In Competition No. 2982 you were invited to recast John Masefield’s ‘Sea Fever’ in light of the news that the poet suffered from acute seasickness. In his book Sea Fever, Sam Jefferson relates how as an apprentice seaman aboard the Gilcruix, the unfortunate Masefield was struck down by a brutal bout of mal de
Entries came flooding in following the invitation to submit poems about a politician and an item of clothing. Michael Foot’s donkey jacket; Harold Wilson’s Gannex mac; William Hague’s baseball cap; Hillary’s pantsuit: all featured in what was a cracking entry. I especially enjoyed Fiona Pitt-Kethley opening line on Theresa May’s leathers: ‘Her look’s more S&M
In Competition No. 2981 you were invited to submit a poem about a politician and an item of clothing. Michael Foot’s donkey jacket; Harold Wilson’s Gannex mac; William Hague’s baseball cap; Hillary’s pantsuit: all featured in what was a cracking entry. I especially enjoyed Fiona Pitt-Kethley opening line on Theresa May’s leathers: ‘Her look’s
The latest challenge was to submit an extract from a politician’s speech ghostwritten by a well-known comedian. At the 1990 Tory party conference in Bournemouth, Margaret Thatcher famously appropriated Monty Python’s Dead Parrot sketch to mock the Liberal Democrats’ new flying bird logo. But although Mrs T. gamely went along with her speechwriters’ suggestion to
In Competition No. 2980 you were invited to submit an extract from a politician’s speech ghostwritten by a well-known comedian. At the 1990 Tory party conference in Bournemouth, Margaret Thatcher famously appropriated Monty Python’s Dead Parrot sketch to mock the Liberal Democrats’ new flying bird logo. But although Mrs T. gamely went along with
Quercus Books recently published a series of parodies of Enid Blyton’s Famous Five stories which reimagines the five as adults. Titles include Five Go Gluten Free and Five on Brexit Island. Everyone loves a spoof, it seems, to judge by the phenomenal success of the chart-topping Ladybird Books for Grown Ups. And never one to
In Competition No. 2979 you were invited to supply your contribution to a series of parodies of Enid Blyton’s Famous Five stories that have just been published which re–imagine the five as adults — or to give another children’s classic the same treatment. Everyone loves a spoof, it seems, to judge by the phenomenal success
In Competition No. 2977 you were invited to submit a selection of meaningless, pseudo-profound statements. Bullshit was defined in a 2005 essay by the philosopher Harry G. Frankfurt as being characterised by a lack of concern for the truth, as distinct from a deliberate intent to deceive (i.e. lying). Which makes this the ideal comp
This year’s yuletide challenge was to supply a carol with a topical twist. ‘In the bleak midwinter’ just about captures the general tenor of the entry, although George Simmers injected a lighter note with his invitation to ‘Deck Ed Balls with boughs of holly…’ and W.J. Webster, too, was looking on the relatively bright side:
In Competition No. 2977 you were invited to submit a Christmas carol with a topical twist. ‘In the bleak midwinter’ just about captures the general tenor of the entry, although George Simmers injected a lighter note with his invitation to ‘Deck Ed Balls with boughs of holly…’ and W.J. Webster, too, was looking on the
The latest competition, to submit an extract from a speech in which a well-known figure from history comments on a pressing item on today’s news agenda, saw you on blistering form. Rob Stuart gave Pythagorus’ view on the new Toblerone (not a fan); Frank Upton offered Thomas Crapper’s perspective on transgender public conveniences; Michael McManus
In Competition No. 2976 you were invited to submit an extract of a speech in which a well-known figure from history comments on a pressing item on today’s news agenda. Rob Stuart gave Pythagorus’ view on the new Toblerone (not a fan); Frank Upton offered Thomas Crapper’s perspective on transgender public conveniences; and Michael
Competitors were invited to supply their own nine-line twist on Robert Herrick’s ‘Upon Julia’s clothes’: Whenas in silks my Julia goes Then, then, methinks, how sweetly flows That liquefaction of her clothes. Next, when I cast mine eyes and see That brave vibration each way free, O how that glittering taketh me! In a large
In Competition No. 2975 you were invited to supply your own nine-line twist on Robert Herrick’s ‘Upon Julia’s clothes’: Whenas in silks my Julia goes Then, then, methinks, how sweetly flows That liquefaction of her clothes. Next, when I cast mine eyes and see That brave vibration each way free, O how that
This time around you were invited to supply resignation letters from God. Despite mankind’s attempts to kill Him off, God continues to bounce back. ‘The Almighty,’ as Terry Eagleton puts it in his book Culture and the Death of God, ‘has proved remarkably difficult to dispose of.’ But what if He decided one day that
In Competition No. 2974 you were invited to submit a resignation letter from God. Despite mankind’s attempts to kill Him off, God has continued to bounce back. ‘The Almighty,’ as Terry Eagleton puts it in his book Culture and the Death of God, ‘has proved remarkably difficult to dispose of.’ But what if He
The request for your thoughts, in verse or prose, on who the Person from Porlock might have been (assuming, of course, that there was such a person) drew a large and inventive entry. Many thanks to John McGivering, who suggested this excellent competition. Some fingered, as De Quincey did, Coleridge’s doctor and laudanum source, but
In Competition No. 2973 you were invited to give your thoughts, in verse or prose, on who the Person from Porlock might have been — assuming, of course, that there was such a person. Many thanks to John McGivering, who suggested this excellect competition. Some fingered, as De Quincey did, Coleridge’s doctor and laudanum source.
For the latest competition you were invited to compose odes on a Grayson Perry urn. Jonathan Jones memorably described being in a roomful of Grayson Perry’s pots as ‘like being trapped in a room full of trendy folk talking bollocks’. Frank McDonald obviously agrees with this assessment. His ode begins: ‘Do Grayson Perry urns deserve
In Competition No. 2972 you were invited to supply an ode on a Grayson Perry urn. Frank McDonald wasn’t keen: ‘Do Grayson Perry urns deserve an ode?/ Has modern art not shamed the Muse enough?/ That looks for beauty in a tortured toad/ And loads our galleries with frightful stuff?’ Elsewhere, the entry was chock-full