Lloyd Evans is The Spectator's sketch-writer and theatre critic
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Question Time last night featured Tory bad boy, and granny’s favourite, Adam Afriyie. Gosh he was a spectacle to behold. Coiffed and primped like a Savile Row supermodel, he looked as if he’d spent six months in makeup. His tailored suit was as smooth as Clingfilm. His hair was a combed flap of silvery darkness.
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A feast of pleasures, and some annoyances, at the Trike. Handbagged, by Moira Buffini, is a fictional account of the weekly audiences between Mrs Thatcher and the Queen. The staging is extremely odd. Buffini gives monarch and prime minister two impersonators each. This enables us to trace the minor developments in hair colour and frock
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Here’s a favourite Tory joke. Question: What does ‘BBC’ stand for? Answer: Buggers Broadcasting Communism. David Cameron seemed tempted to try this gag at PMQs today. He mentioned the Beeb four times in sardonic asides. ‘Let’s praise the BBC for once,’ he said, bitingly. He woke this morning, he said, to a BBC report stating
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A good honest debating chamber. That’s how Question Time is billed. In fact it’s an unseemly gold-rush for applause. The panelists are a set of needy egos with semi-fictionalised hairdos. And the audience is composed of wonks and party activists posing as disinterested voters. Last night’s episode was particularly fractious. The crowd was keen to
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Brecht in the West End? Quite a rarity. Jonathan Church’s zippy and stylish version of The Resistible Rise of Arturo Ui arrives from the Chichester Festival garlanded with plaudits. Brecht’s wartime allegory was intended as a warning to America that its idolisation of gangsters made it vulnerable to a fascist takeover. Ui begins as a
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How appropriate. Barking in Essex, a farce about gangsters, has been dishonestly billed as ‘a new comedy’. The script was written in 2005 by Clive Exton (1930–2007), who pre-dates Woody Allen by half a decade. The storyline — thieves quarrel over stolen loot — is a trusty antique featured in ‘The Pardoner’s Tale’ and in
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What a challenge. To travel across Italy in an afternoon of wines. I arrived at the soaring spaces of Lindley Hall in Victoria, where Berry Bros & Rudd had assembled 43 growers from 11 regions for its Grand Tour, Italy 2013. Master of ceremonies David Berry Green strolled among the tables tasting and gossiping, introducing
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Terry Johnson’s acclaimed farce Hysteria opens in Sigmund Freud’s Hampstead home in 1938. The godfather of psychobabble is ambushed by a beautiful maniac named Jessica, who forces him to analyse her, and then hides in his closet and strips naked. Along comes Freud’s old chum Yahuda, a bumbling twerp who doubles as the farce’s authority
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Suddenly they’re all at it. Actors, that is, writing plays. David Haig, Rory Kinnear and Simon Paisley Day are all poised to offer new dramas to the public. But someone else has got there first. You may have spotted Phoebe Waller-Bridge playing a secretarial cameo in The Iron Lady. She’s a rangy Home Countries brunette
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Tough times for Ed Miliband. He looked pretty glum at the start of PMQs. Was he wishing that Syria had developed in a different direction? A few weeks of statesmanlike ‘unity and consensus’ – while Assad got his wrists slapped by a volley of Tomahawks – might have suited him better. Instead he was forced
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The BBC’s managerial superstars, past and present, arrived at the Public Accounts Select committee yesterday afternoon to answer questions about executive pay. Like a frightened flock of geese they all began waddling in the same direction. Away from responsibility. Up first was Mark Thompson. The former D-G had jetted in from New York and his
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More un-Shakespearean drama at London’s leading Shakespeare venue. The Globe has pushed the Bard off stage to make way for Blue Stockings, by Jessica Swale, which portrays the lives of female students at Girton College, Cambridge, in the 1890s. The script, which veers between weepy romcom and manipulative satire, sets out to elicit a collective
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It never happened. That’s what happened at PMQs today. Westminster fans tuned in expecting to see the ugly moment when MPs would start accusing each other of playing politics with dead babies. Instead it was a live baby – Prince George – who got all the attention. David Cameron wished ‘a happy and healthy life’
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Chimerica. The weird title of Lucy Kirkwood’s hit play conjoins the names of the eastern and western superpowers and promises to offer a snapshot of both nations just as the baton of economic primacy passes from America’s wizened youth to China’s reborn antiquity. The script has an unusually complex set of creative ambitions. It takes
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The face is unlined. The tan is as deep as Brazilian hardwood. The thatch of grey hair looks like a gift from God rather than the achievement of surgical intervention. At 63, the actor Henry Goodman keeps himself in excellent trim. He exudes energy and concentration, and in the hour we spend together, he relates
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Irish playwright Brian Friel has built a formidable reputation out of very slender materials. A couple of international hits and a handful of Chekhov translations have won him a mountain of trophies. He’s still best known for his 1990 turbo-weepy Dancing at Lughnasa, which featured five mad Irish birds stuck in the bog with no
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Politics is everywhere in Edinburgh. It’s embedded in the architecture of the streets. The New Town, built in the latter half of the 18th century, is a granite endorsement of the Act of Union, a stone pledge of loyalty to Britain’s new Germanic monarchy in London. The layout forms an oblong grid. The horizontals of
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High summer and it’s blockbuster time. The Donmar’s latest show is by the acclaimed Nick Payne, whose play about string theory, Constellations, wowed the West End last year. Constellations niftily incorporated its subject matter into its formal structure. What does that mean? It means the storylines multiplied like an exploding atom until an infinite number
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Strict bylaws in Edinburgh prevent you from buying off-licence booze after ten at night. You can, however, buy all the sauce you want from ten in the morning. (This may explain why alcoholism is so rare up here.) When midnight tolls, Festival revellers pour forth and fill the air with chanting and singing of variable
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Hats off for theatrical recklessness. The producer Danielle Tarento has taken a $10-million Broadway mega-musical and staged it in the 240-seat Southwark Playhouse. Titanic, by Peter Stone and Maury Yeston, opened in 1997 to howls of critical derision that it merrily ignored. The run lasted for two years. The writers take a comprehensive approach. All