Lloyd Evans

Lloyd Evans

Lloyd Evans is The Spectator's sketch-writer and theatre critic

PMQs sketch: Everyone talks about nothing, while no-one listens

Let’s have a breather. It seemed like a truce had been tacitly declared between the party leaders at today’s PMQs. Instead of going on the offensive, Cameron and Miliband turned their solemn and unified gaze towards the sorrows of the eastern Mediterranean. Miliband asked about Syria. Cameron used the opportunity to take a pot-shot at

PMQs sketch: Nothing changes, yet everything is different

There comes a moment in a PM’s journey when he crests the ridge and starts on the downhill leg. David Cameron made that unhappy transition today. PMQs began with a gag from a Labour backbencher. Tom Blenkinsop: ‘The prime minister may believe there’s no alternative to the double dip. But some in the cabinet believe

Aversion therapy

It’s been a while, I have to say, but last week I saw a show that thrilled me to the core. Trelawny of the Wells, the Donmar’s latest offering, is a tribute to the theatre written by actor-turned-writer Arthur Wing Pinero. A simple set-up. Gorgeous young luvvie, Rose Trelawny, has forsaken the greasepaint to marry

PMQs sketch: Miliband packs a punch, and Cameron punches back

Whooo that was nasty. Today’s was the most vicious PMQs of the last twelve months. Easily. Ed Miliband started by quoting the case of a Londoner called ‘John’ who was concerned about living standards. ‘John’, however, wasn’t a disabled pensioner but a City fat cat concerned that next year’s bonus might be capped at two

Losing the plot | 28 February 2013

Who got the most out of the credit crunch? Security guards, repossession firms, bailed-out banks and, of course, playwrights. Anders Lustgarten is the latest to cash in on five years of global misery with If You Don’t Let Us Dream, We Won’t Let You Sleep. The play, like the title, is effortful, disjointed and cumbersome.

PMQs sketch: Miliband has ‘one of those days’

What a strange PMQs. The house seemed half empty. The tug of elsewhere dominated proceedings. Richard Drax asked the prime minister if ‘prospective members of parliament’ should ever speak in support of terrorism.  David Cameron took this cue to rebuke John O’Farrell. Labour’s candidate at Eastleigh has admitted to feeling ‘a surge of excitement’ when

Sheer torture

Ever been to a ‘promenade performance’? Barmy, really. The audience is conducted through a makeshift theatre space — often a disused ironworks — where the show is performed in disjointed snatches amid atmospheric clutter. Invariably hopeless as drama, promenade shows can be revealing as social anthropology. They lay bare a secret that lies at the

15 February 2003: What Do They Want? Victory for Saddam

Ten years ago today, Lloyd Evans joined the anti-Iraq war march in London. Evans had an open mind about the war, until he joined the peace movement and met Bianca Jagger. Here is the piece in full from our archive. I’m bursting with excitement. I can hardly get the words down fast enough. There was

Fatal flaw | 14 February 2013

A new play about the banking crisis at the Bush. Writer, Clare Duffy, has spent a year or two badgering financiers and economists with questions about ‘the fundamentals’. ‘What is the value of money?’ she asks. ‘What do we want and need money to be?’ Her play has lots of zing and energy, and opens

PMQs sketch: In which Cameron both chooses and answers the questions.

Whoosh! Crasshh! Ploophm! Crummppp! The personal attacks came pounding in on David Cameron today. Ed Miliband asked about declining living standards and set about portraying the prime minister as an out-of-touch toff surrounded by plutocratic parasites. He cited the recent Tory Winter Ball where a signed mug-shot of Mr Cameron had been auctioned for the

English eccentrics

Quartermaine’s Terms is a period piece within a period piece. It’s set in that part of the early 1960s which was still effectively the 1950s. St John Quartermaine, a shy bumbler, is the oldest and most useless teacher at a Cambridge language school. All his colleagues are lovable freaks. There’s the Jesus-worshipping spinster shackled to

Women only

A triple thick dose of chicklit at Hampstead. Amelia Bullmore’s good-natured comedy has three girls sharing a student house in 1983. Those were the days. Back then we received ‘grants’ to attend university, i.e., we were paid to look occupied, like job-seekers and politicians. I’m glad to report that Bullmore accurately evokes the culture and

Obsessed with Pinter

It’s the size of a Hackney bedsit but the ambience is cosily expensive. Sonia Friedman’s tiny office above the Duke of York’s Theatre in St Martin’s Lane has warm, pinkish lighting and elegant armchairs with thick, deep cushions. The dark wallpaper is obscured by framed posters of hit West End shows. Sprawled across the sofa

Lloyd Evans

Seeing the light | 24 January 2013

Meet Fenton. He’s a psycho. A year or so back he was banged up for murdering a preppy teenage girl in one of America’s less-enlightened southern states. Enter a campaigning congressman, John Daniels, who hopes to teach Fenton to read and write and to help him make something of his ruined life. The opening of

PMQs sketch: David Cameron, saviour of Europe

David Cameron’s entrance to the Commons at noon was cheered so ecstatically by his backbenchers that broadcasters decided to run the footage again, straight after PMQs. The Tory cheers redoubled when Ed Miliband rose to quiz the PM. Miliband, however, had discovered a flaw in the prime minister’s position. He probed him on his voting

Lloyd Evans

Sketch: Cameron’s EU climax

This was no tantric anti-climax. This was a seismic moment in British politics. David Cameron breezed into a London press conference this morning and proceeded to reshape Europe. The wooden lectern he stood at was pale and municipal. He wore a dark suit and a nice purple tie, and his affable pink chops glowed with