Lucy Vickery

In Competition No. 3052 you were invited to supply a sonnet inspired by a well-known contemporary figure’s characteristic feature. There was a spot of preposition-related confusion this week — my fault entirely — and sonnets either ‘to’ or ‘on’ were acceptable.   Entries ranged far and wide, from Victoria Beckham’s pout via Gorbachev’s birthmark to

In Competition No. 3051 you were invited to supply an entry by a well-known diarist describing the wedding day of Prince Harry and Meghan Markle.   There was a bracingly waspish streak running through your contributions. Here’s Noël Coward’s verdict on the groom: ‘Massively butch but far too hairy, when he wasn’t even in the

In Competition No. 3050 you were invited to submit a school essay written by a well-known author, living or dead, about one of their works. The germ of this challenge was the revelation that the novelist Ian McEwan helped his son to write an A-level essay about one of his books (Enduring Love), only to

In Competition No. 3049 you were invited to submit a poem about a bromance.   Pairings including Friedrich and Karl, Laurel and Hardy, Nigel and Donald lit up an entry that was witty, touching and generally pleasingly varied. I liked Chris O’Carroll’s ‘Boris and Donnie’, a twist on Jimmie Rodgers’s ‘Frankie and Johnny’. And Bill

In Competition No. 3048 you were invited to take an existing word and alter it by a) adding a letter, b) changing a letter, and c) deleting a letter — and to supply definitions for all three new words.   Inspiration for this challenge came from across the pond, courtesy of the Washington Post’s Style

In Competition No. 3047 you were invited to supply an imaginary testimonial for a high-profile figure that is superficially positive but contains hidden warnings to a potential employer.   This was an exercise in the artful deployment of ambiguity, as displayed in Robert J. Thornton’s L.I.A.R. The Lexicon of Intentionally Ambiguous Recommendations, a handbook for

In Competition No. 3046 you were invited to supply a poem beginning with the last line of any well-known poem and ending with its first line, the new poem being on a different subject all together.   This was a wildly popular comp, which elicited a witty and wide-ranging entry that was both pleasurable and

In Competition No. 3045 you were invited to provide a poem about euphemisms.   You avoided politics and sex (mostly), preferring instead to focus on the language of dying and the words and expressions that enable us to sidestep the D-word (according to David Crystal, there are more than 1,000 words for death categorised in

In Competition No. 3044 you were invited to provide a lesson in the facts of life courtesy of a well-known character in fiction.   There is space only for me to commend Jayne Osborn, who recruited Dr Seuss: ‘Doing sex is good fun, and it’s easy to do./ Let me demonstrate, using Thing One and

In Competition No. 3043 you were invited to provide a short story inspired by the Salisbury poisonings.   Ian McEwan, a writer who is fascinated by spying, was asked recently on the Today programme how he would begin a novel inspired by the current confrontation with Russia. The image that comes to mind, he said,