In Competition No. 3122, to mark the demise of the 178-year-old travel company, you were invited to submit a poem about Thomas Cook. The firm may have hit the buffers, but many entries featured its eponymous founder’s original offering — railway travel and Temperance tours — which would be just the job in our clean-living,
This week’s assignment was to write the lyrics to a song entitled ‘50 Ways to Leave the White House’. While the brief steered you in the direction of Paul Simon’s 1975 hit (the inspira-tion for whose distinctive chorus was a rhyming game played with his infant son), I didn’t specify that you had to use
In Competition No. 3121 you were invited to submit a song entitled ‘50 Ways to Leave the White House’. While the brief steered you in the direction of Paul Simon’s 1975 hit (the inspiration for whose distinctive chorus was a rhyming game played with his infant son), I didn’t specify that you had to
For the latest competition you were invited to step into the shoes of well-known poets and give their reflections on the Apollo 11 moon landing, 50 years on. Cath Nichols’s enjoyable entry looked back on the lot of the Apollo wives through Wendy Cope’s acerbic eye. Nick MacKinnon was also an accomplished Cope impersonator: Bloody
In Competition No. 3120 you were invited to submit a poem reflecting on the Apollo 11 moon landing written in the style of the poet of your choice. Cath Nichols’s enjoyable entry looked back on the lot of the Apollo wives through Wendy Cope’s acerbic eye. Nick MacKinnon was also an accomplished Cope impersonator:
For the latest competition you were invited to submit a poem about yellowhammers. This sparrow-sized songbird has inspired poetry from John Clare’s lovely ‘The Yellowhammer’s Nest’ to Robert Burns’s unlovely ‘The Yellow, Yellow Yorlin’ (‘But I took her by the waist, an’ laid her down in haste/, For a’ her squakin’ an’ squalin…’ and you
In Competition No. 3119 you were invited to submit a poem about yellowhammers. This sparrow-sized songbird has inspired poetry from John Clare’s lovely ‘The Yellowhammer’s Nest’ to Robert Burns’s unlovely ‘The Yellow, Yellow Yorlin’ (‘But I took her by the waist, an’ laid her down in haste/, For a’ her squakin’ an’ squalin…’) You took
Your latest challenge, inspired by Joan Didion’s wonderful essay of that title, was to write a short story with the last line ‘I can’t get that monster out of my mind’. Another notable American female essayist, Susan Sontag, has come in for a bit of stick in these pages over the past few weeks, and
In Competition No. 3118, which was inspired by Joan Didion’s wonderful essay of that title, you were invited to submit a short story whose last line is ‘I can’t get that monster out of my mind’. Another notable American female essayist, Susan Sontag, has come in for a bit of stick in these pages over
Your latest challenge was to recast a famous political speech as a sonnet. Lots of you opted for Elizabeth I’s address to the troops at Tilbury, but James Aske got there first in 1588, the year she gave it, with a verse reworking that appeared in Elizabetha Triumphans, his celebration of the Armada victory. You
In Competition No. 3117 you were invited to recast a famous political speech as a sonnet. Lots of you went for Elizabeth I’s address to the troops at Tilbury, but James Aske got there first in 1588, with a verse reworking that appeared in Elizabetha Triumphans, his celebration of the Armada victory. Well
Your latest challenge was to submit an extract from a government memo whose language would meet with the approval of Jacob Rees-Mogg. The Leader of the House recently sent his departmental staff a list of rules regarding grammar and vocabulary. The words ‘ongoing’ and ‘hopefully’ are out; imperial measurements are in. All non-titled males are
In Competition No. 3116 you were invited to submit an extract from a government memo whose language would meet with the approval of Jacob Rees-Mogg. The Leader of the House recently sent his departmental staff a list of rules regarding grammar and vocabulary. The words ‘ongoing’ and ‘hopefully’ are out; imperial measurements are in. All
Your latest challenge was to come up with a fable for the 21st century, complete with moral. James Michie, my predecessor in the judge’s seat, was a celebrated translator of fables and if you were looking for inspiration, and don’t speak French, his 1973 rendering of a selection by La Fontaine serves as a shining
In Competition No. 3115 you were invited to submit a fable for the 21st century, complete with moral. James Michie, my predecessor in the judge’s seat, was a celebrated translator of fables and if you were looking for inspiration, and don’t speak French, his 1973 rendering of a selection by La Fontaine were described by
The latest competition called for estate agents’ details in the style of a well-known author. Highlights, in a cracking entry, included Jeremy Carlisle’s Hemingway: ‘Who needs a house? Certainly no real man known to this agency. Cabin by lakeside for sale… A cabin of strong oak-framed construction. The timbers are as honest and straight as
In Competition No. 3114 you were invited to submit estate agents’ details in the style of a well-known author. Highlights, in a cracking entry, included Jeremy Carlisle’s Hemingway: ‘Who needs a house? Certainly no real man known to this agency. Cabin by lakeside for sale… A cabin of strong oak-framed construction. The timbers are
The latest challenge called for an acrostic poem about a politician in which the first letter of each line spells the name of that politician. While most of you set your sights on modern-day notables, David Silverman (as well as his poignant prizewinning haiku) submitted a nice double-dactylic portrait of Caesar Augustus. Here’s an extract:
In Competition No. 3113 you were invited to submit an acrostic poem about a politician in which the first letter of each line spells the name of that politician. While most of set your sights on modern-day politicians, David Silverman (as well as his poignant prizewinning haiku) penned a double-dactylic portrait of Caesar Augustus:
In Competition No. 3112 you were invited to submit an extract from Gilbert & Sullivan’s The Brexiteers. The title of this new addition to the G&S canon was, of course, a nod to The Gondoliers. But in an entry both serious and silly, full of wit and whimsy, you also plundered The Mikado (‘Four little
