For the latest competition you were invited to supply a demotivational poem. This was your opportunity to come up with a bracing antidote to the worldview peddled by an eye-wateringly lucrative self-help industry that feeds on a mix of insecurity and the aspirational narcissism du jour. You came at the challenge from various angles, but
In Competition No. 3071 you were invited to supply a demotivational poem. This was your opportunity to come up with a bracing antidote to the world-view peddled by an eye-wateringly lucrative self-help industry that feeds on a mix of insecurity and the aspirational narcissism du jour. You came at the challenge from various
The performance poet Megan Beech was so incensed by the abuse heaped by Twitter trolls on her idol Mary Beard that she wrote a poem called ‘When I Grow Up I Want to Be Mary Beard’ (‘an academic and a classy lady to boot’). With this in mind, I invited you to provide a poem
In Competition No. 3070 you were invited to provide a poem with the title ‘When I Grow Up I Want to Be [insert name here]’. Performance poet Megan Beech was so incensed by the abuse heaped by Twitter trolls on her idol Mary Beard that she wrote a poem called ‘When I Grow Up
The idea for the latest challenge, to provide a spoof version of the song ‘My Favourite Things’ for the constituency/demographic of your choice, was prompted by my discovery of a reimagining of the Rodgers and Hammerstein classic recast as it might have been sung by an elderly Julie Andrews (‘Maalox and nose drops and needles
In Competition No. 3069 you were invited to provide a spoof version of the song ‘My Favourite Things’ for the constituency/demographic of your choice. I decided to set this comp after stumbling across the Rodgers and Hammerstein classic recast as it might have been sung by an elderly Julie Andrews (‘Maalox and nose drops and
The latest competition asked for a sonnet in reverse, modelled on Rupert Brooke’s ‘Sonnet Reversed’, which turns upside-down both the form — it begins on the rhyming couplet — and the Petrarchan concept of idealised love, starting on a romantic high but ending in prosaic banality. This challenge produced a delightfully varied and engaging entry.
In Competition No. 3068 you were invited to provide a sonnet in reverse, using as your model Rupert Brooke’s ‘Sonnet Reversed’, which turns upside-down both the form — it begins on the rhyming couplet — and the Petrarchan concept of idealised love, starting on a romantic high but ending in prosaic banality. This challenge
The seed of the latest assignment — to provide a tale of travel misery on behalf of a well-known voyager from the fields of fact or fiction — was a column in the Observer called My Crap Holiday, which invited readers to share their travel horrors: inclement weather, devil children, oven-like bedrooms, Arctic bedrooms, wardrobe-like
In Competition No. 3067 you were invited to provide a tale of travel misery on behalf of a well-known traveller from the fields of fact or fiction. The seed of this assignment was a column in the Observer called My Crap Holiday, which invited readers to share travel horrors: inclement weather, devil children, oven-like
The most recent challenge was to submit an ode to a piece of sporting equipment. There is a long and distinguished tradition of verse inspired by sport, going all the way back to Pindar’s odes celebrating ancient Greek athletic achievement. (As London mayor, Boris Johnson commissioned a poem in the style of Pindar to mark
In Competition No. 3066 you were invited to submit an ode to a piece of sporting equipment. There is a long and distinguished tradition of verse inspired by sport, going all the way back to Pindar’s odes celebrating ancient Greek athletic achievement. (As London mayor, Boris Johnson commissioned a poem in the style of Pindar
Your latest challenge was to supply a happy ending for a well-known play, poem or novel. Nahum Tate (the worst poet laureate ‘if he had not succeeded Shadwell’, according to Robert Southey) gave King Lear a cheery ending: Lear regains his throne, Cordelia marries Edgar, and Edgar joyfully declares that ‘truth and virtue shall at
In Competition No. 3065 you were invited to supply a happy ending for a well-known play, poem or novel. Nahum Tate (the worst poet laureate ‘if he had not succeeded Shadwell’, according to Robert Southey) gave King Lear a cheery ending: Lear regains his throne, Cordelia marries Edgar, and Edgar joyfully declares that ‘truth
The inspiration for the latest challenge, to submit a newspaper leading article exposing the corrupting influence of a seemingly innocuous everyday item, was the revelation, in a recent letter to the Times, that patent leather shoes were outlawed at a British girls’ public school as recently as the 1980s, lest they reflect undergarments and ‘excite
In Competition No. 3064 you were invited to supply a newspaper leading article exposing the hitherto unsuspected corrupting influence of a seemingly innocuous everyday item. This assignment was inspired by the revelation, in a recent letter to the Times, that patent leather shoes were outlawed at a British girls’ public school as recently as the
The latest challenge was to submit a poem about puns containing puns. Dryden regarded paronomasia as ‘the lowest and most grovelling kind of wit’; Samuel Johnson took an equally dim view. But this most derided form of humour produced a witty and accomplished entry that elicited only the occasional groan. Robert Schechter’s four-liner – ‘Opun
In Competition No. 3063 you were invited to submit a poem about puns containing puns. Dryden regarded paronomasia as ‘the lowest and most grovelling kind of wit’; Samuel Johnson took an equally dim view. But this most derided form of humour produced a witty and accomplished entry that elicited only the occasional groan.
The invitation to compose a Shakespearean-style soliloquy that a contemporary politician might have felt moved to deliver was inspired by Aryeh Cohen-Wade’s imagining, in the New Yorker, how Donald Trump might perform the bard’s soliloquies: ‘Listen – to be, not to be, this is a tough question, OK? Very tough…’ The Donald kept an uncharacteristically
In Competition No. 3062 you were invited to submit a Shakespearean-style soliloquy that a contemporary politician might have felt moved to deliver. Inspiration for this comp came from Aryeh Cohen-Wade’s imagining, in the New Yorker, of Donald Trump performing Shakespearean soliloquies: ‘Listen — to be, not to be, this is a tough question, OK?