Lloyd Evans is The Spectator's sketch-writer and theatre critic
One of the strangest and most dramatic parliamentary terms ended today in bizarre fashion. The fiasco over fiddled expenses has preoccupied Westminster for months but it was helicopters in Afghanistan that dominated PMQs. From whoppers to choppers. The Speaker seems to have ruled against public lamentations over battlefield casualties and, without these solemnities, our MPs
Forbidden Broadway Menier Chocolate Factory Dr Korczak’s Example Arcola High hopes at the Chocolate Factory. The Southbank’s liveliest producing house has a great record for taking shows into the West End. Musicals are a speciality and the latest has just arrived from New York. Forbidden Broadway was created nearly three decades ago by rookie writer
There was a wonderful outbreak of wit and erudition at Parliament this morning. The sketch-writers Simon Hoggart and Matthew Parris appeared before the Public Administration Select Committee to discuss the perils of political jargon. Simon Hoggart kicked off by imagining Churchill’s war-time speeches re-written by a local government wonk. ‘We will fight on the beaches’
I’d be tempted to call it listless. But everyone was reading from lists. At today’s rather sleepy PMQs I counted six MPs who recorded their sympathy for those affected by the recent tragedies in Afghanistan and Camberwell. The Speaker needs to act or these sessions will turn into Prime Minister’s Condolences. Gordon Brown’s in Italy,
Observe the Sons of Ulster Marching Towards the Somme Hampstead Carrie’s War Apollo I want to be nice about this play but I simply can’t. Look at the idiotic title for starters. Frank McGuinness sets his drama in an Ulster barracks where a gang of recruits are preparing to fight the Hun in France. The
Open up your political lexicons. Inscribe this one in permanent ink. We’ll be laughing about it for years to come. Answering a question at PMQs on budget reductions, Gordon Brown promised that in 2013/14 there would be ‘a zero percent rise’ in spending. This bizarre piece of tweak-onomics was flung straight back at him by
The Cherry Orchard Old Vic A Skull in Connemara Riverside Here’s a peculiarity of Chekhov productions that tour the world. There’s never any furniture. OK, there’s some. A card table maybe, a few spindly chairs, a samovar, a hat-stand, the odd stool. Matchwood accessories. But the sturdy oaken mammoths of Victorian decor, the chests and
Make the chair smaller. Or sit on a box. John Bercow’s first overhaul of parliamentary structures should involve re-fitting the seat to accommodate his pint-sized proportions. He looked a little stranded up on his perch at PMQs today and at the end he had to be helped back down to the ground. This was a
Crack! The sound of the whips lashing Labour MPs into line today was deafening. And the truth didn’t have a prayer. What a draining, depressing, undemocratic spectacle it was to see Labour’s doomed time-servers put in yet another shift at the government’s whopper-factory. Cameron went to the House with a single tactic, to get the
The Winter’s Tale Old Vic Phèdre Lyttelton I seem to be alone in feeling great waves of pity for anyone involved in an assault on The Winter’s Tale. This strange dud of a text remains mystifyingly popular with theatre folk. It’s two plays shunted together. Act one is a mawkish palace tragedy, act two is
Usually it’s the war-dead who overshadow the start of PMQs. Today it was the undead. Brown is back and if the Labour rebels really believed his promise to ‘listen’ their trust seems to have been misplaced. This was the Brown of old, the unbudgeable slab of granite, the obsessive numerologist casting statistics in all directions
Hamlet Wyndhams Arcadia Duke of York’s ‘No one can do the definitive Hamlet. It’s too big for that. But you can do an enormous amount.’ Wise words. Jude Law’s as it happens. All Hamlets fail and it’s a great tribute that Law’s fails remarkably little. His stage presence is thrilling, intense and highly athletic, and
Would you Adam and Eve it? The Prime Minister actually seemed to enjoy PMQs today. With the whole of Westminster abuzz with whispered plots and covert knife-sharpenings perhaps the Commons seemed a haven of openness and civility by contrast. Brown got off to a lousy start though. He stuttered and fumbled through the names of
Amongst Friends Hampstead Taking Sides/Collaboration Duchess Who wrote the first ‘dinner party from hell’ drama? Shakespeare had a couple of stabs with Titus Andronicus and the banquet scene in Macbeth where Banquo’s ghost arrives to ruin a perfectly good evening. Ovid told of Procne who killed her son, Itys, and served him up in a
A Doll’s House Donmar The Observer Cottesloe Amazing guy, Ibsen. Still scribbling away at the age of 181, the Norwegian genius has teamed up with under-rated Spooks writer Zinnie Harris to create a new version of A Doll’s House. They’ve shifted the setting from 19th-century Norway to London in 1909 and promoted Thomas from the
Duet for One Vaudeville Ordinary Dreams Trafalgar Studio Therapy is celebrity by another name. An artificially created audience bears witness to your anguish and joy and enables you to resolve the terrible contradiction that underpins every human being’s world-view. Each of us, in his gut, feels like the star of his life. But in his
The Speaker presided over his own memorial service today. The PM led the tributes by reminding us that Michael Martin had spent thirty years living off the rest of us – sorry – contributing to public life. Cameron said thanks for the help he received as a parliamentary fresher in 2001. Even wobbly-jowled Tory shiresman
A quiet, chastened, nervous House of Commons today. Like a bunch of naughty schoolboys caught wrecking the art-block and forced to clean it up. The Prime Minister, looking even more dank and grotty than usual, faltered as he recited the names of last week’s war dead from Afghanistan. By contrast Cameron’s bright, youthful demeanour served
Waiting for Godot Theatre Royal Haymarket Monsters Arcola Godot is one of the most undramatic pieces of theatre ever written and it contains a conundrum I’ve never seen satisfactorily resolved. As a playwright you aim to communicate emotion. If you can make the spectators feel what the characters are feeling, you have a success. However,
The Last Cigarette Trafalgar Studio Rookery Nook Menier Simon Gray’s twilight diaries may well be a prose masterpiece. That the stage adaptation hasn’t done them justice is a fact few want to admit. The ‘much-loved’ fallacy has descended over this production for understandable reasons. Gray was a darling of the theatre, and the cast —