Lloyd Evans is The Spectator's sketch-writer and theatre critic
John Webster had one amazing skill. He could craft lines that glow in the memory like radioactive gems. ‘A politician is the devil’s quilted anvil; he fashions all sins on him, and the blows are never heard.’ Eliot loved him. Pinter used to stroll around the parks of Hackney shouting his soundbites into the sky.
It’s back. And I can’t believe I missed it the first time. Live Theatre’s dramatisation of Chris Mullin’s diaries has returned to Soho for a lap of honour. Richly deserved as well. The show moves unobtrusively between Mullin’s many spheres of interest. We see his home life as a father of two and as MP
The Spectator recently held a debate at the Royal Geographic Society with the motion ‘Immigration: Enough is Enough’. Proposing it were Frank Field MP, Dominic Raab MP and Kiran Bali MBE JP. Opposing were Oliver Kamm, Jenni Russell and David Aaronovitch. Andrew Neil chaired. Here is Lloyd Evans’ review: ‘I’m a coward,’ admitted Frank Field,
There should be a sign on the door. ‘Plotless play in progress.’ Moon on a Rainbow Shawl, by Errol John, won first prize in a 1957 scriptwriting competition organised by Kenneth Tynan and judged by Alec Guinness, Peter Ustinov, Peter Hall and others. The West End promoters thought the script uncommercial and never gave it
‘It is the determined policy of this government to keep Wallace and Gromit exactly where they are.’ So proclaimed George Osborne in his Budget speech yesterday, as he announced new tax credits for the video games, animation and televesion industries. But what prompted this? Had he been reading The Spectator? In an interview for the
It started like a bit of good old political knockabout. PMQs opened with a planted question from Mark Menzies (Con, Fylde) asking the PM about Britain’s sick-note culture. Cameron, looking suitably grave, declared that the fake-sniffle problem afflicts even senior management. Ed Miliband, he told us, had recently claimed he was too ill to attend
Calling all thespians. Roll up, you theatre folk. The Hampstead’s new show is a dramatic love-in you can’t afford to miss. Farewell to the Theatre introduces us to Harley Granville-Barker, one of the greatest playwrights of the early 20th century, as he enjoys a sabbatical in Massachusetts in 1916. Everything is languid, atmospheric and high-minded.
Basketball in America. Netball at PMQs. Harriet Harman, Labour’s venerable form-prefect, took her leader’s place today and lobbed a few rubbery missiles at the PM’s under-study, Nick Clegg. It came down to arithmetic. Even if Hattie had stormed it at PMQs she had no hope of reviving her extinct career. But Clegg has it all
Jackie Mason, the New York stand-up, looks very strange. It’s as if somebody shrank Tony Bennett and microwaved him for two hours. Mason is short, dark, troll-like, densely built, with shining bulbous lips and a twinkly expression of diabolical mischief. His hair gathers over his head in a wave of red-brown crinkliness. For his solo
A sombre and muted PMQs this week. Dame Joan Ruddock raised the issue of benefits and asked David Cameron if he was proud of his new reforms. Tory backbenchers cheered on the PM’s behalf. ‘Then would he look me in the eye,’ Dame Joan went on, ‘and tell me he’s proud to have removed all
Strange sort of classic, Hay Fever. Written when Noël Coward was an unknown actor, it won him no converts among producers. He couldn’t get anyone to stage it. The title is weak and vague. The script lacks incident and action. And the humour is more subtle than audiences were used to. Only after Coward had
Health reforms again dominated PMQs today. That’s four weeks in a row. And the great debate, like a great sauce, has now been reduced to infinitesimal differences of flavouring. David Cameron repeated his claim that 8200 GP practices are implementing his policies. But, corrected Ed Miliband, that’s not because they love the reforms. It’s because
Joy of joys. Huge, fat, inebriating doses of adulation have been squirted all over Josie Rourke’s first show as the châtelaine of the Donmar Warehouse. It’s a breakthrough production in many ways. You have to break through the treacly tides of critical approval. Then you have to break through the Donmar’s overenthusiastic heating system, which
Let’s be honest. I shouldn’t say this but I can’t help it. I’m fed up. The NHS reform process has been dragging on for months, and still there’s no end in sight. Ed Miliband brought it up at PMQs for the third week running. The position remains the same. Miliband loves it. Cameron lives with
As a human, Maria Callas was a diva. As a musician, she was a divinity. In the early Seventies she came down from Olympus to share her wisdom with us mortals and gave a series of open classes at the Julliard in New York. These seminars inspired Terrence McNally to create a full-scale portrait of
An outbreak of heritage theatre at the National. She Stoops to Conquer, written by Oliver Goldsmith in 1773, is the ultimate mistaken-identity caper. A rich suitor woos his bride-to-be while under the impression that the home of his future in-laws is an upmarket inn. Boobs and blunders multiply until love triumphs and harmony is restored.
How much does it cost to change a light bulb? Three hundred quid, said David Cameron at PMQs today. Ed Miliband came to the House eager to pile more pressure on the PM and his unloved NHS restructuring plan. Cameron fought back by citing the health bungles Labour presided over while in office. Billions wasted
What does superstardom look like? Well, nothing at all. Like anonymity personified. The seriously big celebs, the ones for whom walking down the street is either irksome or potentially hazardous, develop a knack for blending into the background. When Patrick Stewart arrives to meet me at the Young Vic, I scarcely notice him. The jacket
Here he comes. Royalty’s favourite crackpot is back. Alan Bennett’s trusty drama, The Madness of George III, doesn’t really have a plot, just a pathology. The king is fine, he then goes barmy, he stays barmy for a bit, he gets bashed about by sadistic healers, then he recovers. It’s less a play and more
Miliband is getting the measure of PMQs. Not with respect to Cameron. With respect to himself. He’s learned that his strongest register — sanctimony — will always ring hollow unless it’s attached to a powerful cause. And his gags don’t work. So he’s ditched his team of funny men and wise-crackers and turned to his
