In Competition No. 3063 you were invited to submit a poem about puns containing puns. Dryden regarded paronomasia as ‘the lowest and most grovelling kind of wit’; Samuel Johnson took an equally dim view. But this most derided form of humour produced a witty and accomplished entry that elicited only the occasional groan.
The invitation to compose a Shakespearean-style soliloquy that a contemporary politician might have felt moved to deliver was inspired by Aryeh Cohen-Wade’s imagining, in the New Yorker, how Donald Trump might perform the bard’s soliloquies: ‘Listen – to be, not to be, this is a tough question, OK? Very tough…’ The Donald kept an uncharacteristically
In Competition No. 3062 you were invited to submit a Shakespearean-style soliloquy that a contemporary politician might have felt moved to deliver. Inspiration for this comp came from Aryeh Cohen-Wade’s imagining, in the New Yorker, of Donald Trump performing Shakespearean soliloquies: ‘Listen — to be, not to be, this is a tough question, OK?
For the latest competition you were invited to imagine a well-known author who doesn’t normally write in the genre trying their hand at science fiction. In a 2015 interview, the wonderful Ursula K. Le Guin, always a staunch and eloquent defender of the genre, took a pop at writers of literary fiction who move into
In Competition No. 3061 you were invited to imagine a well-known author who doesn’t normally write in the genre having a go at science fiction and submit an extract from the resulting work. In a 2015 interview, Ursula K. Le Guin, always a staunch and eloquent defender of the genre, took a pop at writers
The latest challenge was to compose an updated version of ‘Jerusalem’ starting with the words ‘And did those tweets…’ One of my favourite parodies of Blake’s poem is by Allan M. Laing. In it he describes the wartime blackouts: Bring me my torch of waning power! Bring me my phosphor button bright! Bring me my
In Competition No. 3060 you were invited to provide an updated version of ‘Jerusalem’ starting with the words ‘And did those tweets…’One of my favourite parodies of Blake’s poem is by Allan M. Laing. In it he describes the wartime blackouts: Bring me my torch of waning power! Bring me my phosphor button bright!
The writer and chemist Primo Levi saw poetry in Mendeleev’s periodic table, describing it as ‘poetry, loftier and more solemn than all the poetry we had swallowed down in liceo; and come to think of it, it even rhymed!’ So I thought it might be an idea to challenge you to write a poem inspired
In Competition No. 3059 you were invited to supply a poem inspired by the periodic table. The writer and chemist Primo Levi saw poetry in Mendeleev’s system for classifying the chemical elements, describing it as ‘poetry, loftier and more solemn than all the poetry we had swallowed down in liceo; and come to think of
The latest challenge, to supply snippets of mischievously/sadistically misleading advice for foreign tourists visiting Britain, or for British ones travelling abroad, is one that you always embrace with relish, though one competitor observed that it felt curiously difficult this time round because ‘the interaction between Britain and Abroad isn’t very funny just at the moment’.
In Competition No. 3058 you were invited to supply snippets of mischievously/sadistically misleading advice for foreign tourists visiting Britain, or for British ones travelling abroad. This is an assignment that you always embrace with relish, though one competitor observed that it felt curiously difficult this time round because ‘the interaction between Britain and Abroad isn’t
Your latest challenge was to compose a short story entitled ‘The day the internet died’. Phyllis Reinhard’s Don McLean-inspired entry stretched the definition of short story rather but was entertaining nonetheless. Here’s a quick burst: Bye, bye Mister Trump’s tweeting lies Instagram’s nude shots of Kimmy and her plastic backside, And Facebook Russian’s sharing what
In Competition No. 3057 you were invited to submit a short story entitled ‘The day the internet died’. Phyllis Reinhard’s Don McLean-inspired entry stretched the definition of short story rather but was entertaining nonetheless: ‘Bye, bye Mister Trump’s tweeting lies/ Instagram’s nude shots of Kimmy and her plastic backside…’ John O’Byrne was good too
The call for elegies on the death of the High Street brought in a large entry that was poignant and clever, and transported me back to teenage Saturdays under the spell of Dolcis, Lilly & Skinner and Freeman, Hardy & Willis. John Morrison’s lines ‘Oh Amazon how swift you rise!/ Swamping all before your eyes…’
In Competition No. 3056 you were invited to submit an elegy on the death of the High Street. Your entries were poignant and clever, and transported me back to teenage Saturdays frittered away in the likes of Dolcis, Lilly & Skinner and Freeman, Hardy & Willis. John Morrison’s lines ‘Oh Amazon how swift you
The latest challenge was to cast a well-known figure on the world stage, living or dead, in the role of agony aunt/uncle, submitting a problem of your invention and their solution. Adrian Fry, channelling Emperor Nero, had these nuggets of wisdom for Worried of Dorking, who is concerned about his grandson’s pyromania: ‘I agree that
In Competition No. 3055 you were invited to take a well-known figure on the world stage, living or dead, and cast them in the role of agony aunt/uncle, submitting a problem of your invention and their solution. There is space only to high-five the winners below, who take £25 each. Bill Greenwell gets £30.
The latest challenge was to compose double dactyls about double acts. I didn’t include the rules about double dactyls this time round as they are rather long-winded and I’ve done it before — and in any case they are easily Googled. Most of you seemed thoroughly at home with the form, and in a large,
In Competition No. 3054 you were invited to compose double dactyls about double acts. I didn’t include the rules about double dactyls as it takes up space and I’ve done it before — and in any case they are easily Googled. Most of you seemed thoroughly at home with the form, and in a large,
Anthony Horowitz’s reflections on creating female characters for his latest Bond novel prompted me to invite you to provide an extract from a well-known work that might be considered sexist by today’s standards and rework it for the #MeToo age. Highlights in a thoroughly enjoyable entry included Brian Allgar’s Constance Chatterley instructing Mellors in the
