In Competition No. 3150 you were invited to submit a sonnet describing one of the labours of Hercules. This challenge seemed to strike a chord, attracting an entry of modest size but rich in wit and invention. There were some clever topical touches as well as echoes of master sonneteers from times past: Milton, Donne
In Competition No. 3149 you were invited to tweak an existing book or poem title for lockdown and provide an excerpt from the resulting work. This excellent challenge, suggested by a reader, produced a vast entry and some cracking titles, including Masefield’s ‘Cabin Fever’ and Jane Austen’s Compulsion, as well as several variations on ‘Come
In Competition No. 3148 you were asked to imagine what the result might have been had a well-known writer slipped a self-portrait into a scene from one of their works. The challenge was inspired by artists who insert a sneaky selfie into their paintings, a well-known example of which is Velazquez’s ‘Las Meninas’. But authors
In Competition No. 3147 you were invited to submit tips on social isolation in the style of a well-known writer. It was a terrific entry, in which famously retiring souls such Emily Dickinson loomed uncharacteristically large. I loved Nicholas Stone’s twist on Louis Macneice’s ‘Bagpipe Music’ (‘It’s no go the bog roll, it’s no go
In Competition No. 3146 you were invited to submit a poem about the goats of Llandudno, who recently ran amok through the Welsh seaside town. It’s not just the caprine brigade who have been broadening their horizons with humankind under lockdown. Racoons have invaded Arkansas State Library, wild boars are roaming the streets of Bergamo
In Competition No. 3145, to mark the 10,000th issue of The Spectator, you were invited to submit clerihews (two couplets, AABB, metrically clunky, laconic and humorous in tone) on the magazine’s contributors. My predecessor Jaspistos was a popular subject. Clerihews should contain biographical truth and D.A. Prince assures me that the incident described in her
In Competition No. 3144 you were invited to submit a poem, six lines at most, containing all the letters of the alphabet. Some of the more technical challenges in the past have prompted howls of protest; under the circumstances, I decided not to make this one too taxing. Max Ross speaks, I am sure, for
In Competition No. 3143, a nod to García Márquez’s 1985 novel, you were invited to submit a short story entitled ‘Love in the Time of Covid-19’ in the magical realist style. Magic realism has been contaminated somewhat by overuse and is in any case not to everyone’s taste. But if done well it can be
In Competition No. 3142 you were invited to supply a review on TripAdvisor that has been spiced up with a number of misprints. You saw this challenge for what it was: a brazen invitation to lower the tone. Take this snippet, for example, from Brian Murdoch: ‘The only problem we had was that I had
In Competition No. 3141, you were invited to submit a song we can sing instead of ‘Happy Birthday’ during hand-washing. Congratulations all round: this challenge produced a cheering entry — funny, varied and drawing inspiration from far and wide; from the Knack’s ‘My Sharona’ to the Hokey-Cokey. Commendations to David Silverman, Frank Upton and Nick
In Competition No. 3140 you were invited to submit a poem in the style of a famous poet in which they make a surprising confession. It’s elbow-bumps all round this week: an excellent entry. Douglas G. Brown reveals the raciness (gin; trollops) that lurks beneath Henry Wadsworth Longfellow’s high-minded exterior. Nick MacKinnon exposes the jolly,
In Competition No. 3139 you were invited to submit a four-line verse epitaph for a well-known person, living or dead. There was lots of waspish wit on show this week, often deployed at the expense of our elected representatives. Many entries ran along similar lines to this one, from Steve Baldock, though not all of
In Competition No. 3138 you were invited to submit a poem entitled ‘Lines on a Young Lady’s Instagram’. Thanks to David Jones, who suggested this challenge, a nod to Philip Larkin’s 1953 ‘Lines on a Young Lady’s Photograph Album’ from the collection The Less Deceived (‘My swivel eye hungers from pose to pose —/ In
To mark the 70th anniversary of George Orwell’s death, you were invited to submit a short story with an Orwellian flavour. This challenge was inspired by an entertaining thread on Twitter started by @rcolvile who asked for ideas for sequels or spin-offs when Orwell’s work goes out of copyright next January. Among the suggestions that
In Competition No. 3137, to mark the 70th anniversary of George Orwell’s death, you were invited to submit a short story with an Orwellian flavour. This challenge was inspired by an entertaining thread on Twitter started by @-rcolvile, who asked for ideas for sequels or spin-offs when Orwell’s work goes out of copyright next January.
In Competition No. 3136 you were invited to submit a lonely hearts ad guaranteed to send those looking for love running in the opposite direction. This assignment was a nod to the charmingly idiosyncratic personal ads that have appeared over the years in the London Review of Books — ‘They call me Naughty Lola. Run-of-the-mill
The latest competition asked for application letters for a job at No. 10 from a fictional character of your choice. This challenge was inspired by the PM’s chief special adviser Dominic Cummings’s suggestion, in a recruitment ad, that the ideal candidate for one of the positions on offer might resemble ‘weirdos from William Gibson novels
In Competition No. 3135 you were invited to submit an application letter for a job at No. 10 from a fictional character of your choice. This challenge was inspired by the PM’s chief special adviser Dominic Cummings’s suggestion, in a recruitment ad, that the ideal candidate for one of the positions on offer might resemble
The latest competition asked for poems featuring one of T.S. Eliot’s practical cats getting to grips with the modern world. Your 21st-century reincarnations of Eliot’s felines (the poems were originally published in 1939 and inspired by the poet’s four-year-old godson, who invented the words ‘pollicle’ for dogs and ‘jellicle’ for cats) were terrific, making it
In Competition No. 3134 you were invited to submit a poem featuring one of T.S. Eliot’s practical cats getting to grips with the modern world. Your 21st-century reincarnations of Eliot’s felines (the poems were originally published in 1939 and inspired by the poet’s four-year-old godson, who invented the words ‘pollicle’ for dogs and ‘jellicle’