In Competition No. 3162 you were invited to submit double dactyls on stars of popular or classical music. Fans of ‘higgledy-piggledies’, as they are also known, should check out Jiggery Pokery, the terrific 1967 compendium of the form, edited by Anthony Hecht and John Hollander, who, in case anyone is wondering exactly what a double
In Competition No. 3161 you were invited to supply a sonnet with certain rhyme words to be used in a given order. Bout-rimés contests were a favourite parlour game of Dante Rossetti and his brother William, but the given end rhymes for this assignment come from a sonnet written in the winter of 1816 by
In Competition No. 3160 you were invited to supply a short story whose opening sentence is ‘I have no idea whether I killed him.’ The idea for this challenge came from The Mandibles: A Family 2029-2047, Lionel Shriver’s gripping and plausible 2016 novel about societal meltdown in the US following the collapse of its economy
In Competition No. 3159 you were invited to supply a poem that does not contain the letter ‘e’. This fiendish challenge was a nod to Georges Perec’s ‘e’-less tour de force La Disparition (protagonist: A. Vowl), which was subsequently translated, also without the letter ‘e’, by the heroic Gilbert Adair. Perec, who once composed a
In Competition No. 3158 you were invited to supply an extract describing a well-known fictional detective who finds themselves catapulted into an unfamiliar milieu. This was a crowd-pleasing comp, attracting a large field of old hands and newcomers alike. But it turned out to be a tricky one too and terrific beginnings were often marred
In Competition No. 3157 you were invited to describe a visit to Glastonbury or Glyndebourne in the style of an author of your choice. Highlights in an especially hotly contested week — oh, for more space! — were Timothy Clegg’s John Masefield, R.M. Goddard’s John Cooper Clarke, John Mounsey’s Evelyn Waugh, Hugh King’s Edward Gibbon,
In Competition No. 3156 you were invited to supply a piece of verse or prose on the subject of schadenfreude, a challenge inspired by the late great Clive James’s glorious poem ‘The Book of my Enemy Has Been Remaindered’, of which he said: ‘Not my most worthy moment, but somehow I had more fun writing
In Competition No. 3155 you were invited to supply a poem entitled ‘The Picnic’. This challenge was prompted by a tweet from picnic-hater @edcumming inviting people to nominate their single worst picnic item. Suggestions included stale warm dry carrot batons, hummus with a skin, supermarket Scotch eggs and gin in a tin that’s been slowly
In Competition No. 3154 you were invited to supply your own variations on the medieval round ‘Sumer is icumen in’. This six-part polyphony — the jaunty accompaniment to the ritual sacrifice of Edward Woodwood’s Christian copper in the horrific climax of The Wicker Man — is also known as the Summer Canon and dates from
In Competition No. 3153 you were invited to recruit a well-known children’s writer to explain Covid-19 to their young audience. Designer Jim Malloy’s reimagining of Dr Seuss titles for the coronavirus age — Oh, the Places You Won’t Go!; Docs in Smocks — gave me the idea for this challenge and though I had high
In Competition No. 3152 you were invited to supply a poem about the joys — or otherwise — of the staycation. A poem that transports me back to childhood bucket-and-spade holidays — ‘Half an annual pleasure, half a rite…’ — is ‘To the Sea’ by Philip Larkin (not a fan of holidays abroad). But while
In Competition No. 3151 you were invited to imagine famous authors reflecting on their struggles with DIY. Highlights in a terrific entry included John Osborne on grouting, A.E. Housman on the torture of cutting your own hair and several accounts of W.B. Yeats’s botched attempts at sorting out the plumbing (‘things fall apart’). I much
In Competition No. 3150 you were invited to submit a sonnet describing one of the labours of Hercules. This challenge seemed to strike a chord, attracting an entry of modest size but rich in wit and invention. There were some clever topical touches as well as echoes of master sonneteers from times past: Milton, Donne
In Competition No. 3149 you were invited to tweak an existing book or poem title for lockdown and provide an excerpt from the resulting work. This excellent challenge, suggested by a reader, produced a vast entry and some cracking titles, including Masefield’s ‘Cabin Fever’ and Jane Austen’s Compulsion, as well as several variations on ‘Come
In Competition No. 3148 you were asked to imagine what the result might have been had a well-known writer slipped a self-portrait into a scene from one of their works. The challenge was inspired by artists who insert a sneaky selfie into their paintings, a well-known example of which is Velazquez’s ‘Las Meninas’. But authors
In Competition No. 3147 you were invited to submit tips on social isolation in the style of a well-known writer. It was a terrific entry, in which famously retiring souls such Emily Dickinson loomed uncharacteristically large. I loved Nicholas Stone’s twist on Louis Macneice’s ‘Bagpipe Music’ (‘It’s no go the bog roll, it’s no go
In Competition No. 3146 you were invited to submit a poem about the goats of Llandudno, who recently ran amok through the Welsh seaside town. It’s not just the caprine brigade who have been broadening their horizons with humankind under lockdown. Racoons have invaded Arkansas State Library, wild boars are roaming the streets of Bergamo
In Competition No. 3145, to mark the 10,000th issue of The Spectator, you were invited to submit clerihews (two couplets, AABB, metrically clunky, laconic and humorous in tone) on the magazine’s contributors. My predecessor Jaspistos was a popular subject. Clerihews should contain biographical truth and D.A. Prince assures me that the incident described in her
In Competition No. 3144 you were invited to submit a poem, six lines at most, containing all the letters of the alphabet. Some of the more technical challenges in the past have prompted howls of protest; under the circumstances, I decided not to make this one too taxing. Max Ross speaks, I am sure, for
In Competition No. 3143, a nod to García Márquez’s 1985 novel, you were invited to submit a short story entitled ‘Love in the Time of Covid-19’ in the magical realist style. Magic realism has been contaminated somewhat by overuse and is in any case not to everyone’s taste. But if done well it can be
