Lucy Vickery

Question time | 5 July 2018

In Competition No. 3055 you were invited to take a well-known figure on the world stage, living or dead, and cast them in the role of agony aunt/uncle, submitting a problem of your invention and their solution. There is space only to high-five the winners below, who take £25 each. Bill Greenwell gets £30.  

Double vision | 28 June 2018

In Competition No. 3054 you were invited to compose double dactyls about double acts. I didn’t include the rules about double dactyls as it takes up space and I’ve done it before — and in any case they are easily Googled. Most of you seemed thoroughly at home with the form, and in a large,

Spectator competition winners: #MeToo lit

Anthony Horowitz’s reflections on creating female characters for his latest Bond novel prompted me to invite you to provide an extract from a well-known work that might be considered sexist by today’s standards and rework it for the #MeToo age. Highlights in a thoroughly enjoyable entry included Brian Allgar’s Constance Chatterley instructing Mellors in the

#MeToo lit

In Competition No. 3053, an assignment prompted by Anthony Horowitz’s reflections on creating female characters for his latest Bond novel, you were invited to provide an extract from a well-known work that might be considered sexist by today’s standards and rework it for the #MeToo age. Highlights in a thoroughly enjoyable entry included Brian Allgar’s

Spectator competition winners: a sonnet on Theresa May’s rictus

The request for sonnets inspired by a well-known contemporary figure’s characteristic feature went down a storm. Entries ranged far and wide, from Victoria Beckham’s pout via Gorbachev’s birthmark to the rise – and fall – of Anthony Weiner’s penis. But both John O’Byrne and Barrie Godwin used Sonnet 18 to hymn hairstyles – Donald Trump’s

A sonnet on it

In Competition No. 3052 you were invited to supply a sonnet inspired by a well-known contemporary figure’s characteristic feature. There was a spot of preposition-related confusion this week — my fault entirely — and sonnets either ‘to’ or ‘on’ were acceptable.   Entries ranged far and wide, from Victoria Beckham’s pout via Gorbachev’s birthmark to

Royal treatment | 7 June 2018

In Competition No. 3051 you were invited to supply an entry by a well-known diarist describing the wedding day of Prince Harry and Meghan Markle.   There was a bracingly waspish streak running through your contributions. Here’s Noël Coward’s verdict on the groom: ‘Massively butch but far too hairy, when he wasn’t even in the

Spectator competition winners: Camus on Camus

The germ of the latest challenge, to submit a school essay written by a well-known author about one of their works, was the revelation that the novelist Ian McEwan helped his son to write an A-level essay about one of his books (Enduring Love), only to be awarded a less than stellar ‘C+’. Strong performers

Self appraisal

In Competition No. 3050 you were invited to submit a school essay written by a well-known author, living or dead, about one of their works. The germ of this challenge was the revelation that the novelist Ian McEwan helped his son to write an A-level essay about one of his books (Enduring Love), only to

A fine bromance

In Competition No. 3049 you were invited to submit a poem about a bromance.   Pairings including Friedrich and Karl, Laurel and Hardy, Nigel and Donald lit up an entry that was witty, touching and generally pleasingly varied. I liked Chris O’Carroll’s ‘Boris and Donnie’, a twist on Jimmie Rodgers’s ‘Frankie and Johnny’. And Bill

New word order | 17 May 2018

In Competition No. 3048 you were invited to take an existing word and alter it by a) adding a letter, b) changing a letter, and c) deleting a letter — and to supply definitions for all three new words.   Inspiration for this challenge came from across the pond, courtesy of the Washington Post’s Style

Spectator competition winners: would you give Oliver Cromwell a job?

The latest challenge asked competitors to supply an imaginary testimonial for a high-profile figure that is superficially positive but contains hidden warnings to a potential employer. This was an exercise in the artful deployment of ambiguity, as displayed in Robert J. Thornton’s L.I.A.R. The Lexicon of Intentionally Ambiguous Recommendations, a handbook for those who, whether

Between the lines | 10 May 2018

In Competition No. 3047 you were invited to supply an imaginary testimonial for a high-profile figure that is superficially positive but contains hidden warnings to a potential employer.   This was an exercise in the artful deployment of ambiguity, as displayed in Robert J. Thornton’s L.I.A.R. The Lexicon of Intentionally Ambiguous Recommendations, a handbook for

First and last

In Competition No. 3046 you were invited to supply a poem beginning with the last line of any well-known poem and ending with its first line, the new poem being on a different subject all together.   This was a wildly popular comp, which elicited a witty and wide-ranging entry that was both pleasurable and