uncomfortable blow-up beds;
In Competition No. 2928 you were invited to submit a thank-you letter for a particularly unenjoyable Christmas visit to relatives that manages to be diplomatic but deters them from ever inviting you again. You produced a catalogue of seasonal torture that had me squirming in my judging throne: uncomfortable blow-up beds; minimal central heating; lecherous
In Competition No. 2927 you were invited to submit a Christmas carol written in the style of a writer of your choice. Albert Black’s ‘Once in Royal David’s City’ by way of Will Self raised a seasonal smile: ‘Erstwhile in posh Dave’s municipality/ Upraised a plebeian bovid shack…’ As did George Simmers, who imagined Allen
The idea to ask for poems about HS2 came to me as I was listening on YouTube to W.H. Auden’s poem ‘Night Mail’, which he wrote to accompany a section of the terrific 1936 documentary about the London to Glasgow Postal Special directed by Basil Wright and Harry Watt (who described Auden as looking like
In Competition No. 2926 you were invited to submit a poem about HS2. The idea for this challenge came to me as I was listening on YouTube to W.H. Auden’s poem ‘Night Mail’, which he wrote to accompany a section of the terrific 1936 documentary about the London to Glasgow Postal Special directed by Basil
In Competition No. 2925 you were invited to submit a short story entitled ‘The Winter’s Tale’. There were lots of references to Shakespeare’s play in the entry and to judge by its somewhat sombre mood most of you agree with Mamillius’ assertion that ‘A sad tale’s best for winter…’. Those printed below earn their authors
In a challenge inspired by the Literary Review’s Bad Sex in Fiction award, competitors were invited to submit a libido-dampening ‘love scene’ from a novel. Rhoda Koenig and Auberon Waugh set up the award to shine a spotlight of shame on poorly written, perfunctory or redundant passages of sexual description and poor old Morrissey’s already
In Competition No. 2924 you were invited to submit a ‘love scene’ from a novel that dampens rather than boosts the reader’s libido. It was a cracking entry, so I’ll keep it brief to make space for as many winners as possible. Dishonourable mentions go to Peter Goulding, Sergio Michael Petro, Margaret Timbrell and Ann
The latest challenge was to describe an everyday object, in verse, from the point of view of a Martian. James Fenton coined the term Martian to describe the work of poets such as Craig Raine and Christopher Reid, whose poems cast familiar objects in an unfamiliar light. In his 1979 poem ‘A Martian Sends a
In Competition No. 2923 you were invited to describe an everyday object, in verse, from the point of view of a Martian. James Fenton coined the term Martian to describe the work of poets such as Craig Raine and Christopher Reid, whose poems cast familiar objects in an unfamiliar light. In his 1979 poem ‘A
The idea for the latest challenge was sent in by a reader who, inspired by the emergence of the ‘slanket’, the ‘cardigown’ and the ‘onesie’, suggested inviting competitors to invent new garments and provide definitions. It made for an excellent comp. It has been claimed that we have Sir Winston Churchill to thank for the
In Competition No. 2922 you were invited to invent new garments and provide definitions. Thanks to the reader who, inspired by the emergence of the ‘slanket’, the ‘cardi-gown’ and the ‘onesie’, suggested this excellent comp. It has been claimed that we have Sir Winston Churchill to thank for the onesie, which can be traced back
The clerihew is a comic four-line (AABB) biographical poem characterised by metrical irregularity and awkward rhyme. The first line is often the subject’s name. Or, to put it another way: E.C. Bentley Quite accidently Invented this form of wit, And this is it. (Anon) Here is another clerihew inspired by the form’s inventor, this one
In Competition No. 2921 you were invited to write a clerihew about a fictional character. The clerihew is a comic four-line (AABB) biographical poem characterised by metrical irregularity and awkward rhyme. The first line is often the subject’s name. Or, to put it another way: E.C. Bentley Quite accidently Invented this form of wit, And
The latest challenge was to submit an extract from a novel written by a rock star of your choosing. I was pleased that Adrian Fry went for that genius storyteller Tom Waits although, as Morrissey’s recent stinker demonstrates, being able to write decent song lyrics is no guarantee of literary success (the Guardian’s Michael Hann
In Competition No. 2920 you were invited to submit an extract from a novel written by a rock star of your choosing. I was pleased that Adrian Fry went for Tom Waits, whose storytelling genius shines out on the likes of the grimly hilarious ‘Frank’s Wild Years’. But as Morrissey’s recent stinker demonstrates, being able
The recent invitation to write a poem that begins with the first line or two lines of a well-known poem but then takes off in a new and unexpected direction produced another mammoth postbag. Both Sid Field and W.J. Webster remembered Adlestrop as a rather unusual character from school, and George Simmers used the opening
