Lloyd Evans is The Spectator's sketch-writer and theatre critic
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Every Hamlet is a failure. It always feels that way because playgoers tend to compare what they’re seeing with a superior version that exists only in their heads. And since disappointment is inevitable, it’s worth celebrating the successful novelties in Eddie Izzard’s solo version. He makes some valuable breakthroughs, especially in the comedic sections. Izzard
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Romeo & Juliet is Shakespeare with power cuts. The lighting in Jamie Lloyd’s cheerless production keeps shutting down, perhaps deliberately. The show stars Tom Holland (also known as Spider-Man) whose home in Verona resembles a sound studio that’s just been burgled. There’s nothing in it apart from a few microphones on metal stands. He and
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After nearly 40 years, Withnail has arrived on stage. Sean Foley directs Bruce Robinson’s adaptation, which starts with a live rock-band thumping out a few 1960s hits. The musicians take cameo roles as maids and coppers. The show needs a larger cast especially for the tea-room scene – ‘We want the finest wines available to
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Every year I’m summoned to a gathering which I strive to avoid. My first cousin, who loves a boozy party, assembles the extended clan in an Italian restaurant for a convivial lunch. I fear that my list of excuses – ‘back pain’, ‘gout’, ‘baptism in Scotland’, ‘last-minute undercover journalism assignment’ – is wearing a bit
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The party leaders conformed to type at PMQs. Rishi Sunak declared that Britain is experiencing an economic boom. ‘Inflation is back to normal,’ he announced about six times. It felt like about 60. Sir Keir Starmer reminded us that he used to run the CPS which is one of his favourite boasts. But it was
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Fawlty Towers at the Apollo may be the best museum piece you’ll ever see. A full-length play has been carved out of three episodes: ‘The Hotel Inspectors’, ‘The Germans’, and ‘Communication Problems’ in which the deaf guest, Mrs Richards, made a nuisance of herself by refusing to switch on her hearing aid in case the
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Bad news for Rishi Sunak at PMQs. Caught out by Sir Keir Starmer, he handed Labour a wonderful soundbite for the next election: Rishi, the crimewave king. Sir Keir opened by calling Rishi a ‘jumped-up milk-monitor.’ He mocked his ‘seventh relaunch in 18 months’ and called it a war against ‘that gravest of threats, colourful
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‘You’re gay.’ That was the first tip I got from a friend who writes applications for Arts Council grants. He was helping me bid for £15,000 to fund my new play on the London fringe. ‘I’m not gay,’ I said. ‘So what?’ he told me. ‘The Arts Council wants you gay. So be gay.’ My
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Minority Report is a plodding bit of sci-fi based on a Steven Spielberg movie made more than two decades ago. The setting is London, 2050, and every citizen has been implanted with an undetectably tiny neuroscanner which informs the cops about crimes before they’ve been committed. However, as the first scene reveals, the undetectably tiny
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Questions from backbenchers dominated PMQs. Sir Edward Leigh is keen to end unfettered immigration and he announced a way to stop the boats that might actually stop the boats. ‘Detain all those who land illegally on our shores and offshore them immediately,’ he said. His specific goal was to prevent children from being shoved onto
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John Cleese appeared in the West End this week. ‘I’ve got vertigo,’ he said as he walked on stage at the Apollo, Shaftesbury Avenue. ‘I cannot get rid of it. So I’m behaving as if I’m 184 not 84.’ He was hosting a press conference for Fawlty Towers: The Play which opens this Saturday night. The press
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Agathe by Angela J. Davis follows the early phases of the Rwanda genocide 30 years ago. The subject, Agathe Uwilingiyimana, became prime minister on 18 July 1993 but her tenure ended abruptly when she was assassinated by a rioting mob which surrounded the UN compound where she was sheltering on 7 April 1994. She saved
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How does it feel to wake up and discover that you’re a socialist? We got the answer at PMQs where the TV cameras were trained on Dan Poulter – or ‘Doctor Dan’ as he likes to be called – who recently quit the Tories and joined Labour. But his awakening seems to have poisoned his
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Our Mutual Friend has been turned into a musical with a new title, London Tide, which sounds duller and more forgettable than the original. Why change the name? To confuse fans of Dickens, presumably, and to keep the theatre half-empty while heaps of tickets are sold at a discount. At the end of Act One,
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Angela Rayner stood in for Sir Keir Starmer at PMQs, and she opened with fireworks. ‘They’re desperate to talk about my living arrangements,’ she said, referring to her property woes, ‘but the public wants to know what this government is going to do about theirs.’ Brighton resident, Natalie, contacted Rayner about ‘no-fault evictions’. This isn’t much
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Play-goers, beware. Director Robert Icke is back in town, and that means a turgid four-hour revival of a heavyweight classic with every actor screaming, bawling, weeping, howling and generally overdoing it. But here’s a surprise. Player Kings, Icke’s new version of Henry IV, Parts 1 and 2, is a dazzling piece of entertainment and the
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‘Like being chained to a lunatic.’ That’s how a man feels in relation to his libido. And the lunatic latches on to anything, irrationally, and without warning. In Cambridge recently I dropped into a lecture given by a beautiful historian, Lea Ypi, from Albania, whose discourse included this observation about revolutionaries: ‘Once they attain power
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Keir Starmer came to Prime Minister’s Questions (PMQs) with a spring in his step. He announced that he owned ‘a rare unsigned copy’ of Liz Truss’s memoirs. ‘The only unsigned copy,’ he added with a chortle. Then he asked Rishi Sunak to justify the calamities of Truss’s premiership. ‘He should spend less time reading that
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The Divine Mrs S is a backstage satire set in the year 1800, when flouncy costumes and elaborate English prose were common cultural ornaments. On press night the venue was full of resting actors and theatrical hangers-on who adored the show’s in-jokes and rehearsal-room wisecracks. Titus Andronicus is ‘an experimental play about a pie’, says
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If you’ve heard good reports about MJ the Musical, believe them all and multiply everything by a hundred. As a music-and-dance spectacular, the show is as exhilarating as any Jackson produced while he was alive. The sets, the costumes, the choreography and the live band deliver an amazing collective punch. When he removes his black
