The latest competition sees us leap unashamedly aboard the bandwagon du jour with an invitation to imagine what characters from Shakespeare’s plays would have made of this year’s fulsome celebrations of the 400th anniversary of his death. How would the Bard himself have reacted to all the fuss, I wonder. In the expert opinion of
In Competition No. 2944 you were invited to imagine what characters from Shakespeare’s plays would have made of this year’s fulsome celebrations of the 400th anniversary of his death and supply a verdict on behalf of one of them. How would the Bard himself have reacted to all the fuss, I wonder. In the expert
The latest competition invited you to submit a review of a well-known work of literature that has been written by a comically inappropriate reviewer. Some of you chose well-known individuals for the job; others provided reviews written by anonymous writers but penned in a comically inappropriate style. Honourable mentions go to Nicholas Stone and John
In Competition No. 2943 you were invited to submit a review of a well-known work of literature that has been written by a comically inappropriate reviewer. Honourable mentions go to Nicholas Stone and John O’Byrne, who let Donald Trump loose on The Odyssey and Brave New World. Jane Moth and Frank Upton also caught my
The latest competition invited you to give a couple of old nursery rhymes a contemporary twist by composing a new verse that incorporates the lines ‘What are little girls made of?’ and ‘What are little boys made of?’. This challenge was a potential minefield, given how high feelings run nowadays when it comes to the
In Competition No. 2942 you were invited to submit a rhyme incorporating the lines ‘What are little girls made of?’ and ‘What are little boys made of?’ This challenge was a potential minefield, given how high feelings run nowadays when it comes to the thorny issue of gender identity. Still, those brave souls that took
The invitation to supply a short story entitled ‘Diary of a Superfluous Man’ was inspired by Ivan Turgenev’s novella of the same name. Turgenev’s Tchulkaturin; Pushkin’s Eugene Onegin; Goncharov’s Oblomov: these ‘superfluous men’ are not simply literary types, says the critic David Patterson, but represent a ‘paradigm of a person who has lost a point,
In Competition No. 2941 you were invited to supply a short story entitled ‘Diary of a Superfluous Man’. Turgenev’s Tchulkaturin; Pushkin’s Eugene Onegin; Goncharov’s Oblomov: these ‘superfluous men’ are not simply literary types, says the critic David Patterson, but represent a ‘paradigm of a person who has lost a point, a place, a presence in
The latest challenge was to supply Dr Seuss’s take on the US presidential race. Given his taste for taking down bullies, tyrants and hypocrites, it seems unlikely that Theodor Geisel would have been a fan of the frontrunner for the Republican nomination, who, as might be expected, loomed large in your submissions. It was a
In Competition No. 2940 you were invited to supply Dr Seuss’s take on the US presidential race. Given his taste for taking down bullies, tyrants and hypocrites, it seems unlikely that Theodor Geisel would have been a fan of the frontrunner for the Republican nomination, who, as might be expected, loomed large in your submissions.
In Competition No. 2939 you were invited to submit a poem about a famous person and an unlikely pet. There’s plenty of inspiration out there in the real world. A photograph from 1969 shows Salvador Dalí emerging from the subway, his rather dejected-looking pet anteater in tow. And then there is Gérard de Nerval, who
The latest competition marked the tercentenary of Thomas Gray’s birth with an invitation to submit an ‘Elegy on a Country Churchyard’ written in the metre of his famous and enduringly popular poem. General Wolfe was a such a fan of Gray’s meditation on death and remembrance that in 1759, on the eve of the attack
In Competition No. 2938, to mark the tercentenary of Thomas Gray’s birth, you were invited to submit an ‘Elegy on a Country Churchyard’ written in the metre of his famous and enduringly popular poem. Every-one was a winner this week, but frustratingly we have room for only six. Those printed below take £25. The bonus
The invitation to submit extracts from the diaries of the famous that their writers did not wish the world to see was taken up with gusto. Josh Ekroy impressed, lifting the lid on F.R.Leavis’ and C.P. Snow’s chummy trysts; Alan Millard wasn’t alone in outing God-botherer Richard Dawkins; and here’s a snippet from Sylvia Fairley’s
In Competition No. 2937 you were invited to submit extracts from the diaries of the famous that their writers did not wish the world to see. Josh Ekroy impressed, lifting the lid on F.R. Leavis’s and C.P. Snow’s chummy trysts; Alan Millard wasn’t alone in outing God-botherer Richard Dawkins; and here’s a snippet from Sylvia
Following Tom Shakespeare’s recent suggestion that now might be a good time to ditch ‘God Save the Queen’ — ‘terrible tune, with banal lyrics’ — and replace it with something that more accurately reflects contemporary Britain, competitors were invited to propose lyrics for a new British national anthem. In an entry whose tone varied wildly,
In Competition No. 2936 you were invited to propose lyrics for a new British national anthem. Tom Shakespeare recently suggested that now might be a good time to ditch ‘God Save the Queen’ — ‘terrible tune, with banal lyrics’ — and replace it with something that more accurately reflects contemporary Britain. My favourite, in an
Your latest challenge was to compose a Valentine’s triolet. A famous example of the triolet is Frances Cornford’s catty ‘To a Fat Lady seen from the Train’ (‘O fat white woman whom nobody loves/ Why do you walk through the field in gloves’), but it was that ace trioleteer Wendy Cope’s rather more charming ‘Valentine’
In Competition No. 2935 you were invited to submit a Valentine’s triolet. A famous example of the triolet is Frances Cornford’s catty ‘To a Fat Lady seen from the Train’ (‘O fat white woman whom nobody loves/ Why do you walk through the field in gloves’), but it was that ace trioleteer Wendy Cope’s rather
For the latest competition you were invited to submit a poem suitable for inclusion in Now We are Rich. There was no obligation to write in the style of A.A. Milne, but most of you did. I enjoyed Barbara Kirby’s neat take on Milne’s ‘A Thought’ : If I were Ted and Ted were me,
