In Competition No. 3328 you were invited to submit a poem on a topical theme in which the last two words of each line rhyme. Some competitors were unsure whetherI meant that the last two words in each line should rhyme with each other, or with the next line. I meant the former, but given
In Competition No. 3327 you were invited to submit a rough resumé of the plot of a Shakespeare play such as might have been attemptedby a well-known fictional character of your choice. Literary sleuths featured prominently in the entry, with Poirot, Miss Marple and Sherlock Holmes all making eye-catching appearances. A commendation to George Simmers
In Competition No. 3326 you were invited to submit a nursery rhyme recast in the style of a well-known poet. One of my favourite twists on a nursery rhyme is Lewis Carroll’s ‘Twinkle, Twinkle, Little Bat’, the Mad Hatter’s party piece in Alice’s Adventures in Wonderland. Twinkle, twinkle, little bat!How I wonder what you’re at!Up
In Competition No. 3325 you were invited to describe an encounter between Bertie Wooster and James Bond in the style of P.G. Wodehouse. The seed for this popular challenge was Ben Schott’s much-praised 2018 homage to P.G. Wodehouse, Jeeves and the King of Clubs, in which Jeeves and Wooster enter into the world of international
In Competition No. 3324 you were in-vited to submit nonsense verse on an autumnal theme. W.J. Webster confessed that ‘sense kept breaking in’ to his entry, but the line between sense and nonsense is not always clear. As Anthony Burgess observed, in a review of Geoffrey Grigson’s Faber Anthology of Nonsense Verse, Mr Grigson ‘wisely
In Competition No. 3323 you were invited to submit an extract from a book review written by a well-known author which trashes a work by another well-known author that is generally deemed to be a classic. Virginia Woolf took a dim view of Ulysses. In a 1922 diary entry, she wrote: ‘I finished Ulysses and
In Competition No. 3322 you were invited to submit a poem reflecting on the fate of the Sycamore Gap tree, planted in the late 19th century by Newcastle lawyer John Clayton. Antony Gormley, who has a studio in Hexham near the site of the felled tree, has described it as ‘a marker in the lie
In Competition No. 3321 you were invited to provide a love scene from a novel set in a location that might not be considered conducive to romance. There was a distinctly scatological flavour to this week’s postbag. Rubbing shoulders with the abattoirs and morgues were sewage treatment plants and waste-contaminated waters. Adrian Fry’s description of
In Competition No. 3320 you were invited to submit a poem extolling Epicureanism over Stoicism or the other way round. Stoicism is enjoying something of a revival, embraced by everyone from billionaire tech bros to self-help devotees. But Mary Beard is no fan of Marcus Aurelius and has said that she finds it ‘mystifying’ that
In Competition No. 3319 you were invited to supply a description of the house of a well-known figure from the field of fact or fiction that provides clues to their personality. This assignment was prompted by Laura Freeman’s reference in a Spectator articleto ‘Great Men’s Houses’, an essay Virginia Woolf wrote for Good Housekeeping in
In Competition No. 3318 you were invited to provide a verse portrait of Seamus Heaney by any other poet, living or dead. This challenge marks the tenth anniversary, last month, of Heaney’s death. Once asked if anything in his work struck him as appropriate as an epitaph, the Nobel Laureate quoted from his translation of
In Competition No. 3317 you were invited to provide an opening to a novel that bears out Elmore Leonard’s tip to writers: ‘Never open a book with weather.’ Leonard’s other bêtes noires, outlined in his 2007 10 Rules of Writing, include prologues, exclamation marks and the modification of the word ‘said’ with an adverb. But
In Competition No. 3316, you were invited to recast Rishi Sunak’s five pledges in verse form. The tone this week was one of acerbic mischief. A nod to Ann Drysdale, who earns a commendation, and to Elizabeth Bishop, John Masefield and W.S. Gilbert, to whom entries below owe a debt. Prizes of £30 land in
In Competition No. 3315, you were invited to invent a legend that explains the origin and nature of a flower other than a sunflower or narcissus, whose well-known origin story tells of Narcissus, the beautiful youth who draws the vengeance of the gods, falls in love with his own reflection in the waters of a
In Competition No. 3314, you were invited to submit clerihews (two couplets, AABB, metrically clunky, humorous in tone) on well-known philosophers. Eric Idle’s ‘Bruces’ Philosophers Song’ cast a long shadow over a large and jolly postbag. ‘Extraordinarily hard to avoid couplets from the Monty Python song!’ wrote A.H. Harker in a note accompanying his entry.Brian
In Competition No. 3313, you were invited to supply a poem about the worms that were resurrected by scientists after being frozen in the Siberian permafrost for 46,000 years. The tiny roundworms, buried deep underground since the late Pleistocene, were brought back to life by being immersed in water and transported to Germany – in
In Competition No. 3312, you were invited to supply a contribution to a book of recipes invented by fictional characters, entries being for the Carrollean, Dickensian or Shakespearean sections. Commendations to Martyn Hurst and Jon Robins, both of whom provided Uriah Heep’s recipe for humble pie, and to Mike Morrison’s Hamlet (‘Sous-vide or not sous-vide,
In Competition No. 3311, you were invited to submit a song suitable for inclusion in a parliamentary songbook. In an entry in which most scored pleasingly high on singability, W.S. Gilbert rubbed shoulders with Simon & Garfunkel and the Kinks. An honourable mention to Emily Matthews, but leading the winners below, who take £30 each,
In Competition No. 3310, you were invited to submit a horror story on the theme of artificial intelligence. None of your entries, creditable though they were, matched the horror of Harlan Ellison’s gruesome short story from 1967, ‘I Have No Mouth, and I Must Scream’, which was at the back of my mind when I set
In Competition No. 3309, you were invited to compose a poem starting with the last line of any well-known poem and ending with its first, the new poem being on a different subject from the original. Max Ross’s sonnet, reflecting on the demands of the task in hand, earns a commendation: The task for which
