For the latest challenge you were invited to provide a sonnet with the following end rhymes (taken from Milton’s Sonnet 20, ‘Lawrence of virtuous father virtuous son’): son, mire, fire, won, run, re-inspire, attire, spun, choice, rise, voice, air, spare, unwise. Milton was the most political of poets, and many of you followed his lead.
In Competition No. 3108 you were invited to submit a sonnet with the following end rhymes: son, mire, fire, won, run, re-inspire, attire, spun, choice, rise, voice, air, spare, unwise. The end rhymes are taken from Milton’s Sonnet 20, ‘Lawrence of virtuous father virtuous son’. Milton was the most political of poets, and many of
The germ for the latest challenge —to provide an extract that is a mash-up of two well-known works of literature — was the discovery that Middlemarch was originally two separate works: a novel about the townspeople (the Vincys, Bulstrode, etc) and a short story called ‘Miss Brooke’, which focused on the country folk. Neither worked
In Competition No. 3107 you were invited to provide an extract that is a mash-up of two well-known works of literature. The germ for this challenge was the discovery that Middlemarch was originally two separate works — a novel about the townspeople (the Vincys, Bulstrode, etc) and a short story called ‘Miss Brooke’, which focused
The latest competition called for poems with an ingenious twist at the end. Though popular, this challenge turned out to be deceptively tricky and while there were many accomplished and enjoyable entries, none of your twists truly blew my socks off. Paul A. Freeman kept it short and topical: Was it things that go bump
In Competition No. 3106 you were invited to submit a poem with an ingenious twist at the end. This challenge, a popular one, was deceptively tricky and while there were many accomplished and enjoyable entries, none of your twists truly blew my socks off. Douglas G. Brown, Max Gutmann and Martin Elster were unlucky runners-up.
For the latest challenge you were invited to succumb to Women’s World Cup fever and submit a fragment of commentary on the tournament delivered by a figure from the world of fact or fiction, dead or alive. From Joseph Houlihan’s William McGonagall, who chronicles the Scottish team’s defeat at the boots of the Auld Enemy,
In Competition No. 3105 you were invited to submit a fragment of commentary on the Women’s World Cup delivered by a figure from the world of fact or fiction, dead or alive. From Joseph Houlihan’s William McGonagall, who chronicles the Scottish team’s defeat at the boots of the Auld Enemy, to R.M. Goddard’s Samuel Beckett
Your latest challenge was to encapsulate the life story of a well-known person, living or dead, in three limericks. The limerick form was neatly summed up by the late Paul Griffin, long-time competitor and a regular winner on these pages: A limerick’s short and it’s slick; Like a racehorse it has to be quick: The
In Competition No. 3104 you were invited to encapsulate the life story of a well-known person, living or dead, in three limericks. The limerick form was neatly summed up by the late Paul Griffin, long-time competitor and a regular winner on these pages: A limerick’s short and it’s slick; Like a racehorse it
For the latest literary challenge you were invited to submit a Shakespearean soliloquy delivered by one of the contenders for the Tory leadership in which they consider their pitch for the top job. During the 2016 leadership contest, Shakespearean references were flying round. Alex Salmond likened Michael Gove to ‘Lord Macbeth’, and when Boris Johnson
In Competition No. 3103 you were invited to submit a Shakespearean soliloquy delivered by one of the contenders for the Tory leadership in which they consider their pitch for the top job. Though many chose to plug the gap created by Boris Johnson’s public reticence, there was a sprinkling of his fellow hopefuls. Most are
The idea for the latest challenge — to compose a fan letter from one well-known person from the field of fact or fiction to another — came from a letter written by Kirk Douglas to Gary Cooper, received just days before Cooper died of cancer, in which Douglas reflects on the impossibility of complying with
In Competition No. 3102 you were invited to submit a fan letter from one well-known person from the field of fact or fiction to another. Frank McDonald’s Lady Macbeth fist-bumps Nicola Sturgeon: ‘My dearest Nicola there is no need/ For me to pour my spirits in thine ear;/ Already you excel me in your
The latest challenge was an invitation to compose a contemporary take on ‘The New Colossus’, the 1883 sonnet by Emma Lazarus that is inscribed on a bronze plaque on the pedestal of the Statue of Liberty: Not like the brazen giant of Greek fame, With conquering limbs astride from land to land; Here at our
In Competition No. 3101 you were invited to compose a contemporary take on ‘The New Colossus’, the 1883 sonnet by Emma Lazarus that is inscribed on a bronze plaque on the pedestal of the Statue of Liberty. Written as part of an effort to raise money for the construction of the 89ft pedestal, the
For the latest competition you were challenged to submit an ode to Alexa or Siri. A recent study by Unesco, entitled ‘I’d Blush if I Could’ (Siri’s alarmingly coquettish response to the phrase ‘You’re a slut/bitch’), claimed that submissive female-voiced virtual assistants perpetuate negative, outdated gender stereotypes, and this assignment did seem to bring out
In Competition 3100 you were invited to pen an ode to Alexa or Siri. A recent Unesco study claimed that submissive female-voiced virtual assistants perpetuate negative, out-dated gender stereotypes, and this assignment did seem to bring out the unreconstructed roguish side in some. You know who you are. The winners below earn £25 each.
For the latest competition, you were asked to dream up an imaginary animal that is a hybrid of two existing ones and write a poem about it. The discovery, some time ago, that the Romans called a giraffe a ‘camelopard’ (and Thomas Hood wrote an ‘Ode to the Cameleopard’) gave me the initial idea for
In Competition No. 3099 you were invited to dream up an imaginary animal that is a hybrid of two existing ones and write a poem about it. The discovery, some time ago, that the Romans called a giraffe a ‘cameleopard’ (also the subject of a poem by Thomas Hood) gave me the initial idea